Auckland Libraries

About the letter K - an explanation in Tara's voice. Nau mai haere mai and welcome to this podcast special on the Tara McLeod: About Type Exhibition. In this exhibition curators Jane Wild and Zoe Colling have brought the gallery walls to life with the work and craftmanship of master printer and artist Tara McLeod. Encounter Tara’s work from across a number of presses held within Auckland Libraries Heritage Collections, see additional type face examples and turn your hand to family fun activation with magnetic lettering. This exhibition is open for young and old to enjoy letters, words, colour, texture, poetry and print! Recorded at the exhibition opening on the 31 March 2023. All welcome – April through to early July 2023 at Tāmaki Pātaka Korero – The Central City Library on Level 2. Mon – Friday 9 – 5pm and Saturdays 10 – 4pm. ourauckland.aucklandcouncil.govt.nz/events/…bition/ Image: 16 inch grotesque: a specimen alphabet of wood type. Auckland: Pear Tree Press, 1998

Nau mai haere mai and welcome to this podcast special on the Tara McLeod: About Type Exhibition. In this track we hear from Book Conservator Ngaio Vince-Dewerse talking with Sue Berman at the exhibition opening about the work of the Preservation team on installing the work of Tara McLeod. Recorded at the exhibition opening on the 31 March 2023. Background noise is present through interview About the Exhibition: Curators Jane Wild and Zoe Colling have brought the gallery walls to life with the work and craftmanship of master printer and artist Tara McLeod. Encounter Tara’s work from across a number of presses held within Auckland Libraries Heritage Collections, see additional type face examples and turn your hand to family fun activation with magnetic lettering. This exhibition is open for young and old to enjoy letters, words, colour, texture, poetry and print! All welcome – April through to early July 2023 at Tāmaki Pātaka Korero – The Central City Library on Level 2. Mon – Friday 9 – 5pm and Saturdays

Nau mai haere mai and welcome to this podcast special on the Tara McLeod: About Type Exhibition. In this track we hear curator Jane Wild introduce the exhibition and a reply about his work from Tara McLeod. Recorded at the exhibition opening on the 31 March 2023. In this exhibition curators Jane Wild and Zoe Colling have brought the gallery walls to life with the work and craftmanship of master printer and artist Tara McLeod. Encounter Tara’s work from across a number of presses held within Auckland Libraries Heritage Collections, see additional type face examples and turn your hand to family fun activation with magnetic lettering. This exhibition is open for young and old to enjoy letters, words, colour, texture, poetry and print! All welcome – April through to early July 2023 at Tāmaki Pātaka Korero – The Central City Library on Level 2. Mon – Friday 9 – 5pm and Saturdays 10 – 4pm. https://ourauckland.aucklandcouncil.govt.nz/events/2023/03/tara-mcleod-about-type-exhibition/ Image: The Gallery Le

This month we have on display a manuscript and two books that feature in common, wooden covers. In this track listen and learn from Senior Librarian Heritage Renée Orr as she talks to the three items on display for April. Come see for yourself Kura Tūturu | Real Gold case in the Reading Room Level 2 Tāmaki Pātaka Kōrero | Central City Library. Ben Verhoeven and Gaylord Schanilec. Sylvæ : fifty specimens printed directly from the wood with historical anecdotes & observations. Stockholm, Wisconsin: Midnight Paper Sales, 2007. https://discover.aucklandlibraries.govt.nz/iii/encore/record/C__Rb2505103 Image: Eric Craig. New Zealand Ferns. 1880s. https://discover.aucklandlibraries.govt.nz/iii/encore/record/C__Rb1945738 Weddase Maryam. 17th century. (EASTMS: G.118) https://discover.aucklandlibraries.govt.nz/iii/encore/record/C__Rb1969420

Alison is joined by the 2023 Auckland Writers Festival curator Bridget van der Zijpp. Find out what to expect at this live and in-person celebration of local and international writing, making and thinking. For more information, visit www.writersfestival.co.nz

Pamata Toleafoa [Senior Librarian Pasifika Research] joins Sue Berman [Oral History Advisor] in conversation about the O le fogava'a e tasi – One family exhibition which celebrates knowledge holders across Te Moananui a Kiwa and their measina (taonga). In this interview Pamata shares his thinking and creative processes that lead to this project and how the role of Senior Librarian Pasifika Research has enabled this project's success. The O le fogava’a e tasi – One family exhibition can be viewed on Level 2 of Tāmaki Pātaka Kōrero | Central City Library till the end April 2023. Image: Pamata Toleafoa, 2023, Auckland Libraries Heritage Collections

Each year Auckland Libraries works with scholars from the Auckland History Initiative (AHI), a research collaboration at the University of Auckland. In this series we present research projects from the 2023 Summer Scholars exploring aspects of Tāmaki Makaurau Auckland's history. https://ahi.auckland.ac.nz/ In this track Sasha, Sam, Friederike, Anna and Katia reflect on their research journey with oral historian Sue Berman. Recorded on 1 March 2023. Image: The Reading and Newspaper Room, Leys Institute, 1939, Auckland Libraries Heritage Collections 850-01

Each year Auckland Libraries works with scholars from the Auckland History Initiative (AHI), a research collaboration at the University of Auckland. In this series we present research projects from the 2023 Summer Scholars exploring aspects of Tāmaki Makaurau Auckland's history. https://ahi.auckland.ac.nz/ The 1920s, 1930s and 1940s saw drastic changes in women's fashion. In this track Caitlin Kilpatrick explores fashion in Auckland and how City department stores shaped fashion trends and the influence of fashion magazines of this time. Recorded on 1 March 2023 as part of our Heritage Talks series. Image: Advert by Milne and Choyce in The Mirror, 1947, Auckland Libraries Heritage Collections.

Each year Auckland Libraries works with scholars from the Auckland History Initiative (AHI), a research collaboration at the University of Auckland. In this series we present research projects from the 2023 Summer Scholars exploring aspects of Tāmaki Makaurau Auckland's history. https://ahi.auckland.ac.nz/ The women of Auckland’s theatre witnessed first-hand key evolutions in this creative space. In this track, Anna McCardle explores the rich careers and lives of Auckland actresses, who were active in the 1960s-80s. Anna’s research primarily draws on voices from Jean Hyland's Acting Women In Auckland Oral History Project recorded in 2005-2006. https://kura.aucklandlibraries.govt.nz/digital/collection/oralhistory/id/3032/rec/1 Recorded on 1 March 2023 as part of our Heritage Talks series. Image: Foyer photograph at Mercury opening night, May 1, 1968, photo by Noel Brotherston, Elizabeth McRae papers, Auckland Libraries Heritage Collections.

Each year Auckland Libraries works with scholars from the Auckland History Initiative (AHI), a research collaboration at the University of Auckland. In this series we present research projects from the 2023 Summer Scholars exploring aspects of Tāmaki Makaurau Auckland's history. https://ahi.auckland.ac.nz/ Treatment and placement of the mentally ill and deviant quickly became a matter of significant social and cultural concern in colonial-era New Zealand. In this track Sasha Finer examines the process of constructing the Auckland Lunatic Asylum and grounds in the late 19th century. Recorded on 1 March 2023 as part of our Heritage Talks series. Image: Auckland Lunatic Asylum, Point Chevalier, 1870s. Auckland Libraries Heritage Collections, 918-03

Each year Auckland Libraries works with scholars from the Auckland History Initiative (AHI), a research collaboration at the University of Auckland. In this series we present research projects from the 2023 Summer Scholars exploring aspects of Tāmaki Makaurau Auckland's history. https://ahi.auckland.ac.nz/ In this track we hear from Samuel Turner-O’Keeffe Although significant improvements have been made to Auckland's public transport system over recent decades, commuting throughout the city remains frustrating and inefficient. Sam asks the question - How did we get ourselves into this situation? Samuel Turner-O’Keeffe's research was supported by an Auckland Library Heritage Trust John Stacpoole Scholarship. To find out more about the work of the Auckland Library Heritage Trust, visit the library website here. https://www.aucklandlibraries.govt.nz/Pages/auckland-library-heritage-trust.aspx Recorded on 22 February 2023 as part of our Heritage Talks series. Image: Gregor Riethmaier, National Publicity Stu

Each year Auckland Libraries works with scholars from the Auckland History Initiative (AHI), a research collaboration at the University of Auckland. In this series we present research projects from the 2023 Summer Scholars exploring aspects of Tāmaki Makaurau Auckland's history. https://ahi.auckland.ac.nz/ In this track we hear from Katia Kennedy who investigated the attitudes surrounding women in sport from the turn of the 20th Century. Katia examines the development and growth of women's cricket and women's marching in Auckland during this time. Katia Kennedy's research was supported by an Auckland Library Heritage Trust John Stacpoole Scholarship. To find out more about the work of the Auckland Library Heritage Trust, visit the library website here. https://www.aucklandlibraries.govt.nz/Pages/auckland-library-heritage-trust.aspx Recorded on 22 February 2023 as part of our Heritage Talks series. Image: Murray Freer. Marching girls, South Auckland, 1967. Auckland Libraries Heritage Collections, Footprin

Each year Auckland Libraries works with scholars from the Auckland History Initiative (AHI), a research collaboration at the University of Auckland. In this series we present research projects from the 2023 Summer Scholars exploring aspects of Tāmaki Makaurau Auckland's history. https://ahi.auckland.ac.nz/ Auckland has always had a vibrant and resilient queer community. Friederike Voit approaches the history of these communities through the spaces they occupied, tracing shifts in both public and private spheres from the 1950s until Homosexual Law Reform in 1986. Friederike Voit’s research was supported by an Auckland Library Heritage Trust John Stacpoole Scholarship. To find out more about the work of the Auckland Library Heritage Trust, visit the library website here. https://www.aucklandlibraries.govt.nz/Pages/auckland-library-heritage-trust.asp Recorded on 22 February 2023 as part of our Heritage Talks series. Image: Unknown photographer, in “House Antics,” Dyke News, no. 45, February 29, 1984. From:

Alison is joined by Christchurch author Jade Pengelly, whose book Tales of a vet nurse has just been published to rave reviews. You never know who or what is going to walk, crawl or slither through the doors of a busy veterinary hospital. You can request the book from the Auckland Libraries Catalogue: Tales of a vet nurse https://bit.ly/41YD7RB Jade’s reading recommendations for kids who love animals: The saddle club series by Bonnie Bryant https://bit.ly/3TgZWMN Thoroughbred series by Joanna Campbell https://bit.ly/41RTks1 Pony mysteries series by Jeanne Betancourt https://bit.ly/3L5IeK1 Chicken soup for the pet-lover's soul https://bit.ly/3mzWu3o

Contributing her voice and measina [taonga] as part of the O le fogava’a e tasi – One family exhibition, in this track we hear from Lydia Teatao talk about te Itera. Te Itera is a distinguishing flower head wreath made from specific flowers and leaves grown in Kiribati. Te Itera involves a special art form of plaiting; not all I-Kiribati are adept to weave Te Itera. The philosophy of Te Itera is sacred as it holds the values of honour, peace, acceptance, friendship, celebration, mutual respect and blessings to the wearer. Culturally, special occasions will be started off by the presentation of Te Itera by local dancers, who would dance and then placed Te Itera on each guest or special person’s head. This traditional practice plays an integral role in the lives of the I-Kiribati until today and it is highly considered in te maneaba or formal/official functions. Presenting Te Itera signifies love, appreciation, gratefulness and gratitude to people and as a conflict resolution in some cases. Image: Lydia Tea

Contributing her voice and measina [taonga] as part of the O le fogava’a e tasi – One family exhibition, in this track we hear Helena Chan Foung talks about her identity and her chosen measina Pa. "Pa is a woman’s necklace used as fish lure in Tokelau. I remember laughing when I first put it on “…does this make me bait?” but it’s really become more of an anchor, it’s surprisingly heavy. Outside of whateles (Tokelau dances), I wear it proudly when I want to quietly signal to other Tokelauans walking by “Malo ni! Please talk to me!” and more fiercely like an amulet on the days I know I’ll need their protection and strength. I wore this on the day I gave a speech at the 2019 School Strikes for Climate at Parliament. Standing in front of thousands of mostly palagis and being so nervous and one of the few things that kept me still was this Pa. The weight is a physical reminder of the love I have for a country I have never seen but who has welcomed me and loved me since before I knew of her”. Image: Helena Chan

Contributing their voice and measina [taonga] as part of the O le fogava’a e tasi – One family exhibition, in this track we hear from Pamata Toleafoa talk about Lave "I have selected the lave as my measina for the 'O le fogava'a e tasi' – one family exhibition. The lave is part of a family that belongs to another measina called the tuiga (Samoan crown). The tuiga consists of many elements that are individually wrapped and intricately woven into the head/hair of the wearer. I have chosen the lave because of its complex and eye-catching design. The lave alongside the pale fuiono is the most adorned and overly sophisticated designed aspect of the tuiga. Many lave are created with each artist's cultural and creative flair, but historically, they consist of shells and afa (sennit) stitched together." Image: Pamata Toleafoa, 2023,Auckland Libraries Heritage Collections Music: Track 1: Drum_Dance_Vaipae_Aitutaki from the album discover.aucklandlibraries.govt.nz/iii/enc…2004666 O le fogava’a e tasi – One family

Contributing her voice and measina [taonga] as part of the O le fogava’a e tasi – One family exhibition, in this track we hear from Janesa Boreham talk about her measina, Fafetu. "The significance of the measina that I chose is that the women only make it on the island of Funafuti. Funafuti is the capitol of Tuvalu. The Fafetu necklace gets its name because it is shaped like a star, the same star that represents the Star of Bethlehem. The fafetu is a biblical reference to the star that the three wise men saw during the birth of Jesus Christ". Image: Janesa Boreham, 2023, Photographer Pamata Toleafoa, Auckland Libraries Heritage Collections Music: Track 1: Drum_Dance_Vaipae_Aitutaki from the album discover.aucklandlibraries.govt.nz/iii/enc…2004666 O le fogava’a e tasi – One family exhibition can be viewed on Level 2 of Tāmaki Pātaka Kōrero | Central City Library till the end April 2023

Contributing his voice and measina [taonga] as part of the O le fogava’a e tasi – One family exhibition, in this track we hear from Kiribati knowledge holder Charles Enoka talking about te mae n roroa te buro ae roro. Te mae n roroa te buro ae roro is one of the most important cultural materials that men and women wear to acknowledge and symbolise the great value, beauty, and richness of the ocean. Te mae te buro is a cultural necklace piece with significant values that embrace connections and acknowledgment of Marawa – te moana (ocean) to livelihood. In some parts of Kiribati, women engaged in marriage will wear te mae te buro decorations around their neck, arms, waist, and ankles and walk to display the costumes around the village, accompanied by family members singing and cheering. Image: Charles Enoka, 2023, Photographer Pamata Toleafoa, Auckland Libraries Heritage Collections Music: Track 1: Drum_Dance_Vaipae_Aitutaki from the album https://discover.aucklandlibraries.govt.nz/iii/encore/record/C__R

Contributing his voice and measina [taonga] as part of the O le fogava’a e tasi – One family exhibition, in this track hear Charles Cokanasiga talk about his connection to Fiji and the special family link with his chosen measina, Masi [Tapa]. Masi was ceremonially displayed on special occasions, such as birthdays and weddings. In sacred contexts, tapa was used to wrap images of deities. Charles recalls how his mum and her grandma used to make the masi from scratch and sell them at the markets for a source of income. "Recently, I found out that the technique they use to make tapa [masi] is very unique to that Island. When asking her about how she made the tapa and its paint, she can recall it very well and go into deep detail about it. This tapa is special to me because of that, and also it can also be used in a lot of important events". Image: Charles Cokanasiga, 2023. Photographer Pamata Toleafoa, Auckland Libraries Heritage Collections Music: Track 1: Drum_Dance_Vaipae_Aitutaki from the album discove