Ab Film Review & The Last New Wave

On this episode, I'm joined by emerging Noongar Wongi rapper Ethan Eggington, also known as Inkabee, who recently released his debut single and music video Beat the Odds, and his father Joshua Egginton, aka award-winning Noongar Wongi rapper Flewnt MC. The two talk about the relationship they have working with each other, how Inkabee was inspired by Flewnt growing up, and the work of Kwinana Beats, a youth music program facilitated by hip hop artist Rush Wepiha.Beat the Odds is out on all streaming platforms now and was recorded at The Kwinana Beats studio. Make sure to check it out and follow Inkabee and Flewnt on Spotify, Apple Music, iTunes and other music platforms.Head over to TheCurb.com.au for previous podcast episodes, interviews and reviews.Check out the music video for Beat the Odds here:https://www.youtube.com/watch?v=P830e214Ois See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

 ACMI (the Australian Centre for the Moving Image) is one of the finest cultural institutions in the nation, sitting in the heart of Melbourne's Federation Square. Over the summer months, ACMI is screening two curated film selections that celebrate some of the best films of 2022 and a series of films that represent and celebrate the season of summer. Joining Andrew to discuss this catalogue of films is ACMI film curator Reece Godwin who talks about his personal favourite pick of the line-up of 22 films in the Best 22 of 2022 line-up, how the films were selected, and what the importance of experiencing films in a cinema is. More about the curated film selections here: Best 22 of 2022 (1 Dec - 29 Jan) Spanning filmmaking, documentary and animation from Australia and around the world, this program celebrates the best cinema of 2022 - a great opportunity to dive in and catch the new films set to be awards-season favourites in 2023. Highlights include a preview screening of Ruben Östlund latest social satire Trian

Kaya, welcome to The Curb podcast. My name is Andrew Peirce and this podcast is recorded in Boorloo, Western Australia.It’s been a while between drinks for this audio podcast, and I’m proud to jump back in with a fascinating discussion with composer and filmmaker Ashley Davies in relation to his new film, album, and art exhibition entitled Gold. Gold is an album that is inspired by Ashley’s uncle, Len Davies, an artist who upon his death left a legacy of over 500 paintings to be distributed amongst his family. Ashley chose ‘The Lasseter series’, a group of paintings that told the tale of Lasseter’s Reef, the tale of Harold Bell Lasseter as he headed into Central Australia to search for a 15 k gold reef. The series of paintings, and Ashley’s score itself, reflect Lasseter’s fateful journey that resulted with his reputation tarnished and his death.Len Davies paintings work as a counterpoint to those legends, presenting Lasseter’s journey and death as a radiant, beautiful one.In the following interview, Ashley t

Filmmaker and award-winning journalist Yaara Bou Melhem makes their documentary debut with their impressive new film, Unseen Skies. Following artist-activist-writer-musician Trevor Paglen as he makes art out of the plentiful black op sites around the world, Unseen Skies interrogates what it means to be surveilled, what is happening with the wealth of data being collected from us, and more. It's a visually stunning film with a soaring score by Helena Czajka. Unseen Skies plays at the Sydney Film Festival on November 10th, November 13th, and will be available online via SFF On Demand on November 12th. Purchase tickets here.See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

Over six years, a couple battles to stay together as one of them transitions genders; confronting the effects of new body parts, changing gender roles as well as navigating their own evolving sexual identities.See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

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With blood, guts, and a whole bunch of indie filmmaking gusto, genre-fiends brother duo Kiah and Tristan Roache-Turner flipped the Aussie film industry on its with the outback-zombie flick Wyrmood: Road of the Dead in 2014. With sci-fi follow up Nekrotronic under their belts, they turned their attention to the hotly anticipated and equally bloody follow-up, Wyrmwood: Apocalypse. Continuing on this post-apocalyptic mayhem journey where zombies breath has become a substitute for fuel, Kiah grows as a director in impressive ways with this new entry.In part one of a deep dive interview with Kiah, we explores how this entry came about, the influence of Ozploitation masters, and dig into the freedom that low budget filmmaking affords.Make sure to come back and check out part two on Wednesday, where Kiah talks about recognising the talent in yourself, inventive drone shots, and more. See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

The Curb is proudly part of the Auscast Network. Subscribe via RSS feed, Apple Podcasts, Spotify, iHeart Radio or Google Podcasts. Download the episode directly here. Shahn Devendran is the series creator and producer of the powerful Amazon and LADbible Australia show, UNHEARD. Telling the story of racism in Australia from the perspective of those who live with the impact of racial discrimination, this is a powerful, important series. Andrew interviews Shahn about the creation of the series, the social impact campaigns that LADbible has engaged with, and how to encourage people who might not feel they live in a racist society to watch this show. https://www.youtube.com/watch?v=cXp6JXi1F1Y&ab_channel=AmazonPrimeVideoAUNZ Song featured in this episode: Everything's Fucked - The Dirty Three Find out more about the series below. Amazon Prime Video today announced a ground-breaking new six-episode documentary series, UNHEARD, the first feature produced by LADbible Australia Originals and with

Subscribe via: RSS Feed // Spotify // Apple Podcasts // Google Podcasts // Pocket CastsFor some reason, the last Alfred Hitchcock film to be nominated for Best Picture is his 1945 psychological thriller, Spellbound. Featuring an early performance from Gregory Peck, and another lead performance from Ingrid Bergman, Spellbound was nominated for Best Picture, Best Director, and winning the Best Music, Scoring of a Dramatic or Comedy Picture Oscar for Miklós Rózsa.While co-hosts Dave and Andrew could have gone the easy route by discussing Mildred Pierce, a much more worthy Best Picture nominee (and deserving winner too), they instead digest how psychology is presented by Hitchcock, how to present a good amnesia film, while also being surprised by the fun of the film.Spoilers abound for The Yearling too.Clips presented in this episode: Spellbound trailer // Liverwurst scene // Therapy SceneFollow the hosts on social media at the links below:Andrew F Peirce – @TheCurbAUDavid Giannini – @DarnthatdaveAwards Don’t Mat

Aussie filmmaker Josephine Croft joins Andrew to discuss her new short film, Grounded, which is currently engaging in festival submissions. In this deep discussion, Josephine talks about how the idea for the stranded horror came about, while also discussing the creative process of making a short film during lockdowns. Find out more about Grounded from Dayna Di Fulvio below, and to keep up to date with Josephine's work, and Grounded, visit www.josephinecroft.com.au and www.tenaciousstories.net. Short Thriller Grounded Awakens Your Worst Fears on an Aeroplane Set on a decommissioned aeroplane at Avalon Airport in Victoria, Grounded takes viewers on a thrilling journey of entrapment and isolation. The film centres around a uniquely chilling circumstance where main character Anne (Josephine Croft) wakes to find herself locked up, forgotten and alone on a grounded aeroplane. Inspired by the true story of a woman travelling on a USA airline who fell asleep and was accidentally abandoned after everyone disembarked

My Cherry Pie is one of the brilliant Aussie horror films screening at the online film fest: A NIGHT OF HORROR INTERNATIONAL FILM FESTIVAL. With a clear adoration for horror cinema, My Cherry Pie is a gruesome and hilarious dive into the world of criminals who end up in the wrong part of the country, and in deadly strife. Certain to delight horror fans, this is a genuinely exciting entry into the all-too-sparse Aussie horror film canon. Co-directors Addison Heath and Jasmine Jakupi talk about their influences, how they made the film in rural Victoria, and turning Sotiris Tzelios into a Roger Ward-lookalike in this interview. Make sure to check out My Cherry Pie when A NIGHT OF HORROR lands on October 18th.See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

The Lost Weekend is Billy Wilder's first Best Picture winning film, and first time winning Best Director as well. For a director that many may know as a comedy-focused great, this journey into the darkness of alcohol addiction is bleak, powerful, and ultimately a very sobering affair.With a searing Best Actor award winning performance from Ray Milland, and a comforting supporting turn from the ever-reliable Jane Wyman, The Lost Weekend stands as a Best Picture winner that has fallen out of conversation but deserves reappraisal. On Awards Don't Matter, co-hosts Dave and Andrew discuss this noir-tinged drama at length, touching on some very sensitive and possibly triggering subjects.Ultimately, this leads them to the enduring question: does The Lost Weekend still matter?Clips in this episode: The Lost Weekend trailer // Benefits of Drinking clipFollow the hosts on social media at the links below:Andrew F Peirce – @TheCurbAUDavid Giannini – @DarnthatdaveAwards Don’t Matter – @AwardsDontPodSee omnystudio.com/list

Subscribe via: RSS Feed // Spotify // Apple Podcasts // Google Podcasts // Pocket CastsTrigger Warning: This episode discusses instances of abuse, manipulation, and gaslighting.We arrive at one of the films that Andrew was anticipating the most when coming to discussion Best Picture winners and nominees: George Cukor's thriller Gaslight. Starring Ingrid Bergman in one of her Oscar winning roles, alongside Charles Boyer, Joseph Cotten, and Oscar nominee Angela Lansbury, this thriller is a film that coined a phrase that has become synonymous with a horrifying act of bruality that people enact on one another.Co-hosts Dave and Andrew discuss the intensity of this  powerful, enduring classic, while also discussing the morality of Joseph Cotten's heroic character, exploring the 'one perfect shot' aspect of the film, and theorising what kind of impact Gaslight might have had on the film industry if it won Best Picture. And then they wrap up deciding how to pronounce Dune.Clips featured in this episode: A Wife's

As World War Two wraps up, we ease out of one of the worst events of modern humankind with one of the most charming and inconsequential Best Picture winners yet, Leo McCarey's Going My Way. Bing Crosby won Best Actor, and dual nominee for the same role, Barry Fitzgerald won Best Supporting Actor, both playing priests keeping their church and its constiuents alive.Dave and Andrew navigate religion, priests, music, and charm in this discussion that tries to pat this nice little film on the shoulder for trying. Thankfully, this isn't the musical Cats, nor is it another Best Picture winner, Spotlight.Clips featured in this episode: Going My Way trailer // Right Field Pitcher // They Let it Happen from SpotlightFollow the hosts on social media at the links below:Andrew F Peirce – @TheCurbAUDavid Giannini – @DarnthatdaveAwards Don’t Matter – @AwardsDontPodFollow the hosts on social media at the links below:Andrew F Peirce – @TheCurbAUDavid Giannini – @DarnthatdaveAwards Don’t Matter – @AwardsDontPodSee omnystudio.c

The Curb is proudly part of the Auscast Network. Subscribe via RSS feed, Apple Podcasts, Spotify, iHeart Radio or Google Podcasts. Download the episode directly here. Filmmaker Robert Machoian has crafted a searing depiction of separation and despair in his essential drama, The Killing of Two Lovers. Following David (Clayne Crawford), this narrative tumbles and turns as he tries to maintain a hold on his relationship with his wife Niki (Sepideh Moafi) and his children. The title hints at violence, but the film is devoid of any significant bloodshed, instead focusing on the violence that is conjured in a separation. Andrew caught up with Robert to talk about the production of the film, depicting separation and tragedy on screen, and being influence by Kelly Reichardt. The Killing of Two Lovers is in Australian cinemas from September 16th 2021.See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

The Curb is proudly part of the Auscast Network. Subscribe via RSS feed, Apple Podcasts, Spotify, iHeart Radio or Google Podcasts. Download the episode directly here. BAFTA Award winning writer, Anthony Mullins, joins Andrew to discuss his new book, Beyond the Hero's Journey: A Screenwriting Guide for When You've Got a Different Story to Tell. In this deep discussion, Anthony talks about the process of writing a book on screenwriting, how he decided on what films to include in the book (and which big title he excludes), while also talking about the need for emotional openness when it comes to talking about films. Music included in this episode: The Nightingale, Burning. Available via New South Books here.See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

Jonathan Alley's powerful documentary, Love in Bright Landscapes, tells the story of David McComb and The Triffids - arguably the greatest West Aussie band to have existed. In this grand interview, Jonathan talks about the long journey to bringing David's story to a film, the power of The Triffids music, while also touching on how it feels to be an interviewer who has interview someone who has passed away. This is a deep, informative interview, just like the film itself. Love in Bright Landscapes is in cinemas from September 9th. In Perth, Luna Leederville has a series of special events celebrating the film. Tickets can be found here. If you're a fan of The Triffids, or want to support the documentary, then visit the Love in Bright Landscapes website here, and pick up a copy of Deep in a Dream here.See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.

The Curb is proudly part of the Auscast Network. Subscribe via RSS feed, Apple Podcasts, or Google Podcasts. Perth producer, Hannah Ngo, joins Andrew to discuss her new SBS series, Iggy & Ace. Telling the story of two gay best friends, Iggy (Sarah West) and Ace (Josh Virgona), this brilliant comedy series carries a streak of truth to it as the two friends grapple with the realisation that maybe their hard drinking lives might mean they're alcoholics. When Ace decides to go to AA, their friendship is threatened. Iggy & Ace is a thoroughly enjoyable show, brilliantly written by AB Morrison, intimately directed by Monica Zanetti, and perfectly produced by Hannah Ngo and Melissa Kelly. In this interview, Hannah talks about her work as a producer and what she wants to take her career going forward. If you like what you hear, then make sure to check out Iggy & Ace on SBS On Demand from September 9th, and while you're there, also check out Hannah's short film, Tribunal. See omnystudio.com/listener f

The great Erik Thomson joins Andrew to discuss his latest film, James Ashcroft's searing thriller, Coming Home in the Dark. As a working actor that has a varied career that's spanned three decades, Erik has become one of the most iconic figures in Australian TV and film, with roles in Packed to the Rafters and All Saints making him a household name. In this discussion, Erik talks about what attracted him to the role of a school teacher whose family is thrown into the worst day of their lives by two gun-wielding men in Coming Home in the Dark, while also touching on the narrative complexities of a film like this. Erik also talks about his work with filmmakes like Cate Shortland (Somersault) and Roderick MacKay (The Furnace), and wraps up the interview with a few New Zealand film recommendations, including Sam Neill's documentary, Cinema of Unease. The Curb podcast is proudly hosted by Auscast Network.See omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more informatio

While the 16th Best Picture winner - Casablanca - stands proudly as a bonafide classic, it isn't the only nominee of that year that stands the test of time as a genuine masterpiece. That honour also falls on William A. Wellman's undervalued social drama, The Ox-Bow Incident.At a tight 75 minutes long, The Ox-Bow Incident manages to deliver a stunning thriller that leaves the three hour bloated epics in its wake. Co-hosts Dave and Andrew delve into the power of masculinity, the cruelty of mob justice, and more in this deep discussion here.Read Dave's review of The Ox-Bow Incident at Insession Film here.Follow the hosts on social media at the links below:Andrew F Peirce – @TheCurbAUDavid Giannini – @DarnthatdaveAwards Don’t Matter – @AwardsDontPodSee omnystudio.com/listener for privacy information. Hosted on Acast. See acast.com/privacy for more information.