That Shakespeare Life

Prior to Henry VIII’s dissolution of the monasteries in 1538, the section of London known as Blackfriars was as major religious institution extending along the bank of the Thames River. In its’ entirety, Blackfriars was second in size only to St. Paul’s Churchyard. After the Reformation, Blackfriars was located in what’s known as a Liberty, which meant it was just outside the reach of the mayoral law. Being outside the mayor’s jurisdiction made Blackfriars especially attractive to entrepreneurs like The Burbages and their star writer, William Shakespeare, who wanted to open a theater that wasn’t subject to the tighter restrictions of London proper. Blackfriars wasn’t only attractive to innovative theater professionals, however, it was also attractive to immigrants and the highly religious who were seeking freedom from the regulation of guilds. At the time that Shakespeare and the Burbages were looking at Blackfriars as a home for their theater, the parish of St Anne, Blackfriars, was dominated by godly clergy

 It’s Shakespeare’s Birthday this week! Happy Birthday Shakespeare! To celebrate, we’re going to paly some card games! From Noddy and Maw to Laugh and Lie Down, card games were popular for Shakespeare’s lifetime, with records from the court of King James and Elizabeth I outlining games played, losses incurred, and even insults traded between dignitaries all over the playing of card games. Shakespeare himself mentions a few of these games in his plays by name including Noddy, Primrose, and Laugh and Lie Down. When it comes to early modern card games, no one knows more about the games, their history, and how to play them than internationally renowned game expert David . If you are an Experience Shakespeare patron on PAtreon or followed meon YouTube where we have played some of these early modern games for ourselves, you will be familiar with David ’s name, having seen and heard me mention his work as we relied on his research to put together those activities. I am very honored and quite delighted to welcom

Whether it’s a diary entry or a side note in a ledger or account book, history leaves us records of plays that were performed during Shakespeare’s lifetime, but their scripts never survived to the present day in any form that’s recognizable as a complete play. Other than the occasional snippet of a line or two here and there, we cannot read these plays, and we certainly can’t perform them, but we know they were real, and that they had a place in the life of William Shakespeare. This entire group of work is called collectively “Lost Plays” and even bard himself has a few titles that we know he wrote, but we no longer have anything but a passing record to tell us their contents. Researching and cataloging the collection of historical breadcrumbs that piece together a story of a lost play is the purpose of The Lost Plays Database, which is an online collection of the records and research being done into the theatrical works now lost to history. Their database records plays from as early as 1570 and as late as 16

The difference in Shakespeare’s plays between a tragedy and a comedy is defined as whether or not the characters end in marriage or end in death. The comedies often showcase the promise of a marriage, or even sometimes multiple marriages, with proposals happening in the midst of fun and elaborate parties including songs, dances, and frivolity. Then of course those happy marriages are starkly contrasted with those we see in Shakespeare’s tragedies where marital relationships are marred by jealousy, suspicion, or betrayal. Shakespeare’s works give us a glimpse into what marriage customs were for turn of the 17th century England, but they are far from providing any kind of definition what was normal. In order to explore the history of marriage customs for Shakespeare’s lifetime and understand better what we could expect to see if we had attended a 17th century marriage in England, we are sitting down today with our guest, and expert in the history of marriage traditions, George Monger.   Hosted on Acas

Of all the history we know about William Shakespeare and what it was like to live in turn of the 17th century England, one of the hardest things to know for sure about the bard is what he looked like. There are only two verified portraits of William Shakespeare, one is the bust available at his funerary monument in Stratford Upon Avon, and the other is known as the Droeshout portrait, which is an engraving on the title page of the First Folio that was published in 1623. Aside from these two depictions, there have been at least 9 paintings that claimed to be life-like representations of William Shakespeare, all of which were hotly contested, and a few that were outright disproven. One painting, however, has risen to the top through rigorous investigation as a contender for another verified portrait of the bard and it’s known as the Danby Portrait. The Danby portrait was owned by the Danby family for years, until it was sold by Christie’s in a house contents sale in 1975. At that time the painting was misattrib

In 1594 and 1595, when William Shakespeare was 31 years old, fires tore through his hometown of Stratford Upon Avon, causing such destruction that this natural disaster is one of the few major events in Stratford Upon Avon that was recorded for posterity. The fires were known as The Great Fires and in the aftermath of the devastation the town gathered together to rebuild the timbers of their homes and businesses. Many of these rebuilt structures survive through to today, and with the help of a recently awarded research grant from Historic England, the Stratford Society lead by historian Robert Bearman, look to investigate how the timber frame buildings were rebuilt following the fires in 1594, 1595, and another one that occurred later in 1614. Dr. Bob Bearman joins us today to tell us about the history of the fires and to share a look inside the Stratfire Project.    Hosted on Acast. See acast.com/privacy for more information.

In the late 16th century, William Shakespeare was in his 30s, and staging plays like As You Like It, where Rosalind mentions the “howling of Irish wolves against the moon.” (That’s from Act V scene ii). While scholars today debate whether or not that’s a reference to the legend of werewolves, we know from a painting completed in 1595 that there was at least one family whose hereditary disease made many in Europe believe in that werewolves might be real. The Gonzales family carried a rare genetic condition that is known today as hypertrichosis, but it's more common name is “werewolf syndrome”, so called because the people afflicted with it have hair growing over their entire faces, making them look exactly like pictures of werewolves that we have in pop culture and folklore. Here today to help us understand the history of the Gonzales family and what their lives were like living with this condition in  the 16th century is our guest, and author of the book “The marvelous hairy girls : the Gonzales sisters

The Lord Chamberlain’s Men is known as “Shakespeare’s playing company” and was a group of actors for which Shakespeare wrote plays most of his career. By 1603, The Lord Chamberlain’s Men were so popular that James I himself chose to patronize the company making it The King’s Men. Today we are going to look at the man who made the company The Lord Chamberlain’s Men, and that’s Henry Carey, the First Lord Hudson, and the Lord Chamberlain who patronized The Lord Chamberlain’s Men when it was founded by Elizabeth I in 1594. This week we are delighted to welcome historian Stephanie Kline to the show to share with us the life and history of Henry Carey and his role in the career of William Shakespeare.   Hosted on Acast. See acast.com/privacy for more information.

In her latest book, Mortal Monarchs: 1000 Years of Royal Deaths Suzie Edge writes about the deaths of several of England’s monarchs who died in grotesque, weird, or elaborate ways. A former medical doctor now turned history, Suzie takes an indepth look at the sciene behind the deaths of Kings and Queens of England across a thousand years of history. Today, Suzie joins us on the show today to share with us the stories of the deaths of some of the most famous monarchs whose lives and deaths touched on the life of William Shakespeare including Elizabeth I, Mary Queen of Scots, and James I of England.  This week’s episode contains frank medical discussions of gore and violence, including disease and specifics about human demise. While our discussion is both entertaining and academic in nature, the content may be inappropriate for younger listeners. If you are listening in a classroom or where there are child ears present, we recommend you listen to the episode first before sharing it.   

In 1567, a young English sailor named David Ingram signed up to work on a ship captained by English privateer John Hawkins. They would travel up and down the coasts of Africa and Mexico raiding and trading goods. In November of 1567, Ingram found himself and close to a hundred of his fellow crewmates stranded off the coast of Mexico, in a city called Tampico, just south of the present day Texas/Mexico border. Seeking to avoid capture by the Spanish, Ingram and close to two dozen of his shipmates started walking North. By October of 1568, a French fishing vessel picked up Ingram and just two of his original party of travellers off the coast of Nova Scotia. 13 years later, Ingram’s account of what happened to himself and those travellers from Tampico to Nova Scotia was written down by Sir Francis Walsingham and published by Richard Hakluyt in his bookThe Principall Navigations Voiages and Discoveries of the English Nation of 1589. Since then, the veracity of Ingram’s story has been debated by scholars across th

In his latest book, Shakespeare’s Tutor, Darren Freebury Jones explores the unsung history of Thomas Kyd as a master playwright who belongs in the canon of Shakespeare, Marlowe, and Lyly as one of the greatest playwrights of the Elizabethan Era. Darren writes that along with Christopher Marlowe, Thomas Kyd, specifically, paved the way for Shakspeare to be a successful playwright. While it makes sense for a newcomer on the scene, as Shakespeare was in the 1580s, to reach for adaptations of the work of established playwrights to launch his career, Darren points out that William Shakespeare continued to use and be influenced by the work of Thomas Kyd not only after Kyd’s death in 1594, but even after Shakespeare was independently established as a successful playwright in London. To share with us the often overlooked history of Thomas Kyd, and his influence on Shakespeare, is our returning guest, and respected friend, Darren Freebury Jones Hosted on Acast. See acast.com/privacy for more information.

The theaters of the Globe, the Curtain, and the Swan all resided in parts of London considered outside of the law and housing disreputable players. In a strange twist of irony for Shakespeare’s England, however, one of the most highbrow places in society also held dramatic performances in high esteem and that is the university. New establishments for England, colleges like Cambridge and Oxford produced so many professional playwrights for the 16th century that several of them banded together to become known as the university wits. Here this week to help us understand the role of players at major universities as well as who it was that performed there, and how these dramatic presentations interacted with those of Shakespeare is our guest and author of a new publication on University Dramas in Early Modern England, Daniel Blank.  Hosted on Acast. See acast.com/privacy for more information.

Shakespeare mentions a “weather-cock” in his plays Merry Wives of Windsor, Two Gentlemen of Verona, and Love’s Labour’s Lost, which is a kind of weather vane used for measuring wind direction. During Shakespeare’s lifetime, astronomers Tycho Brahe and David Fabricus kept daily weather diaries noting details like the rain, snow, and temperature for their respective parts of Europe. But these two astronomers were far from the only people watching the weather in the late 16th and early 17th century. Other diarists including Haller Wolfagang, and Ralph Josselin, would keep similar diaries. From these notes we learn a description of the weather on specific days as well as exactly when and where major weather events like floods or even solar eclipses would have occurred. Since keeping data about the weather in the 16th century was happening before instruments like weather radar were in existence, it’s fascinating to look back and discover how the study of weather and even weather predictions were happening for Shak

Shakespeare’s play, Romeo and Juliet, talks about the shrieking mandrake while Henry IV and Henry VI use the word mandrake as an insult. These very real plants took on legendary qualities due in part to the chemicals in their makeup which make them useful for anesthetics. Our guest this week is an expert in historical plants and historical methods of growing them and we are delighted this week to welcome Michael Brown to the show, the self-styled Historic Gardner, to share with us about the history of mandrakes.   Hosted on Acast. See acast.com/privacy for more information.

There are many examples of letter writing from Shakespeare’s plays, including letters getting lost in transit and even examples of letter forgery! While many of the examples from Shakespeare’s plays about letters are amplified to be more entertaining on stage, they represent real history about how letters were written and delivered for the life of William Shakespeare. Here today to help us explore the tools used to write a letter, and special tricks like letter locking and sealing a letter, is our guest and co-curator of the Letterwriting in Renaissance England exhibit at the Folger Shakespeare Library, Alan Stewart.   Hosted on Acast. See acast.com/privacy for more information.

In April of 1601, four ships set out from England with hopes of establishing trade with Asia. Remembered by history as the first voyage of the East India Company that launched a momentous relationship between what would become Britain and Asia, the first, as well as the subsequent three, voyages by this group were wrought with danger, disease, and completed at great personal sacrifice. On all of these journeys, the captains and sailors battled illness, poor living conditions, and perilously low morale. While the East India Company launched the missions with a set of rules designed to help alleviate the most significant hurdles, our guest this week, Cheryl Fury, shares in her recent publication that the human cost of these voyages remained astronomically high.  Hosted on Acast. See acast.com/privacy for more information.

This Thursday, January 5, is Twelfth Night, the official end of the 12 Days of Christmas. For Shakespeare’s lifetime, celebrating the Twelve Days of Christmas was a huge occasion, and one which included merriment right up until the very last day. In Shakespeare’s plays, we see many of the Twelfth Night customs come to play including the complete upheaval of established social order where we have boys dressed in mock religious processions, lots of alcoholic drinking alongside elaborate meals, as well as bouts of parody and general misrule against moral order.And of course, for Shakespeare, all of these moments of wild abandon are accompanied by song and dance. To help us understand what Twelfth Night was and why it was celebrated with such crazy antics is our guest and author of a new book on Twelfth Night customs, Rachel Aanstad Hosted on Acast. See acast.com/privacy for more information.

There were several pamphlets published during Shakespeare's lifetime featuring a menacing giant rabbit, sometimes even wielding a sword and looking very scary. It would be easy to think this character the pamphlet calls a “cony catcher” was invented for marketing purposes, except that we see the phrase “cony catcher” come up several times throughout Shakespeare’s plays including Merry Wives of Windsor, Taming of the Shrew, and even in Henry VI Part 3. We can see from the passing references Shakespeare’s writes that a cony is a word for a rabbit, and it follows then that a catcher of conies is one who catches rabbits, but then why is the rabbit being used in early modern England as a fierce sword wielding villain? There are so many cultural questions to unpack with this symbol and that’s why today our guest and author of a new book about the Cony Catcher and other Shakespearean criminals and malcontents, Ari Friedlander, is here to take us through what we should understand when we discover rabbits running ramp

It’s Christmastime again this year and our thoughts are full of sugar plums, candy canes, and hopefully some beautiful winter snow. Growing up children of the 20-21st century are very familiar with the concept of Father Christmas or Santa Claus as he’s become known today who brought gifts to good children each Christmas Eve. For William Shakespeare, however, the characters and particularly the understanding of Father Christmas would have been quite different. You see, William Shakespeare did not have Santa Claus and Father Christmas. There was one Christmas carol from the mid-15th century that described “Sir Christmas” that travelled around announcing the birth of Christ and offering drinks to passersby. There’s another record from the mid-15th century that describes a traditional Christmas battle between Christmas and Lent during which a parade of the months of the year culminates in the presentation of the King of Christmas riding a horse decorated with tinfoil. These 15th century images of Christmas and th

Shakespeare mentions the spice of nutmeg in his plays three times, once in Henry V to comment on the color of of this spice, once in Love’s Labour’s Lost to talk about a “gift nutmeg” which was a gift given at Christmas for the 16th century, and then again in The Winter’s Tale when the clown lists nutmeg as one of the spices he needs to make warden pies, along with mace, dates, prunes, and raisins. Nutmeg not being native to England, it was not only a valuable spice that made a great gift that was popular for major celebrations like Christmastime, but it was a huge part of international relations for England because during the 1600s was when the Dutch were committing all manner of atrocities against England (and indeed the world), to maintain a monopoly on this particular spice. Here today to share with us the history of this spice and some popular recipes that used it from Shakespeare’s lifetime is our friend, culinary historian, and returning guest to the show, Brigitte Webster.  Hosted on Acast.