Start The Week

Andrew Marr discusses money, transformation and the obsession with growth with two leading economists: Diane Coyle and Dharshini David. Professor Coyle argues it's time to rethink the way we measure productivity, while the broadcaster Dharshini David follows the journey of a single dollar in her study of globalisation. The theatre director Anna Ledwich is more interested in the people whose lives revolve around the money markets: her latest play Dry Powder highlights their vulnerability, vision and sheer unadulterated greed. During the financial crisis of 2008, Iceland experienced proportionally the largest banking collapse by any country in economic history. The novelist Jón Kalman Stefánsson is writing a modern Icelandic family saga and explores whether the transformation of his country in the 20th century laid the foundations for its future collapse. Producer: Katy Hickman.

With millions of people on the move around the world, the novelist Mohsin Hamid has set his latest novel against the backdrop of the refugee crisis. He tells Kirsty Wark how he imagined those fleeing home passing through mysterious black doors into other parts of the world. The lawyer and sociologist Carol Bohmer examines the culture of suspicion which greets migrants when they arrive. She looks at how officials judge the line between truth and deception, and increasingly label people as liars, criminals or terrorists. While many countries are looking to fortify their borders, the former Portuguese Europe Minister Bruno Maçães believes we need to think on a super-continental scale. He travelled overland from the edges of Europe to the heart of Asia arguing for a new world order. But the theatre director Robert Hastie is more interested in what connects people to the land and their origins, as he revives Peter Gill's play The York Realist - a reflection on the rival forces of place, class and longing. Producer

Art was power for Britain's kings and queens. In a new BBC TV series, Andrew Graham-Dixon visits the paintings amassed by King Charles I, the first great royal collector in British history. He tells Andrew Marr why after Charles was executed his royal artworks were flogged across Europe. The lost royal collection will finally be reunited this year in an exhibition at the Royal Academy of Arts. Historian Leanda de Lisle brings the Stuart monarch back to life in her biography White King. But was the art-loving king a traitor, a murderer or a martyr? And it is not only kings who use art to impress. Don Thompson meets hedge fund managers and foreign oligarchs in his study of the contemporary art scene, while artist Kelly Chorpening describes the role of Camberwell College of Art in shaping the art scene. Producer: Hannah Sander Picture credit: Anthony van Dyck (1599-1641), Charles I in Three Positions, 1635-36 Royal Collection Trust / (c) Her Majesty Queen Elizabeth II 2018, www.royalcollection.org.uk.

The prize-winning novelist Peter Carey tackles head on for the first time the legacies of colonialism in his native Australia in his latest book, A Long Way From Home. He talks to Tom Sutcliffe about the damage and loss for the Stolen Generations. The writer and broadcaster Afua Hirsch believes Britain is also a nation in denial about the past and present, and argues it's time to talk more openly about race and identity. The Dutch journalist Geert Mak once travelled the breadth of Europe to explore what it meant to be European at the end of the 20th century. He found countries struggling to understand the wrongs they had committed during the Holocaust, the Second World War and decades of dictator rule.

British women first got the vote a century ago this year. The social historian Jane Robinson tells Andrew Marr the suffrage movement is known for the actions of its militant wing and their call for 'deeds not words'. But thousands of ordinary women, known as suffragists, campaigned successfully to have their voices heard too. Political theorist Christopher Finlay asks whether violent political protest is ever justified, while the artist Peter Kennard explains how he was inspired by the protest movements in Europe in 1968 to infuse his works with politics. The writer Mary Shelley was born into a politically radical family, with an anarchist father and her mother the feminist Mary Wollstonecraft. On the 200th anniversary of her novel Frankenstein, the poet Fiona Sampson looks back at Shelley's radical life. Producer: Katy Hickman.

The former President of the Supreme Court, Lord Neuberger, questions how senior judges became cast as 'enemies of the people' last year. He tells Andrew Marr how the judiciary has grown more powerful and ready to challenge the government over the last half century - while professor of politics Tim Bale explores whether parliament has at the same time become weaker. Cicero was proscribed as an enemy of the people in the 1st century BC. Robert Harris's Cicero trilogy has now been dramatized for the stage, and is a timely reminder of earlier collisions of politics, the law and the people. Barbara Hosking understands the workings of politics and the media, having served under two Prime Ministers - Harold Wilson and Edward Heath - and pioneered breakfast television. She reflects back on her life travelling from a Cornish village to the corridors of power. Producer: Katy Hickman.

A mysterious doll's house is at the centre of Jessie Burton's novel The Miniaturist, now dramatised for television. Burton tells Tom Sutcliffe about the claustrophobic world she created amidst the wealthy merchant traders of 17th century Holland. The economist Jonathan Haskel points to the quiet revolution that has taken place since then, as developed countries now invest more in intangible assets like design and software, than in tangible goods like machinery and computers. He asks what impact this has had on economic inequality and low productivity. And then two objects that tell stories far beyond themselves: the umbrella and the Ferrari. Marion Rankine looks at the humble brolly, now a simple object to protect you from the rain, but once a powerful symbol of class and power. And 70 year after Enzo Ferrari brought out his first car, the guest curator at the Design Museum Andrew Nahum looks back at the creation of an iconic brand. Producer: Katy Hickman Picture courtesy of Ferrari.

Totalitarianism has reclaimed Russia. So journalist Masha Gessen tells Andrew Marr. Her book 'The Future is History' follows four figures born as the Soviet Union crumbled and whose new-found freedom is being slowly eradicated. The Soviet Union banned religion but ranked citizens by "nationality" - with Jews near the bottom and ethnic Russians at the top. Dominic Rubin explores the country's relationship with religion in 'Russia's Muslim Heartlands', while Oxford professor Roy Allison unpicks Russian involvement in the Arab world. Putin is influential as far away as Libya and Egypt, and is a key ally to the Assad regime in Syria. And just as Putin has mastered the art of propaganda at home, Moscow-born Liwaa Yazji looks at the role of propaganda in the Syrian civil war through her new play 'Goats'.

It is a hundred years since Finland declared independence following the Russian Revolution. Amol Rajan asks what is unique about Europe's most sparsely populated country. The conductor Sakari Oramo celebrates Finland's greatest composer Sibelius, while the curator Sointu Fritze looks at the work of Tove Jansson, famed for her cartoon creatures the Moomins as well as her daring political cartoons and images of the sea. The writer Horatio Clare travels around the frozen seas of Finland on board a government icebreaker, discovering stories of its history and character, while the economist Martin Sandbu evaluates a region seen as a capitalist utopia. Producer: Katy Hickman.

Victorian hospitals were known as 'houses of death' and their surgeons, who never washed their hands, were praised for their brute strength and speed. Lindsey Fitzharris tells Andrew Marr about the pioneering British surgeon Joseph Lister who transformed his profession. Anaesthesia was discovered in the 1840s but Professor Lesley Colvin says we're still learning about the complex relationship between the brain and the perception of pain, as well as understanding the potential harm of the increased use of strong opiates. Pain is common to all humans, but could - and should - robots feel pain? This is the question Dr Beth Singler poses in a new film exploring the limits of Artificial Intelligence. And if they are programmed to feel pain, should they also be taught to swear? Dr Emma Byrne looks at the science of bad language and why it can also be harnessed to reduce pain. Producer: Katy Hickman.

'I'm mad as hell, and I'm not going to take it anymore'. These are the words of the news anchor-man in the film Network, now adapted for the stage. The director Ivo van Hove tells Francine Stock how this satire on global capitalism and chasing ratings with populist rants has such relevance today. Composer Nico Muhly also looks to Hollywood, adapting Hitchock's film Marnie - and the novel that inspired it - for the English National Opera. Born into poverty, Marnie becomes trapped in a web of lies and angrily claws her way out. Anger pervades Darren McGarvey's book, Poverty Safari, as he takes the reader on a journey into Britain's deprived communities to give voice to people who feel misunderstood and unheard. He explores how stress pervades the streets where he was brought up, while the scientist Caroline Relton studies how stress and other environmental factors can be passed down through generations, affecting our genetic make-up. Producer: Katy Hickman.

Andrew Marr discusses the work of Joseph Conrad with his biographer Maya Jasanoff. Conrad wrote about the underbelly of colonialism, terrorism, immigration and isolation and Jasanoff looks at the turn of the twentieth century through the lens of his life and work. While Conrad's Nostromo reflected the changing world order with the emerging dominance of the US and global capitalism, the FT columnist Gideon Rachman looks at the decline of the West amidst the growing power of the East, as well as reflecting on Britain's imperial amnesia. A young George Orwell was also part of the British colonial system in its slow death throes in Burma and the academic Robert Colls explores how these experiences shaped his later work. Ishion Hutchinson has been called a post-colonial poet and his latest collection is haunted by Jamaica's fractured past. Producer: Katy Hickman.

Amol Rajan discusses the uneasy interaction between the animal kingdom and humans. The anthropologist Alice Roberts looks back to the moment hunter-gatherers changed their relationship with other species and began to tame them, paving the way for our civilisation. Gaia Vince visits the Pacific Coast of Costa Rica where local people have found a way to both exploit and protect a natural resource, the olive ridley sea turtle. Re-introducing native species can be fraught with difficulties: John Ewen was part of the team who successfully re-introduced the hihi bird to New Zealand, but can lessons learnt with songbirds help with schemes to bring back wolves, lynx and beavers? And resurrection science may be the stuff of films like Jurassic Park, but it is also an exciting - and potentially dangerous - new field of study. Britt Wray offers a warning about the risks of de-extinction. Producer: Katy Hickman.

Are humans distinguished not just by a capacity to think, but by our need to believe - where the search is not so much for my place in the world, but for our place in the cosmos? Neil MacGregor, the former Director of the British Museum, discusses Living with the Gods, his Radio 4 series, in which he focuses on the expression of shared beliefs, across thousands of years, and around the globe, through objects from the Museum's collections and beyond. The curator Jennifer Sliwka looks at a world in black and white, in a celebration of the monochrome in art across the centuries, from medieval sacred works, where the elimination of colour was thought to focus the mind, to contemporary paintings. The historian Dan Jones tells the story of the ultimate holy warriors, the Knights Templar, a story of power, politics and fanaticism. The writer Caspar Henderson takes a step back to consider the awe-inspiring - from divine visions to transcendent moments - and to ask whether we are in danger of losing our sense of

War became illegal in 1928 with the Paris Peace Pact that created a new world order, according to the lawyer and academic Oona Hathaway. She tells Andrew Marr how this pivotal moment launched a new international system in which sanctions replaced gunboat diplomacy. Although inter-state wars have fallen since World War Two, intra-state conflicts have risen: Elisabeth Kendall explains the dire situation of one of the Arab's poorest countries, Yemen. The Norwegian ambassador to the UK Mona Juul talks about the art of international diplomacy. She played a key role in the secret talks which led to the Oslo Accords in the 1990s - the first ever agreement between Israel and the Palestine Liberation Organisation. And Phillip Collins looks at the speeches that have shaped the world and inspired generations, especially at moments of war and conflict. Producer: Katy Hickman.

The Russian Revolution a hundred years on. To mark the centenary Tom Sutcliffe is in Moscow to discuss the forces that led to the Revolution, and to find out how far Russians today embrace or reject such a pivotal moment in their country's history. He talks to a senior member of President Putin's political party, Konstantin Kosachev. And he is joined by the journalists Mikhail Zygar and Arkady Ostrovsky and the Director of the Tretyakov Gallery, Zelfira Tregulova. Producer: Katy Hickman.

Live from Salford, during the Conservative Party conference in neighbouring Manchester, Sir David Cannadine argues that Victorian Britain was never far from revolution. He tells Andrew Marr how a century seen as conservative was actually troubled by political upheaval. Britain may have been the world's greatest empire but it was riven by self-doubt. Novelist Anthony Powell depicted the turbulence of the 20th century in his series A Dance to the Music of Time. Powell is seen as the arch-conservative, but biographer Hilary Spurling argues that he was fascinated by power and people at every level of society. Jane Green tracked the 2017 General Election as co-director of the British Election Study. She explains how the public judges those in power, and why political reputations are hard to shake. And Phillip Blond, director of the think tank ResPublica, helped shape recent Conservative ideas including the "big society" and the "northern powerhouse". He fears the Conservative Party could become irrelevant un

Francine Stock talks to the sleep scientist Matthew Walker whose latest book is a clarion call to get more sleep, as the latest research confirms that sleeping less than six or seven hours has a devastating impact on physical and mental health. Armed with proof that shift work is detrimental for workers, political strategist and chief executive of the RSA Matthew Taylor considers what responsibility companies have to their staff in making sure they get enough sleep and whether since industrialisation modern working practices militate against this. Concerns about lack of sleep and remedies for improving it are nothing new: the historian Sasha Handley looks back to early modern sleep patterns and advice, and wonders why so many of our forebears slept in two distinct phases with an hour in the early hours set aside for sex, housework or reading. The latest exhibition at the National Gallery, Reflections, co-curated by Susan Foister, shows how the medieval painter van Eyck had a huge influence on the Pre-Ra

Andrew Marr talks to the Nobel Prize-winning author Orhan Pamuk about his latest novel, The Red-Haired Woman. Set in Istanbul in the 20th century, it's a family drama which weaves together competing foundation myths of patricide and filicide and pits tradition against modernity; east and west. There are more competing ideologies in Jon Sopel's 'Notes from Trump's America' which paints a picture of a country riven by divisions between black and white, rich and poor, the urban and the rural. Reality and fantasy play a part in the choreographer Shobana Jeyasingh's critique of the orientalist ballet La Bayadere. She looks back to the moment in the 19th century when genuine Indian dancers were rejected in favour of the idealised exotic version of the temple dancer in the Western imagination. 'What Shadows' is a play that tells the story of Enoch Powell's famous 'rivers of blood' speech from 1968, and its impact on the country decades later. The play's director Roxana Silbert says the play shows how prejudice can b

On Start the Week Andrew Marr talks to David Bellos about Victor Hugo's Les Misérables. Bellos argues that this 19th century masterpiece is the novel of the century, which demonstrates the drive to improve human life both morally and materially. Dinah Birch compares what was happening in literature on the other side of the channel, reflecting the breadth of society in Britain. Simon Callow makes the case for the composer of the century, Richard Wagner, while the singer Barbara Hannigan explains how a 12th century legend has been given a contemporary twist in the opera Written On Skin. Producer: Katy Hickman.