Sinopsis
Working Class Audio (WCA) delves into the world behind recording engineers and goes way beyond the typical What was it like to work with or What is the best eq to use on a kick drum style questions typical of most interviews. WCA gets up close and personal with engineers and asks the questions no one else asks. Business practices, mistakes, failures, equipment choices, financial advice, work life balance, workflow, and family life are topics that are all on the table. WCA doesnt just concentrate on the elite of the recording world, but instead interviews a combination of known and unknown engineers.
Episodios
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WCA #119 with Tucker Martine
27/03/2017 Duración: 01h01minTucker Martine is a record producer, musician and composer and the son of singer and songwriter Layng Martine, Jr., Tucker grew up in Nashville, Tennessee where he played in bands and tinkered with recording devices before moving to Boulder, Colorado after graduating from high school. In Colorado, Martine was a DJ at a public radio station KGNU. He would frequently play two or more records at once on the air to experiment with creating new sounds. Martine also took courses at the Naropa Institute where he studied sound collage and befriended Harry Smith - the ethnomusicologist, artist and Kabbalist - who made a large impression on Martine.1993, Martine moved to Seattle, Washington where he began to combine his skills and interests. He joined Wayne Horvitz's chamber group The 4 Plus 1 Ensemble where Martine's instrument was a series of looping and sound manipulating devices which were fed by the groups otherwise acoustic instruments. Martine received a Grammy nomination in 20
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WCA #118 with Tyler Crowder
21/03/2017 Duración: 59minTyler Crowder is a freelance recording/audio engineer in the San Francisco Bay Area, who enjoys working in various recording studios, where he's done projects with both artist on major labels including Sony, RCA, Def Jam, GOOD Music, Windham Hill, Arista Records, B&G, Dancing Cat, etc. as well as with a diverse range of local indy bands. By working with a diverse range of major artists and local indy artist, it allows Tyler to be fluent in all styles of music, and be able to contribute to the local community of musicians and bands that surround the San Francisco Bay Area. Over the years Tyler has earned 2 Grammy nominations for audio engineering, and participated in many Billboard Charting Albums. Tyler has worked with numerous artists including Kanye West, Justin Bieber, Jennifer Hudson, Lil’ Wayne, Snoop Dog, George Winston, Melvin Seals, Tuck & Pattie, Joan Jeanrenaud, Phil Aaburg, Henry Butler, Dave “Dave’s Hands” Jackson, Keola Beamer, Cyril Pahinui, Bola Sete, Pro
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WCA #117 with Cesar Mejia
13/03/2017 Duración: 01h01minCesar Mejia is an L.A. based engineer and producer born and raised in Boyle Heights in East Los Angeles. Besides engineering and producing he is a faculty member at Cal State Dominguez Hills where he teaches audio recording courses for the Digital Media Arts program. Cesar has a unique approach of putting his clients at ease, allowing the artist to perform at their optimal. Cesar’s methods and skills have allowed him to maintain an ever-growing list of clients like: Herbie Hancock, Wayne Shorter, Brian Eno, Bill Withers, Will I. Am, Beatmo, Chicago, Zach de la Rocha, Mezklah, Wayne Shorter, Hurley Clothing, Hanoi Counsel for the Arts Vietnam, Sting, Joni Mitchell, Al Geroe, George Duke, George Benson, Motorhead, Monte Carlo 76, Natashia Williams, Brujeria, Nathan East, Los Lobos, Marcus Miller, Aztlan Underground, Chicano Son, Amazon Gold Foundation, Andy Garcia, Most Eligible Basturds, Marisa Ronstadt, Susan Egan, & Kenny Moreno. Constantly working on projects of multiple magnitudes, he fully dedicates h
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WCA #116 with Mark Kilborn
06/03/2017 Duración: 59minMark Kilborn is a sound designer, mixer and implementer with over a decade of experience in the video games industry. He has worked on various game franchises including Borderlands, Forza Motorsport, Brothers In Arms, Tony Hawk and Project Gotham Racing. For the last seven years he has served as one of the Audio Directors for the Call of Duty series, collaborating with teams of sound designers around the world on various projects including Modern Warfare 3, Advanced Warfare, Black Ops 1-3, Exo Zombies, Call of Duty Online and Modern Warfare Remastered. After he and his wife had twins in 2015, he setup a home studio and continues to contribute to the Call of Duty series as a Principal Audio Designer. He lives in Madison, WI with his wife, three kids, two dogs and too much snow. Mark flew to San Francisco for the Game Developers Conference recently and met Matt at a Starbucks to talk about Mark's world in game sound.Mark's list of credits include , Call of Duty 2017 Call of Duty: Modern Warfare R
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WCA #115 with Kurt Ballou
27/02/2017 Duración: 01h12minKurt Ballou is a musician and producer, best known as the guitarist from Massachusetts-based band Converge. Aside from his role in Converge, Ballou is a prolific producer, recording and producing out of his own GodCity Studio. Kurt has worked with numerous bands over the last 25 years in a producing/ recording role including High on Fire, Nails, Russian Circles and Code Orange. Kurt and Matt talk over Skype discussing health, retirement, drugs, family, money and Asperger's syndrome. Enjoy!
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WCA #114 with Monte Vallier
20/02/2017 Duración: 50minMonte Vallier grew up in the Bay Area and launched his musical career by dropping out of high school and moving to London with his band Half Church who he played bass with. After making a record and playing tons of gigs with bands such as The Fall, Echo and the Bunnymen, and PIL, the band called it quits in 1986. After interning at The music annex and Coast Recorders (Bay Area) Monte built his own studio with engineer Gibbs Chapman that was destroyed in the 1989 Loma Prieta earthquake . It was that same year that Monte started working with the band Swell as a bass player. They Made 5 albums and toured extensively in the 90’s and eventually signed to Rick Rubin’s Def American label in 1993. They made all their our own records starting with a Tascam 38 but then took all the recording advances and bought more gear. They built studios in LA and NYC and in various places in SF to make the records. Monte says he truly learned how to a make a proper record while working with Swell. After Mon
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WCA #113 with Mike Wells
14/02/2017 Duración: 01h28minMike Wells has spent the last 15 plus years mastering, complimented by a lifetime in music as a musician, music theory graduate, recording artist, and recording/mixing engineer. From San Francisco to Los Angeles, Mike has had one hell of a journey to get to the point of working with artists such as Green Day, PARRI$, Prince, and Gridlock. While we all have career ups and downs of which Mike is no stranger, Mike also spent many years trying to decipher a medical condition that developed later in his life that was eventually diagnosed as Epilepsy. Not to be deterred by his diagnosis and the seizures that come, as a result, Mike developed his mastering business which is known for his incredible attention to detail and going the extra mile for his clients. After many challenges that would stop most people, Mike persevered and is now at a point where he is no longer facing the daily threat of seizures with the help of 21st-century medicine. The biggest takeaway from this interview
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WCA #112 with Frank Wolf
07/02/2017 Duración: 54minAlthough Frank Wolf’s background was in music, he found myself drawn to “the other side of the glass” and changed his studies to Physics and Electrical Engineering. While in college, Frank also built and ran a small studio with an old ½” Scully at it’s heart. (ahh analog!) During those years, he met the folks at The Village Recorder, and when he graduated, he was immediately hired as a tech. While there, the staff was given permission to use the studios any time they were open so Frank was able to hone his craft with many, many hours of studio time! One of the bands he worked with got a record deal, Frank left his employ, recorded their album and has been independent ever since. Frank worked almost exclusively on records for many years, but eventually got and took the opportunity to start in both TV and Feature Films. For the next several years, he worked on many of Disney’s and Pixar’s animated films while also meeting and developing working re
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WCA #111 with Nathan Harlow
31/01/2017 Duración: 55minNathan Harlow grew up in San Francisco, played in bands and eventually found his way into the world of live sound. 20 years later, his experience touring, mixing, recording and doing system design has allowed him the opportunity to work with artists such as Prince, Rob Zombie, Sonic Youth, Bebel Gilberto, Medeski, Martin and Wood and Primus. His skills are also in demand at the Fox Theater in Oakland, California, the Warfield Theater and Fillmore Auditorium in San Francisco, California. On top of his live sound skills doing monitors or front of house Nathan is also trained in systems management and room acoustics. He states that his intention is to use his unique set of skills to assist in the creation of beauty and inspiration with elegance and grace.Matt heads into San Francisco to chat with Nathan in person in his studio South of Market.
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WCA #110 NAMM Power Chat 2017
24/01/2017 Duración: 01h10minI took a trip from NORCAL to SOCAL to hit NAMM 2017. As I arrived I decided to put together a show based on “Power Chats/Talks”. 20 minute or so quick chats with friends about certain topics. Ben Lindell from Puremix, Sean McLaughlin, Andy Freeman, Gary Boss of Audio-Technica and Vance Powell joined me. Enjoy!
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WCA #109 With Justin Pizzoferrato
16/01/2017 Duración: 40minJustin Pizzoferrato is a recording engineer based out of western Massachusetts. He owns and runs Sonelab with Mark Alan Miller and also freelances from time to time.Justin has worked with such bands as Dinosaur Jr, Sonic Youth, Speedy Ortiz, Elder, and many more in the rock genre. He got his start freelancing around Boston. After moving to western Mass, he noted the lack of studios and decided to open up his own facility. When he’s not in the studio, he’s hanging out with his wife and son, biking, or buying too many records!Justin chats with Matt over Skype about Sonelab, recording life before kids, freelancing and work ethic.Justin’s studio: Sonelab
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WCA #108 with Chris Montgomery
09/01/2017 Duración: 01h25sChris Montgomery is an audio engineer and producer living and working in New York City. Having grown up in Glasgow, Scotland, he brings a musical heritage from one of the most prolific and diverse music scenes and applies this to his work in studio, live and field audio production. From live sound at The Bitter End to studio work and location sound at Dubway Studios, Chris digs in and tries it all.Chris has worked with many notable artists including The Lumineers, Mumford And Sons, The Killers, Florence And The Machine, Ed Sheeran, Sheryl Crow and Damien Rice.Having recently finished an 18 month period touring with multi-platinum recording artist, Rachel Platten, Chris is now focusing on a move to Los Angeles with the intention of opening a new studio. Chris talks with Matt about his decision to move from Glasgow, Half & Half, having a willingness to say yes to work and his new console.More details can be found at www.chris-audio.com
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WCA #107 with Chris Graham
02/01/2017 Duración: 01h49sChris Graham runs Chris Graham Mastering outside of Columbus, Ohio. Chris joined Matt for a Skype call from his mastering studio to talk about integrity, his business, his website, the tools he uses to stay organized and audio conspiracy theories!The following bio is from Chris’ website www.chrisgrahammastering.comBefore I became a full time audio mastering engineer, I was an audio engineer, music producer and musician. Like other audio engineers, I occasionally was put in the uncomfortable position of having to master my own mixes due to an artist’s budget problems. Mastering anything you’ve also mixed is a nightmare, but I quickly grew fascinated with the process and began acquiring specialized audio mastering equipment and software and working hard to hone my skills.I started mastering every unmastered album I could get my hands on, and after showing my producer friends the results I was achieving, I was soon being asked to master albums all the time. Eventually, more and more people began asking
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WCA #106 with Don Zientara
26/12/2016 Duración: 01h26minDon Zientara is a musician and recording engineer as well as the owner and chief engineer at Inner Ear Studios in Arlington, Virginia located outside of Washington DC. Don has a varied background that is part art, part military, part electronics and ultimately all music and recording. While Don records many kinds of music, he is best known for his work with Dischord Records and DC Hardcore bands including The Teen Idles, Minor Threat, Rites of Spring, Fugazi and Bad Brains as well as many, many more.Matt stopped in to Inner Ear Studios while on a recent trip to the Washington/Virginia area to interview Don in person. Enjoy!
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WCA #105 with Michael Ashby
19/12/2016 Duración: 01h52sMichael Ashby is next generation audio engineer who started out as a drummer, he was inspired by Grammy award winning engineers like Jaycen Joshua and Craig Bauermix. Michael has mixed for multiple Sony & Universal artists on his way up including Timbaland’s BK Brasco, Latoya Jackson, Fetty Wap, Sixx John (by Neyo), Grafh and more! He’s attracting the industry’s attention due to the overwhelming positive feedback from countless clients in every corner of the country. He has worked with a wide variety of underground artists since 2007. Michael is also a graduate of SAE Institute (School of Audio Engineering) in NYC. Michael is also the owner and chief engineer of Krematorium Studio in Long Island, New York .Michael joins Matt over Skype for a conversation about his studio, his work schedule and his thinking behind building a studio business.www.ashbymix.com
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WCA #104 with Andy Deguara
12/12/2016 Duración: 54minAndy Deguara is a studio owner, audio engineer and producer working in the San Francisco Bay Area. His recording career started in 1994 as a Junior in High school. He obtained his first 4 track recorder and immediately started recording his friend’s vocals and D.J. mixes. It soon became very clear that He wanted to work in a studio recording and mixing records.By 1997 Andy had moved up from his 4 track tape recorder to a single 8 track digital tape recorder and a small mixer. He also acquired a keyboard and sequencer which he was using along with the recorder to write and record songs. He would later have people write and record vocals to the music he created. This was the beginning of A&D Studios.In 1998 Andy decided he wanted to fast track his recording knowledge and decided to attend the Conservatory of Recording Arts and Science in Tempe Arizona. Here he gained extensive knowledge in understanding acoustics, signal flow, Basic equipment maintenance and electrical engineering, along with live soun
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WCA #103 with Pat Patten
06/12/2016 Duración: 01h09minPat Patten came to be on Working Class Audio through a set of random circumstances. At our 100th show we chose his name at random to win a set of Audio-Technica headphones. After talking Pat on the phone I realized he would make a great guest for the WCA podcast. He sent me his resume which is filled with a wide variety of jobs and experience including President of Commercial Sight & Sound, Inc., CEO of Kinekom, Inc., Studio Manager and Talent Buyer, Senior Record Producer and Festival Promoter, and now Mastering Engineer | Music Mentor-Manager and Music Educator at CEC (Central Education Center), Charter College & Career Academy. AT 60 years young Pat continues the journey in the small town of La Grange, Georgia. We discuss relationship building, his students, and family. Check out http://www.jamgood.com/live/Mentioned in the interview for those in California is the post production tax incentive.http://www.dv411.com/home/regulations/ca-teleproduction-exemption
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WCA #102 with Frank McDonough
28/11/2016 Duración: 55minFrank McDonough has worked in the music industry since 1988. He worked at Arista Records for four years, then worked for various producer management firms, eventually starting his own company in January 2000. McDonough Management has a small but impressive client roster including former WCA alumni Andrew Scheps, Matt Wallace, Joe Barresi, Ross Hogarth, and Rob Schnapf as well as Mike Clink, David Bianco, Nick Didia, John Fields, Paul David Hager, Matt Hyde, Alain Johannes, Pierre Marchand, Nick Raskulinecz, Garth Richardson and Phillip Steir. Frank joins Matt for conversation over Skype and takes us through the realities of what a manager does and what he or she does not. Enjoy!
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WCA #101 with Leff Lefferts
22/11/2016 Duración: 01h17minLeff Lefferts has spent the his career working in audio for music and film. He graduated from Berklee college and music with a degree in Music Production & Engineering in 1997 and joined on at the famous Plant Studios in Sausalito, California that same year as an intern. He quickly moved up to assistant engineer and was able to work on records with Metallica, Dave Matthews Band, Kenny Wayne Shepherd, Primus, Oysterhead and Joe Satriani. In 2003 after leaving the Plant (which later closed it’s doors) Leff signed started working at Cutting Edge Audio in San Francisco to handle Pro Tools System Design & support. It’s through Cutting Edge that Leff made contacts at Skywalker Sound where he would ultimately end up working next stating in 2006 as a Digital Audio Technician. In 2008 Leff made a lateral move to take on the role of Assistant Sound Designer, Sound Editor, Mixer working with the legendary Randy Thom. In the position Leff has gone on to work on fi
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WCA #100 with Stephen Hart and Cookie Marenco
21/11/2016 Duración: 01h39minWell here it is, WCA #100! This was recorded at 25th Street Recording in Oakland, California on Friday, November 18th in front of a live audience. You can either watch it on Facebook or listen to the podcast. This episode features Stephen Hart and Cookie Marenco. Enjoy!More On StephenStephen is a former mixer in residence / chief engineer at the “The Site Recording” in Marin County, Director of Recording Services and owned “the mixroom” at Bay Area Sound Studios and chief engineer and lead mixer at Fantasy Studios. He holds multiple platinum and gold albums, “Blues Album of the Year 2000” for Stevie Ray Vaughn and Albert King, and has been on staff at The Plant Studios, EMI Italia, Forward Music Taipei and spent many years as an international freelance mixer. He has recorded and/or mixed many hundred’s of albums with total unit sales of 40 million. Artists include David Bowie, Santana, John Lee Hooker, En Vogue, MC Hammer, Tony Bennett, Isaac Hayes, Flora & Airto,