New Books In Communications

Since the 1990s, a largely underground upwelling of trans creativity has helped new trans identities, communities, and political movements come together. In Trans Cinema: Making Communities, Identities, and Worlds (University of California Press, 2026), Dr. Laura Horak provides an entryway to the wildly diverse and creative cinema made by trans creators, including those who are Black, Indigenous, and people of color. Overlooked until now, this rich collection of media ranges in genre from romantic comedies to horror films and asks essential questions about how to be human and how to craft a livable life in a world on fire. Okay.Using the fundamentals of film studies, Horak reveals the innovative approaches taken by trans and gender-nonconforming artists to explore how we relate to other people, what it's like to have a body, and how we survive in an oppressive society. These filmmakers tackle the challenging paradox of representing trans lives when greater visibility is associated with ever-increasing levels

Powered by Smart traces the techno-cultural evolutions that made artificial intelligence feel more familiar than futuristic. From wearables and streaming platforms to home voice assistants and AI toasters, smart is an inescapable feature of postdigital life. Today, thousands of products and platforms define smart as routine automation and friendly digital kinship. Yet smartness was not always so digital. Sarah Murray uncovers the century-long process through which smart became synonymous with seamless interaction between bodies and machines, showing how this intimate interfacing helped to normalize today’s algorithmic world.Offering a critical, feminist prehistory of everyday AI, Powered by Smart reveals how the pursuit of convenience, comfort, and efficiency has long been a gendered campaign. Smartness has often been associated with women — from early switchboard operators and industrial designer Lillian Gilbreth’s test kitchens to Jane Fonda’s Jazzercise empire and Disney’s computer-housewife PAT in Smart H

In this episode of International Horizons, RBI Acting Director Eli Karetny interviews Jacob Siegel, writer, Army veteran, and author of The Information State. Siegel traces how military information operations, post‑9/11 surveillance programs, and Silicon Valley’s rise converged to create a new public‑private regime of control over information, attention, and consent. He discusses the intellectual roots of technocratic governance from Francis Bacon and Leibniz through progressivism, World War I propaganda, and cybernetics, and explains how the “information state” differs from classical authoritarianism. Finally, Siegel reflects on Trumpism, the tech counter‑elite around figures like Elon Musk, and how AI may usher in a more “Pharaonic” and quasi‑spiritual form of politics beyond traditional expert‑driven technocracy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

A Critical Look at Information Science and Librarianship in a New Age: Constellation of Insanity (Emerald, 2026) fosters a platform for information scientists to engage in reflection and contemplation regarding the profound questions of our era. By drawing insights from pioneers in the field whose contributions were once marginalized or, in some instances, overlooked within the realm of information science, chapter authors strive to re/center the field's focal point. Chapter authors draw from a diverse array of frameworks including critical theory, deconstruction, queer theory, borderlands, among others. What sets this book apart is its direct confrontation of the status quo and aggressively re/claims intellectual space for “others”. This is the only book to critique the entire discipline of Information Science from as many angles as possible in one volume and as far outside of the traditional organizations. Guest: Wade Bishop is a Professor in the School of Information Sciences at the University of Tenness

What happens when we assume women’s presence in film history instead of their absence? This is the question at the heart of Archiving the Past: Women’s Film History in France, 1927–1978, the newest addition to the Feminist Media Histories book series at the University of California Press. The first book by Aurore Spiers, Assistant Professor of Film and Media Studies at Texas A&M University, Archiving the Past is a fascinating account of some of the many women in France whose labor had a decisive role in the formation of cinema history across the twentieth century. Aurore shows that the film-historical archive has always been a site of feminist agency and power, even if women’s work in and around the archive has been diminished, interrupted, erased, or ignored. In this conversation with fellow feminist film scholar Alix Beeston, Aurore shares about the historical, methodological, and political stakes of her work, from the archive to the classroom. She describes her process for discerning the traces of women’

Feng Xiaogang's New Year Films: Industry, Regulation, Humour and Authorship (Routledge, 2025) offers not only an in-depth study of Feng Xiaogang as a cinematic auteur but also a comprehensive and informative discussion of the industrial transformation of mainstream Chinese cinema under party-state regulation from the 1990s to the 2010s. Ai Qi is a lecturer at the School of Journalism and Communication, Shandong Normal University, China. Qi holds a Ph.D. in Film and Television Studies from the University of Nottingham, UK. His current research mainly focuses on Chinese cinema, new media and cultural studies, non-human celebrities in the digital age in particular. Recently, he published an article on Capybara, discussing why this animal species becomes popular online with attention to Chinese Sang culture. Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Br

Boom to Bust is a timely investigation into the rise of Peak TV and the perfect storm that caused a rapid decline in Hollywood work. When Hollywood writers and actors went on strike in 2023, they drew attention to the rapidly changing nature of film and television production. In Boom to Bust, media industry experts Miranda Banks and Kate Fortmueller combine economic and cultural analysis and interviews with industry workers to capture the lived experience of Hollywood in crisis. Tracking major disruptions of the preceding decade—including the transformation of streaming services into studios, the overproduction of series during Peak TV, as well as #MeToo and COVID—the authors explain how the conflicting interests of studio executives, creative workers, and workers' unions compelled a renegotiation of the terms of work. Grounding readers in the history of Hollywood labor negotiations, the authors provide a road map to make sense of Hollywood’s present—and what comes next. Miranda Banks is Professor of Film,

In the wake of the September 11 attacks, US officials identified the so-called battle for hearts and minds as the “second front” in the war on terror. A wave of funding flowed into public diplomacy in the Middle East, seeking to change views of the United States through Arabic-language communications—often while hiding the traces of American origins. To what extent did this vast propaganda apparatus sway Arab public opinion? Which ideas and actors shaped American public diplomacy in this period? What are the lessons for information strategy today? The Long War of Ideas: American Public Diplomacy in Arabic After 9/11 (Columbia University Press, 2026) by Dr. Nathaniel Greenberg tells the story of American propaganda campaigns in the Middle East after 9/11, drawing on in-depth interviews with key players and previously classified documents. Dr. Greenberg shows how the United States tried to control perceptions of its response to 9/11 through news and entertainment, and reveals that Arab governments and unoffici

Under Western Eyes: Vulnerable Minorities and the Russian State in New Cold War Cultures (Academic Studies Press, 2025) examines the New Cold War between Anglophone Western and Russian media, focusing on its coverage of LGBTIQ+ topics and representations of Russian femininity, masculinity, racial and gender diversity, and disability. It interrogates how the Anglophone media constructs images of vulnerable bodies and groups in Russia, juxtaposing them with the vengeful state and the powerful figure of Putin. These media discourses delineate and unify liberal values as American and Western and contrast them with "backward" Russian values. Paradoxically, in its endeavor to accentuate American dominance and its role in global affairs, various news outlets and entertainment media amplify homophobic, heteronormative, and racist narratives stemming from Russian sources and lend support to Putin's self-portrayal as a formidable opponent to the West. While the West expresses outrage at Putin’s criminalization of LGBT

In U.S. Militarism and the Terrain of Memory: Negotiating Dead Space (Taylor & Francis, 2024), John Bechtold examines how the US military understands information and the media as a contested terrain. Focusing on the assaults on the Iraqi city of Fallujah in 2004, Bechtold shows the efforts the US military went through to make sure it was able maintain control over the battles’ narrative. This effort is more than public affairs and trying to shape how others understand the operations. Just like the military will fight over physical terrain, Bechtold argues that the military understands the information space and the news media as places of contestation that it must work to control. Using examples ranging from official memorialization efforts by the military to Luis Sinco’s photograph of James Blake Miller (the “Marlboro Marine”) to Gary Trudeau’s Doonesbury, this book shows how the assaults on Fallujah are remembered in US military history. Moreover, Bechtold shows how the military set the conditions for the Ba

In this NBN episode, host Hollay Ghadery speaks with Annahid Dashtgard about her new book, Fire and Silence: A Roadmap for BIPOC Leaders (Dundurn Press, 2026). Necessary tactics for BIPOC leaders to navigate from survive to thrive.In these politically fraught times, organizations need strong leadership to help navigate uncertainty and complexity. A crucial yet overlookedgroup of leaders are also racial minorities, who often move into positions of influence with little support or acknowledgement. If you’re one of these leaders (or hope to be), this book is specifically for you. Fire and Silence offers a roadmap to leadership using compassion instead of trauma, authority without victimhood, and strength inclusive of vulnerability, in ways that are fair to all.From the trenches of social activism to coaching boardroom executives, Annahid Dashtgard offers proven strategies and real-world stories alongside practical tips and tools to support growing numbers of BIPOC leaders in achieving the impact and recognition

What is the role of television in the history of the UK? In Race on Screen: Audience Racism in Twentieth-Century Britain (Cambridge UP, 2026) Christine Grandy, an Associate Professor in History at the University of Lincoln, explores how producers, audiences, and television programmes themselves addressed race and racism in the Twentieth-Century. Drawing on a huge range of archival material, the book demonstrates the explicit racism associated with white audiences and TV programming, along with the critical resistance offered by audiences of colour. Thinking through how this history of audience and TV production racism has been forgotten, the analysis is a vital contribution to our own contemporary discussions about race and media, in the UK and beyond. The book is essential reading for arts, humanities and social science scholars, along with anyone interested in the past and future of television. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! http

Peoples & Things host, Lee Vinsel, and guest host, Paula Bialski, Associate Professor of Digital Sociology at University of St. Gallen, talk to Ben Collier, Senior Lecturer in Digital Methods in the Science, Technology, and Innovation Studies department at the School of Social and Political Science at the University of Edinburgh, about his book, _Tor: From the Dark Web to the Future of Privacy_, as well as some of his other work. The book examines one of the most important and misunderstood technologies of the digital age, Tor, the overlay network that allows for anonymous communication, best known as the infrastructure underpinning the so-called Dark Web. Collier takes a community-centered approach and examines the many different reasons and motivations people become involved in using and maintaining the platform. The trio also talk about various other projects and themes, including Collier’s current project on the visual and aesthetic standardization of public security infrastructure, like barriers and boll

How the rise of the culture wars afflicts the politics of education.  On August 9, 2022, the Denton Independent School District held a meeting to address complaints about its libraries. Like so many districts in Texas and across the country, Denton had been responding to accusations that children had access to inappropriate books at school. During the public comment session, a local man stood up to the podium and read a sexually explicit passage from a book that he wanted removed from Denton’s school libraries. But beguiled by the prospect of securing a political win, he had confused the title of the lurid psychological thriller he read aloud with a young adult fiction series about mermaids. While his attempt to ban a book that was never in Denton’s school libraries in the first place received a few laughs, it also reflects a deeply serious and troubling culture of conflict that has taken over the politics of education and now divides people so completely as to make public education as a shared endeavor seem

Today I’m speaking with Ramona Liberoff and Liz Fried, cofounders of the new publisher, Gist Books. Gist allows readers to pick the topics they want, creating a unique and up-to-date collection of topics in a personalized volume. Gist is positioning itself to change the nature of books, offering a wikipedia like experience in physical form. Learn more at Gist's website. Caleb Zakarin is the CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Irish Digital Cultures: Identity, Contexts, Space (Routledge, 2025) explores how questions of Ireland and Irishness are represented in online environments, and what these phenomena say about contemporary Irish identities both within the country and globally. It will interest Irish Studies, Media Studies, Cultural Studies, Sociology, Race, Gender, Identity, and New Media. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In Making the Liberal Media: How Conservatives Built a Movement Against The Press (Columbia UP, 2026), A.J. Bauer examines the history of the idea of a “liberal media bias.” Rather than trying to show whether or not “liberal media bias” is an accurate description, Bauer shows how this idea has been an animating force for conservative political activists and media figures. Bauer shows the lineage of “liberal media bias” criticism going back to early leaders in the modern conservative movement and press, as well as the conservative and right-wing grassroots. In addition to promoting this idea of media bias, these early conservative media pioneers taught their audiences how to be media critics themselves, a tradition that is still practiced today. A.J. Bauer is an Assistant Professor in the Department of Journalism and Creative Media at the University of Alabama. You can find a transcript of the interview here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premiu

Studies of forms of media have focused on either political or cultural histories of media. Political histories study media growth and literacy, and the emergence of liberal democratic institutions in Western and postcolonial societies. Cultural histories study the multiple origins of media technologies, seek lost or marginalised cultural objects, and examine how artefacts are connected to earlier modes of production and consumption. What is lost in both is the idea that media and technologies have an independent existence, with their own lives, histories, and afterlives. Inhabiting Technologies/Modernities: Media and Cultural Practices in South Asia (Orient BlackSwan, 2025) fills this gap, showing how media and technologies create the human condition even as they are created by it. The authors highlight this through everyday artefacts like the book, newspaper, radio, photograph, film, television and activism on digital media. P. Thirumal is Professor of Communication Studies at the Department of Communicat

In an era of deepening polarization, Sari Hanafi examines how social scientists often reproduce the very injustices they seek to challenge, taking entrenched positions while dismissing alternative perspectives. He introduces the concept of symbolic liberalism - a contradiction in which individuals espouse classical liberal principles, yet act in politically illiberal ways. This, he argues, has exacerbated the pathologies of late modernity: authoritarianism, economic precarity, and environmental destruction, now all unfolding in a climate where reasonable debate seems increasingly impossible. Examining key flashpoints of contemporary polarization, Hanafi critiques how symbolic liberalism inflates the universality of rights while simultaneously narrowing the space for dialogue. Rather than this rigid ideological stance, he calls for a dialogical turn, a renewed public sphere where diverse conceptions of the ‘common good’ engage in genuine conversation. Blending political and moral philosophy with sociologica

Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico. Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala’s research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on s