Just Shoot It

Chuck Kinnane joins directly from Little Compton, Rhode Island. And he comes out straight on sharing the credit and pay from their latest feature, “Solo Mio”, starring Kevin James.The Kinnane brothers have been living the dream as filmmakers. And they’re proof that years of work with YouTube videos, closed caption documentaries, and just making shorts, writing scripts and pitching ideas, can and does pay off, even today.It’s the story of Chuck, who started by just shooting his first films at 10 years old. Then he was fortunate enough to share tastes, aspirations, and the willingness to tough it out, suck up your ego, and collaborate all in the name of what is best for the creative work product. It just so happened he didn’t have to go to film school to find his 7 partners and lifelong collaborators. Through luck, doing the work, and getting the work out there, the Kinnane brothers met Kevin James, became his co-creator, and then found themselves making an Adam Sandler picture along the way. This is

Producer Jonathan Burns https://www.linkedin.com/in/jonathanaburns talks about his methods for selecting the vibe that he presents to brands and agencies. And the different considerations that drive his every choice from kraft, to restaurants, crew decisions, and more.Matt and Oren have worked with Jonathan on multiple occasions. And they talk about what separates a production manager who’s graduated “in title” to producer, from a producer who really can be more than a better production coordinator, and box checker.It’s being good at being client-facing. And as an expert, Jonathan has gained a lot of knowledge about ways in which directors lose clients. And there are some missteps you’ll want to avoid.How can you be compromising and easy to work with, and still be a commercial director that gets asked back? Should you do animatics, and does anyone care? What does it mean to stand up for your vision and not be a pain in the a** director?If you’ve been dying for some mentorship as a commercial director, you won

How important is Sundance to your career as a commercial director? Matt and Oren talk about their experiences in Park City before the festival wraps up its last year in Utah.    With Matt working to raise money for his latest film, “Bad Feeling”, there’s a lively discussion about whether making narrative films can advance your career as a commercial director. And the answer is, for some directors, it can make you stand out. But for others, there’s a better way.Then Oren talks about his latest experience shooting outside Los Angeles. And Matt and Oren talk about how to handle the shoot schedule your AD creates. And they raise some good points about what to watch for when shooting out of order. Especially when working with athletes.For example, in LA, actors and crews will help you manage issues related to continuity that have more to do with than just “was this there in the last scene”. It’s Oscar time, Sundance season, and the festival circuit is just kicking off! And if you’re lookin

When Sergio Cilli https://www.imdb.com/name/nm1826186/ made his first AI film, it really didn’t get noticed. And neither did many others he made. Sure they were good. But what got noticed more was the one video he made, which showed why AI isn’t quite and why it’s not yet the monster filmmakers fear.Sergio joins Kristyna Archer https://www.archer.vision/ to talk about making AI films. What works, what doesn’t, and how filmmakers can be ready for what comes next.Matt and Oren dive into how much it costs, where commercial budgets might be headed, and how AI will be adopted into filmmaking and commercials. And Sergio and Kristyna bring two different perspectives.Kristyna is an Adobe Firefly, an AI ambassador for Adobe, and has a background working with LED volume walls, Unreal Engine, and generally skews to the tech side of things. Sergio came from fear. It was only after his wife encouraged him to experiment that he discovered his desire to explore AI and filmmaking.This is a conversation about AI that tackles

Eric Crepeau https://www.imdb.com/name/nm4145859 joins Matt and Oren after a gap of over 400 episodes to talk about sound design! What makes a good sound designer? And what makes a great sound designer? Eric is the OG Editor of "Just Shoot It!" and he's brought along a reel of outtakes that he's kept over the years! And he's dying to talk about 10 useful words when talking to sound designer.And to kick it off Matt and Oren have a deep discussion about having coffee. Yeah, that LA tradition of meeting up for java, jo, latte, or matcha It's such a time old favorite that it's become. well, mundane. Sure people still do it and real deals get one. But can you still use it to make connections and find work? Well Matt and Oren have the answers. And you'll want to hear what makes a coffee invite worth taking. So if you're looking to get 2026 off to a quick start with some new possibilities for work and connections, this is an episode you have got to hear.---Help our Patreon! https://www.patreon.com/JustShoo

Matt and Oren are pulling together their year-end recap posts for social media. And they realize, “wow, there's a lot to reflect upon!”LA is definitely enjoying a resurgence, of sorts. And while more productions are shooting in LA, a lot has changed over the past few years. And everything isn’t rosy.So if you’re wondering what’s the right type of year-end social media recap, or what you should post that will win over the right people, then you won’t want to miss this episode!Matt and Oren have some diverging opinions Like what you ask? Well…sure, it's cool to show your working and always on set. But if you only celebrate your own wins, are you being tone-deaf to the struggle it takes to get those opportunities? And what are some ways to make it more human?Matt and Oren look at it this way. You have to post something intriguing so people who can hire you have you top of mind when the right gig comes. But what should you focus on? Tagging people? The best of your best? Family? Something else?Finally, with

The 2025 year-end Director's Panel is here! Each year, Matt and Oren have a little cocktail party with some of the past year's guests. It's a chance to reconnect and chat about what went well, what didn't, and what they're hopeful for in the coming year.Carlyn Hudson, Jamaal Parham, and Mercedes Bryce Morgan participate in this first-ever, on-camera, live-to-tape panel. And if you've got questions about the impact of AI on Hollywood and the impact of how movies are getting funded on A-list talent, then this is an episode you won't want to miss!Bringing together directors who have attended TIFF, worked with Jake Gyllenhaal, have films on Hulu, travel the globe, and know how to utilize the JOBS Act to fund films yields a diverse range of topics. And this crew talks about the need to do more with less, finding time to be creative, and further pushing the boundary of what's possible in an 8-hour shoot day. And yeah, AI is a big subject on everyone's minds. But is it really a threat? Or are we all whale hunte

Bella Gonzales https://www.imdb.com/name/nm7543234/ brings a ton of insight about being a cinematographer on series like Pen 15, Fargo, Alien: Earth, and The Twisted Tale of Amanda Knox.It’s a really inspiring episode that made Oren want to pick up a camera and operate again. On the other hand, Bella is a self-described lighting-focused DP (Director of Photography). And her conversation with Matt and Oren details how her approach to cinematography enhances, and perhaps even creates, the world of the show more so than an operator-focused DP.Bella also gets into the playbook for Fargo and the rules of the road that create its uniquely offbeat look. And Bella lays out how this makes audiences feel more like they are inside the story.You won’t want to miss this unique episode with a cinematographer who passionately explains the techniques she uses in the art of her craft.Find Bella on Instagram @bellagonzalesdp---Help our Patreon! https://www.patreon.com/JustShootItPodMatt's Endorsement: Ethan Hawke on social med

Tony Yacenda https://www.imdb.com/name/nm2829241/ , the director from "Chad Powers", "Dave", "American Vandal", and a ton of commercials, joins Oren and Matt. And in this episode, Tony gives us a look into how he jumped like four levels to get his first big break on American Vandal.Then Matt and Oren get Tony to share what it means to rebalance how you think about your role and what makes you an effective team player. Why? Because what you think is right can be a lot different on a show with higher network exposure and increased performance pressure. Wanna sneak-peak? Have the confidence to do your role really well, and care less about how it impacts other people's jobs. Without being an a**hole.Finally, the three share strategies for being an artist who takes every note, without robotically being a yes-man and without sacrificing the cohesiveness of your creative vision. It's a great episode that may flip how you think about directing. And it just may help you skip levels in your career as a direct

Commercial director NEDA joins Matt and Oren in their first-ever interview from Eastern Europe! NEDA talks about how she gets unique shots, even when working with kids. She shares how she balances freestyle with agency needs and discovers techniques to capture real moments where the kids are being real, and not pretending or acting.Then Matt and Oren get her to explore what type of director can pull off a one-name brand, like NEDA. And the three explore what happens when your career reaches a point where it seems you get asked too often to do what you’re known for. It sounds like a good problem to have, but it can reach an extreme that limits your ability to expand your reel and grow as a creator.You won’t want to miss this episode about getting unique shots, building your unique style, and having the freedom to keep updating your style as you grow your tastes and stay relevant to today’s trends and audiences.You can find NEDA on IG @minka_jones---Help our Patreon! https://www.patreon.com/JustShootItPodMatt's

Simon Cellan Jones https://www.imdb.com/name/nm0148116 shares the story of his rise from the mailroom at BBC to become a director on "The Diplomat", "See", "Ballers", and "The Expanse".Then Matt and Oren get Simon to share some tips for working with star talent, like Mark Wahlberg, on his latest film "Family Plan 2". What's the difference between how Mark comes to set compared to Jason Momoa? And what are the factors that go into deciding whether to use a Podcar or a process trailer? The guys get into a lot more, and you can't miss this episode.The three wrap up with a chat about the gritty, cutting-edge films that came out of the 1970s. And they ask the question on everyone's mind: Will we soon see a new renaissance in cutting-edge filmmaking in the next year or two? Find out in this week's episode!Find Simon on Instagram @simon.cellanjones---Help our Patreon! https://www.patreon.com/JustShootItPodCome to our event! RSVP at https://events.justshootitpod.com/Dec 10, 2025 at 7:00 PM Lawless Brewing Co.527

Ben Semanoff https://www.imdb.com/name/nm1032608/ shares how he made the break from camera operator to director. Lots of people want to do the same and you might be one of them. So you'll want to hear Ben tell you the one simple question too many people forget to ask. Matt and Oren also get Ben to open up about what makes a camera operator stand out. And the three talk about how Ben found himself in the unique position of being an irreplaceable crew member. And why that was a critical step to directing on Ozark, Stanger Things, and his newest show, Black Rabbit as well as long working relationship with Jason Bateman.You won't want to miss Ben's thoughts on why you need to always bring ideas to set, what it means to shoot the show in prep, and how to decide where to put the lens.Find Ben on Instagram @bsemanoff---Help our Patreon! https://www.patreon.com/JustShootItPodMatt's Endorsement: The streaming service Peacock, because they feature Universal's old monster movies.Oren's Endorsement: Actors

Jonah Feingold https://www.imdb.com/name/nm3783212/ talks about connecting with your parasocial audience to create the films you want to make. And he shares why he got in front of the camera in his latest film, "31 Candles."Matt and Oren get Jonah to talk about filming in New York and how a living city creates one-off opportunities that plus your scene. And the three chat about product placement and the real benefit filmmakers can get from YouTube. You can connect with Jonah at jonahfeingold.nyc  and on IG: @jonahfeingold---Help our Patreon! https://www.patreon.com/JustShootItPodMatt's Endorsement: "They Came Together" w/ Amy Kohler and Paul Rudd https://www.imdb.com/title/tt2398249/Oren's Endorsement: whisper.ai voice to text https://whisperai.com/Jonah's Endorsement: "Broadcast News" https://www.imdb.com/title/tt0092699/ . And do a silent take when on set. Hosted on Acast. See acast.com/privacy for more information.

Will Bridges https://www.imdb.com/name/nm2782297/ shares his method for making every meeting an opportunity. And he explains what he did that let him come from 10 years of working random jobs and trying to make shorts here and there, to becoming the newly discovered talent, suddenly writing for hit series like “Black Mirror” and “Stranger Things” as well as being a co-creator with Charlie Brooker.Matt and Oren get Will to open up about what he learned from "Shaun of the Dead" and how those filmmakers pitched. And they break down the process of showing decision-makers a concept and the steps needed to get them to truly understand what it will look like, feel like, and clearly see the audiences it will resonate with.If you're looking for ideas to improve how you direct actors, you too will get a lot from this episode. And Will goes into the secret of freeing up established actors to do their best work. And he's got some warnings about key mistakes many directors often make---Help our Patreon! https://www.patreo

Matt and Oren celebrate 500 episodes! That's basically one episode per week without dropping a beat, not even on Thanksgivings, since 2015.And while it's true "Just Shoot It" has changed a lot over the years. So too has the film & TV industry. It all started with a focus on auteur filmmaking. But the podcast took a definite shift towards commercial directing over the years.And while both Matt and Oren have successful careers and get paid to actually do what they love doing, neither broke out in a way that made them lose touch with what it really means to make it in the film and TV industry. Through the ups and the downs, both for the industry as a whole and for their individual careers, they've ridden the same rollercoaster as you.Matt talks about some dark times and how he made it through. And Oren and Matt both exchange techniques and ways of thinking that they picked up over the years to help them succeed faster. In the end, they wrote their own rules instead of waiting to "suddenly be discovered"

Seth Worley https://www.imdb.com/name/nm2124394/ made money selling tools for filmmakers. And Matt and Oren get him to talk about ways filmmakers can make side-income today. Can filmmakers make money selling plug-ins and stock footage? And if so, how?But why make side-income as a filmmaker or working commercial director? Simply put: AI. And the guys get into a broader discussion how AI will change video and the impact AI will have in an already saturated marketplace of creatives. And they wrestle with tough questions like, what kind directors won't be replaced by AI?Like a lot of filmmakers, Seth's real passion is making good work. And he gets into his 9-year journey to complete his latest film, "Sketch". Did it change his life completely? The short answer is no. But you'll want to hear how making his feature film transformed how he worked from Nashville as a commercial director.This is the VFX episode you won't want to miss. And you’ll hear some great tips for making a Spielberg-reminiscent, Amblin

How do you define your voice as a director? John-Michael Powell https://www.imdb.com/name/nm3119508/ talks about his new film "Violent Ends" https://www.imdb.com/title/tt6902560 and the career journey that brought it to theaters.When the entire faculty of his art college told him to give up on becoming an artist, John-Michael moved to Los Angeles. He landed his first job at Bunim-Murray Productions, spending nights watching VHS tapes of "The Real World" and transcribing every line of dialogue onto scraps of paper. By day, he lived in a garage in the Valley off the 405 and close to the edge of moving back home.The better he became at editing TV segments with paper scraps thumb-tacked to a corkboard, the faster he spiraled towards mastering useless skills and boring stories about the way things were. But John-Michael had a knack for finding building blocks in any situation. Even alone, the work fueled him. But he still didn't yet know why that mattered to him.Soon things started taking shape: a Sundan

Maya ‘Mayachka’ Margolina https://mayachka.com/ talks about her work with luxury brands like Coach, Rihanna's Fenty, Mercedes Benz, and MCM and how she craft treatments that get her work. And she reveals her own struggle to avoid being derivative while acknowledging that everything is derivative, at least somehow. In this episode, Oren and Matt unpack how Maya's unique cinematic form gets audiences to perceive brands in ways they never imagined. You might call it bridging the gap between a brand and a part of you brain that's from a completely different galaxy.  And though her unique perspective is mind-bending, much of her method is grounded in the same framework Matt and Oren have used in their comedy-focused work. You'll see similar beats with a familiar thought process and the same discovery call, but coming together in a completely different art form. And Maya discusses the details of working with movement directors and music supervisors as well as her interpretation of camera motion, pop

Janek Ambros https://www.imdb.com/name/nm4471783/ doesn't use social media for self-promotion. And he tells up and coming filmmakers, you have to be annoying. Because in reality, that's what everyone in this industry is doing, including A-Listers.Besides if you're under 30, you're not supposed to know any better. So swing for the fence!! With a Sundance film under his belt and scores of other, Janek brings a filmmaker-sans-TV-commercial perspective, grit, and tenacity. And Matt and Oren explore his fascinating counterpoint take one how to make a career. Things like what makes a script that gets picked up. And where to start writing -- for character or budget.It's a fact-filled episode overflowing with juicy info!Find Janek on IG: @assemblylineent---Help our Patreon! https://www.patreon.com/JustShootItPodMatt's Endorsement: "Singing In the Rain" https://www.imdb.com/title/tt0045152/Oren's Endorsement: "Gabby's Dollhouse", the movie https://www.imdb.com/title/tt32214143/ and the HBO show "Peacemaker" https

Mercedes Bryce Morgan https://www.imdb.com/name/nm5521959/ talks about building the career that got her "Bone Lake" https://www.imdb.com/title/tt26783625/. From several Marshmello videos, episodes of Stargate Origins, and ten-by-tens, Mercedes has learned a lot.One of her techniques is the pre-pitch meeting. That's a get together (on zoom of course) prior to her pitch. Kind of like a creative brief. And she sees it as an opportunity to find out what they really want. Which is sometimes easier for people to articulate, she learned, as what they don't want.Another is embedding gifs into her shot list and seeing second units not as a budget extra, but as a real cost-saving tool.If you're building a career as a fillmmaker, you won't want to miss out on some pointers that most people don't talk about.---Help our Patreon! https://www.patreon.com/JustShootItPodJoin Matt & Oren at the Just Shoot It mixer! You don't even have to shower come!Free tickets! Wednesday, October 8 · 7 - 10pm PDTLawless Brewing