Spectator Books

My guest on this week’s Book Club podcast is the film writer Peter Biskind. In his new book Pandora’s Box, he tells the story of what’s sometimes called “Peak TV” – and how a change in business model (from network to cable to streaming) unlocked an extraordinary era of artistic innovation, and uncovered an unexpected darkness in the public appetite to be entertained.

My guest in this week’s Book Club podcast is the novelist Sandra Newman, whose new book Julia retells George Orwell’s Nineteen Eighty-Four from Julia’s point of view. We discuss the spaces Orwell’s classic left for her own novelistic imagination, what we do and don’t know about the world of Big Brother, and whether the misogyny in Orwell’s original belongs to the author or the dystopia he depicts.

In this week's Book Club podcast, we're celebrating 50 years of a unique classic – Richard Adams's Watership Down – and its forthcoming adaptation in graphic novel form. I'm joined by Richard Adams's two daughters Juliet and Rosamund, who tell me how a story that their dad started telling them to beguile a long car journey became one of the best selling children's books of all time, how that changed their father's life, and how Fiver's prophesy, alas, is finally coming true. 

My guest in this week's Book Club podcast is Caspar Henderson, whose new book A Book of Noises: Notes on the Auraculous really is a journey into sound. He tells me why the music of the spheres – at least in this solar system – is a terrible racket, what we can learn from whale earwax, and why bat-squeaks are, in fact, very very loud indeed. 

My guest in this week’s Book Club podcast is the writer, broadcaster and academic Mary Beard. In her new book, Emperor of Rome, she explores what we can and can’t know about the men who ruled the Roman Empire, and what the lurid stories about so many of them tell us about the anxieties and fantasies of Rome’s ordinary citizens and the remarkable resilience of the regime. We also discuss, among other things: decapitated ostriches, fatal rose petals, and Mary’s robust reappraisal of Marcus Aurelius’s 'sub-Stoic' maundering.

In this week's Book Club podcast I'm talking to Sarah Ogilvie about the extraordinary story of the making of the Oxford English Dictionary, as told in her new The Dictionary People: The Unsung Heroes Who Created the Oxford English Dictionary. She tells me why the OED was different in kind from any previous English dictionary, how crowdsourcing made it 'the Wikipedia of its day', and how – as she discovered – quite so many cranks, murderers, perverts and foreigners took such an interest in it.

In this week's Book Club podcast, I'm joined by Francesca Peacock to talk about the remarkable life and extraordinary work of Margaret Cavendish, the 17th-century Duchess of Newcastle. Famous in her own day for her bizarre public appearances and nicknamed 'Mad Madge', the author of The Blazing World has been marginalised by posterity as an eccentric dilettante. But in her new book Pure Wit, Francesca sets out to reclaim her as a serious feminist writer before feminism was generally thought of, and as a radical thinker in natural philosophy. She tells me about the contradictions of 'Lady Bashful' who lived to be famous, this happy wife who wrote scaldingly about marriage, and this autodidact who nevertheless wasn't afraid to take on Hobbes, Descartes and the dusty fellows of the Royal Society. 

The Book Club podcast returns next week. In the meantime, here's another from the archives, and one which looks more timely now even than it was when we recorded it in 2017. Here's perhaps Russia's most prominent dissident writer, Masha Gessen, talking about their book The Future Is History: How Totalitarianism Reclaimed Russia.  

As Sam is still away, we've dug out one our favourite podcasts from the archives. Back in 2019 Sam spoke to the historian Tom Holland, about his book Dominion: The Making of the Western Mind. The book, though as Tom remarks, you might not know it from the cover, is essentially a history of Christianity and an account of the myriad ways – many of them invisible to us – that it has shaped and continues to shape Western culture. It’s a book and an argument that takes us from Ancient Babylon to Harvey Weinstein’s hotel room, draws in the Beatles and the Nazis, and orbits around two giant figures: St Paul and Nietzsche. Is there a single discernible, distinctive Christian way of thinking? Is secularism Christianity by other means? And are our modern-day culture wars between alt-righters and woke progressives a post-Christian phenomenon or, as Tom argues, essentially a civil war between two Christian sects? 

My guest on this week's Book Club podcast is the journalist and author Celia Brayfield whose new book Writing Black Beauty: Anna Sewell and the story of animal rights, takes us back to the 19th century. Celia describes how Anna Sewell's writing of the Black Beauty book ultimately led to the kinder treatment of horses, and we both recall fondly the popular TV adaptation with its soaringly emotive theme tune.

My guest on this week's Book Club podcast is the novelist and psychologist Ayelet Gundar-Goshen, whose gripping new book The Wolf Hunt tells the story of an Israeli-American mother who finds herself wondering whether her teenage son Adam could have been responsible for the death of a classmate. She tells me about using the thriller form as a Trojan horse, about fear and what we do with it, and whether, as an Israeli writer, you can ever escape from politics.   

My guest on this week's Book Club podcast is the investigative and tech writer James Ball, to talk about his new book The Other Pandemic: How QAnon Contaminated the World. In it, James traces the rise and disturbing metastasis of what he calls 'the conspiracy theory that ate all the other conspiracy theories', and argues that what looks from the outside as an extreme set of fringe beliefs about Satanic paedophile rings running the Deep State is something we need to take very seriously indeed.  

In this week's Book Club podcast I'm joined by Ferdinand Mount who in his long career has been literary and political editor of this very magazine, as well as editor of the TLS and head of Margaret Thatcher's Number Ten policy unit. We discuss his new book Big Caesars and Little Caesars: How They Rise and How they Fall, from Julius Caesar to Boris Johnson. He tells me why he thinks it's fair to compare our recent former prime minister with a cast of despots and autocrats from Indira Gandhi and Oliver Cromwell to Louis Napoleon and even Adolf Hitler, and why he sees the impulse to autocracy as an ineradicable thread in human history.   

My guest in this week's Book Club podcast is Caitlin Moran. Having written one of the bestselling works of popular feminism of the last 20 years – How To Be A Woman – she has turned her attention to the other half of the population with her new book What About Men? I asked Caitlin why she felt she needed to write such a book, and what qualifies her to do so. She tells me why she thinks young men are turning against feminism, what she says to the people who accuse her of trading in stereotypes, and why she thinks Jordan Peterson is a poor excuse for a 'public intellectual'.

My guest in this week's Book Club podcast is Tom Whipple, science editor of the Times and author of the gripping new book The Battle of the Beams: The secret science of radar that turned the tide of the Second World War. He describes the ingenious technological, psychological and espionage battles that made electromagnetic warfare a decisive – if under-appreciated – contributor to Britain's victory in the air war and, finally, in the Normandy Landings.

My guest in this week’s Book Club podcast is the art critic Laura Cumming. Her new book Thunderclap: A Memoir of Art and Life and Sudden Death talks about her fascination for the paintings of the Dutch 17th-century Golden Age, and in particular the entrancing work of the enigmatic Carel Fabritius. She tells me how her preoccupation links to the story of her artist father, why she thinks academic art historians too often miss the most important thing about paintings, and how looking at a work of art makes it possible to commune with the dead.

My guest in this week's Book Club podcast is the cosmologist Andrew Pontzen. His The Universe In A Box: A New Cosmic History describes how we have learned to simulate first the weather, and then the universe itself – and how we discovered that those simulations don't just mimic reality but allow us to learn new things about it. Dark matter, the Big Bang and the scientific importance of suboptimal pizza: it's all here. Produced by Oscar Edmondson, Joe Bedell-Brill and Cindy Yu.

My guest on this week’s Book Club podcast is the former FBI director James Comey, who is making his debut as a thriller writer with an engrossing police procedural, Central Park West. Jim tells me how he mined his own early career as a prosecutor in the southern district of New York to produce this world of hard-bitten investigators and murderous mafiosi (and how he was able to bring it up to date because it’s a world his daughter now inhabits). And, as the investigator at the centre of the Scooter Libby and Hillary Clinton email cases – among many others involving classified intelligence – he gives me his take on what Donald Trump’s indictment means and where it’s likely to lead.

In this week's Book Club podcast I talk to Peter Turchin about his new book End Times: Elites, Counter-Elites and the Path of Political Disintegration. He proposes a scientific theory of history, mapping the underlying forces that have led to the collapse of states from the ancient world to the present day, and warns of very turbulent times ahead indeed. 

In this week's Book Club podcast, I'm joined by the writer and critic Laura Freeman to talk about her book Ways of Life: Jim Ede and the Kettle's Yard Artists. Laura's book is the portrait of one of those figures who, without ever quite taking the spotlight themselves, was nevertheless hugely influential in kindling the love and appreciation of art in others – a man who knew everyone from Picasso and Brancusi to David Jones and the Nicholsons, and whose home-cum-gallery in Cambridge has been a sanctuary and inspiration to generations of undergraduate pilgrims.