Talkhouse Podcast

On today's episode, fingerstyle guitar wunderkind (and massive Teenage Fanclub fan) Ryley Walker chats with that legendary band's frontman, Norman Blake. Their talk takes in songwriting process, challenging oneself onstage, the excitement of collaborating with experimental musicians, studio techniques, and so much more. Check it out, and subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse podcasts.  — Elia Einhorn, Talkhouse Podcast host and producer.  Today's episode was recorded by Ryley and Norman, and mixed and co-produced by Mark Yoshizumi.

On the latest episode of the Talkhouse Podcast, writer-director and frequent Talkhouse contributor Jim Hemphill sits down with Lea Thompson, whose feature directorial debut, The Year of Spectacular Men, has its world premiere at the Los Angeles Film Festival on June 16. The two old friends talk about her new movie, collaborating on Jim's movie The Trouble About the Truth, Lea's memories of working on Howard the Duck, Some Kind of Wonderful and All the Right Moves (which includes a frank discussion of her and Tom Cruise's nudity!), sexism in Hollywood, Jim's lack of prowess as an actor, and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

Patterson Hood (Drive-By Truckers) and Talib Kweli both make music to make a difference. On their respective new releases American Band and The Seven (Kweli’s EP in collaboration with Styles P), the lyrics directly address social and political issues. The Southern rocker and NYC rapper sat down for the Talkhouse Podcast last month and covered a lot of ground, including: Kweli’s experiences on the ground in Ferguson; Patterson’s desire to provide a visible alternative to white Southern men as bigots in the media; Dave Chappelle’s planning meeting with Saturday Night Live’s Lorne Michaels; Harry Belafonte’s attempt to make a “We Are The World”-style song with rappers for Ferguson; and so much more. Check it out, and subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse podcasts. — Elia Einhorn, Talkhouse Podcast host and producer. Today’s episode was recorded by Mark Yoshizumi and Patterson Hood, and mixed by Mark Yoshizumi. Want to take action? Talib Kweli recommends: Indivisible.org i

On the latest episode of the Talkhouse Podcast, Kumail Nanjiani, the writer-star of the forthcoming The Big Sick, talks with Zoe Lister-Jones, whose Band Aid – which she wrote, produced, directed, stars in and wrote the songs for – is in now in theaters on VOD. In a conversation interrupted both by gardeners and Zoe's Band Aid co-star Adam Pally, the two multihyphenates chat about putting their real lives in their movies, working with their partners, getting in touch with their emotions, why comedies have terrible third acts, why Boardwalk Empire made enemies in New York, and what it's like to make a movie with an all-female crew. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

On the latest episode of the Talkhouse Podcast, comedian and actor Paul Scheer talks with his friend and former collaborator Ken Marino, whose directorial debut, the very funny How To Be a Latin Lover, is currently in theaters. In a fascinating and often hilarious conversation, the two discuss Marino's work on his new film with Mexican comedy star Eugenio Derbez and Salma Hayek; their roots in sketch comedy (Marino found fame with The State and Scheer with Human Giant); doing diverse work as writers, directors and actors; professional competitiveness; their comic histories; Pixar bloopers; Ken's love of dance, and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts.

For the latest episode of the Talkhouse Podcast, we invited Talkhouse Music’s editor-in-chief, Amy Rose Spiegel, to choose one of her favorite episodes from the vault. The one she picked is the only episode of the podcast to ever be scored live: Caroline Polachek (ex-Chairlift) with Alan Palomo of Neon Indian. The episode, which originally aired in 2016, is presented here in its entirety with a new introduction from Amy Rose and me. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. —Elia Einhorn, Talkhouse Music Podcast host and producer New introduction recorded and mixed by Mark Yoshizumi. Last year, Alan Palomo of Neon Indian and Chairlift’s Caroline Polachek sat down at Samsung 837 in New York City for a live Talkhouse Music Podcast recording. As Alan played ambient self-generated sounds and Caroline spun an unreleased composition for atmosphere, the friends and mutual admirers discussed what can and can’t be co-opted in the arts, experimental and pop music, the

On the occasion of her autobiography Art Sex Music's American book release, industrial music pioneer and acclaimed performance artist Cosey Fanni Tutti (Throbbing Gristle, Chris and Cosey) sat down with Patti Smith Group's Lenny Kaye to discuss her fascinating life on the margins. Their conversation, which took place at McNally Jackson bookstore in New York, takes in the rise and fall of Throbbing Gristle, transgressive art shows, a hilarious story about Tutti using "Because The Night" during her strip routine, and much more. It begins with a stage-setting reading from Art Sex Music. Many thanks to McNally Jackson and Faber and Faber for allowing Talkhouse to record and release this fantastic conversation. —Elia Einhorn, Talkhouse Music Podcast host and producer

On the latest episode of the Talkhouse Film Podcast, friends, filmmakers and fellow humanists Shannon Plumb and Azazel Jacobs get up close and personal. Snuggled in bed in a room at the Lower East Side Ludlow Hotel, the pair share a unique rapport that translates to their fascination with the human condition and the deeper understanding of human beings that informs their work. The freewheeling conversation includes how Jacobs tapped into his comedic side for his new film The Lovers, starring Debra Winger and Tracy Letts, and then transcends space and time, delving into Lenny Bruce, the Clash and the possible existence of space babies. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. The music featured in the podcast is as follows: 1. Intro / outro underscore: “Plastic Man vs. the Giant Red Phase of the Sun” – Iced Ink Episode recorded by Susan Valot and mixed by Mark Yoshizumi; the

On the latest episode of the Talkhouse Film Podcast, two of the funniest (and also most underappreciated) comedians around, Todd Barry and Chris Gethard, sit down for a conversation at Sonos' flagship store at 101 Greene Street in New York City. The two multihyphenates talk about their myriad projects, including Barry's newly published book Thank You for Coming to Hattiesburg, Gethard's one-person show Career Suicide (which hits HBO later this month), the Webby Gethard just won for his podcast, but focus most of their conversation on the minutiae that is the very stuff of comics' lives: clothing choices, frequent flyer miles, college gigs, life on the road. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

With the recent release of Julia Holter’s new LP In the Same Room (which features gorgeous new live-in-studio versions of songs from her last two albums) as well as an imminent new album from Broken Social Scene, we wanted to revisit the thoughtful conversation Holter and Broken Social Scene’s Kevin Drew had last summer for the Talkhouse Music Podcast. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. —Elia Einhorn, Talkhouse Music Podcast host and producer Songwriter/composer Julia Holter and Broken Social Scene’s Kevin Drew sat down backstage at Pitchfork Fest earlier this summer to discuss the difference between writing solo and with a group, how the next Broken Social Scene record needs some Bobby McFerrin-esque acapella… and a possible collaboration. Take a listen and subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse Podcasts.

For the latest episode of the Talkhouse Music Podcast, we invited Talkhouse Music's new editor-in-chief, Amy Rose Spiegel, to choose one of her favorite episodes from the vault. The one she picked happens to be one of my faves, as well: Genesis Breyer P-Orridge with Laura Jane Grace. The episode, which originally aired in 2015, is presented here in its entirety with a new introduction from Amy Rose and me. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. —Elia Einhorn, Talkhouse Music Podcast host and producer New introduction recorded and mixed by Mark Yoshizumi. “Transsexuals are the stormtroopers of the future.” So says Genesis P-Orridge, the iconic, visionary musician who has fronted influential bands like Psychic TV and Throbbing Gristle. While P-Orridge isn’t transgender — they* call themselves a pandrogyne — their partner in this Talkhouse Music Podcast, Against Me! frontwoman Laura Jane Grace, came out as transgender in 2012. Still, as P-Orridge points out,

On the latest episode of the Talkhouse Music Podcast, we look back on winter 2017. Talkhouse Music Podcast host Elia Einhorn and Talkhouse Music Editor-In-Chief Amy Rose Spiegel discuss some of their favorite moments from the podcast, including Starita and A Tribe Called Quest’s Jarobi White remembering Phife Dawg, Xenia Rubinos and Digable Planets’ Ladybug Mecca on intersectional feminism, the Flaming Lips’ Wayne Coyne asking Prince Paul about De La Soul’s industry-changing sampling issues, and the Smiths’ Andy Rourke and Joy Division and New Order’s Peter Hook on the first time they saw each other. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. —Elia Einhorn, Talkhouse Music Podcast host and producer

On the occasion of the episode becoming a Webby Award honoree, Talkhouse podcast producer Elia Einhorn and Talkhouse Film's Editor-in-Chief Nick Dawson revisit the very special conversation from 2016 between hip-hop star, actor and longtime Pee-wee Herman fan Kid Cudi and Pee-wee himself, Paul Reubens. In addition to the full original talk between the two — which touches on how they first met, Reubens' journey to bring Pee-wee Herman back to the big screen, Cudi's strong dislike of skunks (and recent encounter with a mountain lion), and a discussion by both of future creative projects — you get to listen to the full backstory of how this unlikely episode came together. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

On the latest episode of the Talkhouse Film Podcast, Talkhouse podcast producer Elia Einhorn and Talkhouse Film's Editor-in-Chief, Nick Dawson, look back on the some of best moments from episodes recorded in the first quarter of 2017. Highlights include: Portlandia's Fred Armisen and Carrie Brownstein talking Wikipedia errors; Penelope Spheeris looking back on directing Donald Trump in The Little Rascals; Neal Brennan on how he and Seth Meyers thought they had “conquered” Trump through satire; Kirsten Johnson asking Agnès Varda about her favorite colors; and Morgan Spurlock and Louis Theroux discussing porn and Nipplegate. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

Slowdive's Rachel Goswell and Michelle Zauner of Japanese Breakfast are mutual fans of each other’s dreamy music. As their bands gear up to tour the US together, we thought it the perfect time to pair these two on The Talkhouse Music Podcast. Their chat covers the vicissitudes of Goswell’s professional and personal relationship with Neil Halstead over the decades, how Slowdive relearned old material via fan videos on YouTube, nerding out on gear, and exciting new details about Slowdive and Japanese Breakfast’s upcoming LPs. Check it out, and subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse podcasts. — Elia Einhorn, Talkhouse Music Podcast host and producer Today's episode was recorded by Mark Yoshizumi and Rachel Goswell and mixed by Mark Yoshizumi.    

To celebrate the release of Thundercat's excellent new album, Drunk, we're revisiting the time Stephen “Thundercat” Bruner and Kamasi Washington sat down backstage at Pitchfork Festival for The Talkhouse Music Podcast. In this episode, they discuss growing up playing music together, working with Kendrick Lamar and Flying Lotus, the last conversation Thundercat ever had with J Dilla, and much more. Their talk follows a bonus chat between Carly Rae Jepsen and Brian Wilson. Subscribe now on iTunes or Stitcher to stay in the loop about future Talkhouse Podcasts. — Elia Einhorn, Talkhouse Music Podcast host and producer

Mastodon’s Troy Sanders and Bill Kelliher got together with their old pal Jesse Leach of Killswitch Engage to talk metal for our podcast. Except, that didn’t really happen. Instead, the guys had an impromptu riff session, including hilarious off-the-cuff stories about how Mastodon’s Brent Hinds taught Jesse to save his tour per diems for drugs, Phil Anselmo of Pantera’s bathroom antics, Bill’s high school breakdance troupe, Troy’s recommendation for the perfect place to dump a body, and so much more. Subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse podcasts. — Elia Einhorn, Talkhouse Music Podcast host and producer

On the latest episode of the Talkhouse Film Podcast, comedian Tim Heidecker sits down with Adam Curtis, the BBC filmmaker whose sprawling, epic political documentaries about have in recent years made him a cult figure. In a highly engaged conversation, the two discuss Curtis' past making films about “talented animals,” tropes in current pop music (and how dull music in docs is), Donald Trump, how John Oliver and Jon Stewart contributed to Trump's success, the power of storytelling in politics, and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.

Mike Posner is a Grammy-nominated singer-songwriter whose megahit "I Took a Pill in Ibiza" has been streamed more than a billion times; last week, he released a book of poetry titled Teardrops and Balloons. Taraka Larson fronts the beloved psych-pop group Prince Rama, and is a pop music theorist who has lectured on the subject at New York University and Melbourne College in Australia. We thought it would make for a great conversation to pair this pop scholar with one of pop’s biggest current writers. And it was! In a talk that was part theory discussion, part psychoanalysis, the two discuss where truth is to be found in the inherent artifice of art, the temptation to glorify one’s suffering in one's work, how you know when you’ve created good art (and when you haven’t), Prince Rama appearing in James Franco’s new Lifetime film, and much more. Check it out. Subscribe now on iTunes or Stitcher to stay in the loop on future Talkhouse Podcasts. — Elia Einhorn, Talkhouse Music Podcast host and producer Today's

In conversation on the latest episode of the Talkhouse Film Podcast are Super Size Me director Morgan Spurlock and Louis Theroux, whose latest documentary, My Scientology Movie, is in theaters now. In a highly entertaining discussion, the two talk about: Michael Moore; the joys and pitfalls of immersive journalism; Theroux's time with the infamous British TV presenter Jimmy Saville; getting up close and personal with bigots, pedophiles, Ted Nugent and other unsavory characters; whether or not Louis hates Alex Gibney (who, of course, made his own Scientology doc); Janet Jackson and Nipplegate; and much more. For more filmmakers talking film and TV, visit Talkhouse Film at talkhouse.com/film.