Sinopsis
Working Class Audio (WCA) delves into the world behind recording engineers and goes way beyond the typical What was it like to work with or What is the best eq to use on a kick drum style questions typical of most interviews. WCA gets up close and personal with engineers and asks the questions no one else asks. Business practices, mistakes, failures, equipment choices, financial advice, work life balance, workflow, and family life are topics that are all on the table. WCA doesnt just concentrate on the elite of the recording world, but instead interviews a combination of known and unknown engineers.
Episodios
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WCA #239 with Damien Rasmussen - College Radio, Interacting with Bands, Being an Enabler, Getting in Trouble with N'Sync's Management, and Business Practices
15/07/2019 Duración: 01h03minDamien Rasmussen is a producer, engineer, and mixer located in San Francisco. He got his start in audio in 1983 as a college radio DJ on KDVS at UC Davis. He was schooled in the ways of the studio from John Barsotti at San Francisco State University and really cut his teeth at Dave Bryson's (Counting Crows) Dancing Dog Studio in Emeryville, California. Since then he's done live sound, corporate AV gigs, and made a ton of records with a large group of artists including Cibo Mato, Merman, Helen Keller Paid, Al Jardine (Beach Boys) and many more.Links and Show Notes:Damien's Site: http://damienrasmussen.com/Working Class Audio Journal: https://amzn.to/2GN67TPCurrent sponsors & promos: https://bit.ly/2WmKbFwCredits:Host: Matt Boudreau Guest: Damien RasmussenWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau & Matt BoudreauAdditional Music: The License Lab
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WCA #238 with Clint Bennett - 90's San Francisco, moving to LA, Proving Himself, Persevering, Union Benefits, and Not Taking Opportunity's for Granted
08/07/2019 Duración: 58minClint Bennett lives in Los Angeles, CA and works in the film & television industry as a music editor. He’s recently worked on such films as Blade Runner 2049, Arrival, Godzilla: King of the Monsters, Kong: Skull Island, Widows, Bad Times at the El Royale, New Girl & The Cabin In The Woods. He began his professional career in the 90’s San Francisco music scene playing in bands and working as a freelance recording engineer. The transition to the film industry began with his move to Los Angeles in 2000. Links and Show Notes:P&E Wing Technical Guidelines: https://www.grammy.com/technical-guidelinesClint on IMDB: IMDBClint on Allmusic: https://bit.ly/30markSWorking Class Audio Journal: https://amzn.to/2GN67TPCurrent sponsors & promos: https://bit.ly/2WmKbFwCredits:Host: Matt Boudreau Guest: Clint BennettWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau & Matt BoudreauAdditional Music: The License Lab
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WCA #237 with Kieron Menzies
01/07/2019 Duración: 49minKieron Menzies is a mixer, producer, and engineer based in Los Angeles. He was born in Toronto to a Trinidadian-Canadian family who eventually relocated to California. This is where Kieron became engulfed in music and began to pursue a career in recording and production. Over the years, Kieron has been a resident at 4th Street Recording in Santa Monica, Stiles Music in Portland, Sarm West Studios in London, Hen House Studios in Venice and The Green Building in Santa Monica. He has also been the main engineer, mixer and in-house producer for famed songwriter/producer Rick Nowels for many years. Some of Kieron’s notable credits include FKA Twigs, Nelly Furtado, Willie Nelson, Lykke Li, Ra Ra Riot, Alessia Cara, John Legend, Marina And The Diamonds, Miguel, Yusuf aka Cat Stevens, Dua Lipa, Kesha, and Lana Del Rey. He currently works out of his own mixing studio and continues to do production/recording gigs wherever the music takes him.About this interview:Kieron chats with me
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WCA #236 with Cameron Webb
24/06/2019 Duración: 01h13minCameron Webb is a producer, engineer, and mixer who has worked with many artists most notably Motörhead, Sum 41, NOFX, Megadeth & Limp Bizkit. In 2004, he won a Grammy for his work on Kelly Clarkson’s album “Breakaway”. Cameron has been Motörhead’s producer and mixing engineer for over 12 years, since producing Motörhead’s album “Inferno”.About this interview:Cameron joins me to talk about being the best runner, honesty, hanging up on studio managers, letting flaws shine through, synchronization nightmares, Yo Gabba Gabba, and listening to artists. Enjoy! -MattLinks and Show Notes:Maple Sound Studios: https://bit.ly/2RCde6JCameron on FB: https://bit.ly/2N1lr5rGood Will Auctions: https://www.shopgoodwill.com/Yo Gabba Gabba! https://www.yogabbagabba.tv/Credits:Host: Matt Boudreau Guest: Cameron WebbWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau & Matt BoudreauAdditional Music: The License Lab
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WCA #235 with Dave Nelson
17/06/2019 Duración: 58minWorking Class Audio #235 with Dave Nelson!!!Dave Nelson’s career spans over twenty years in the film, sound and recording industry. As a composer, sound designer and re-recording mixer, his work involves an interesting mix of documentaries, features, shorts as well as albums, some of which have been nominated for Academy, Emmy and Grammy Awards.About this interview:Dave joins me to chat about Michigan, President Ford's doorbell, seeing Jimi Hendrix, harmonica lessons with Taj Mahal, staying on the bleeding edge of audio & video technology, losing his studio, agreements, and Dolby certification. Enjoy! -MattLinks and Show Notes:Outpost: https://outpostfilm.comDave's IMDb page: https://imdb.to/31BAN3PWorking Class Audio Journal: https://amzn.to/2GN67TPCurrent sponsors & promos: https://bit.ly/2WmKbFwCredits:Host: Matt Boudreau Guest: Dave NelsonWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau & Matt BoudreauAdditional Music: The License Lab
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WCA #234 with Eric Kuehnl
10/06/2019 Duración: 01h06minWCA #234 with Eric KuehnlEric Kuehnl is a composer, sound designer, and educator. He is the Co-Director of the Music Technology Program at Foothill College, the Director of Partner Programs for Next Point Training, and also teaches at Pyramind in San Francisco. Previously, Eric was an Audio Training Strategist in the Avid Education Department, and a Senior House Engineer for Sony Computer Entertainment America. He holds a Master’s degree from the California Institute of the Arts, a Bachelor’s degree from Oberlin Conservatory, and studied composition at the Centre Iannis Xenakis in Paris.About this interview:Eric joins me to talk about college, the death of his father, the Burbank airport, when Masters Degrees come in handy, and 90’s Digidesign. Enjoy! -MattLinks and Show Notes:Foothill College Music Technology Program:https://bit.ly/2WXqo36Working Class Audio Journal: https://amzn.to/2GN67TPMatt Donner: https://bit.ly/2IxfTKzBrendan Duffy: https://bit.ly/2VQEIuGCredits:Host: Mat
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WCA #233 with Beau Sorenson
04/06/2019 Duración: 47minBeau Sorenson is a freelance audio professional (producer/mixer/ engineer) based in California. He also writes, records, and remixes music as Beaunoise.As producer/engineer, He's worked on multiple albums for Death Cab for Cutie, Bob Mould, and Superchunk, as well as albums for Tune-yards, Thao and the Get Down Stay Down, Mac McCaughan, Mike Krol, Someone Still Loves You Boris Yeltsin, The Dodos, Sparklehorse, Field Report, Jars of Clay, Yellow Ostrich, Camera Obscura, and many more. I’ve engineered sessions for Chris Walla, Merrill Garbus, Tucker Martine, Butch Vig, John Vanderslice, Dangermouse, Ryan Hewitt, and Al Weatherhead.While studio recording is Beau's primary focus, He's also composed and recorded soundtracks for films and podcasts mastered music for release, worked as a studio tech, taught audio engineering, and consulted on studio construction and design.Beau spent six years as a staff engineer at Smart Studios in Madison, WI before leaving to work freelance. He is currently a staff engineer at Jo
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WCA #232 with Buddy Lee Dobberteen - Being a Marine, Iraq, His Studio for Vets, Suicide, and Mentoring.
27/05/2019 Duración: 54minBuddy Lee Dobberteen grew up in a small town in Michigan. He got into playing guitar at a young age and was always fascinated with music but never really pursued it because he was too busy playing sports. He did an electrical internship all through school and after graduation began doing side gigs wiring houses but had always dreamed of something more. In early September of 2001, Buddy joined the Marine Corps and went in as an infantryman. In 2002 he was deployed to the Middle East and soon after participated in the Iraq war. Three tours later, Buddy got out of the Marines and was labeled 100% disabled. After a series of events, he started the nonprofit Pathfinders Outdoors: His Little Studio & Mentoring. His goal was to help fellow vets via mentoring, learning audio and music as well as hunting and fishing together. Buddy and his team have had over 300 Mentoring Sessions since January 2019 and continue to grow and help fellow vets who require help. About this interview:Buddy joins me
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WCA #231 with Brendan Duffey
20/05/2019 Duración: 51minBrendan Duffey is a 3x Grammy nominated producer/engineer who lives in Davis, California. He has engineered, mixed, mastered and produced some of the largest names in music in Brazil, working with such artist such as Daniela Mercury, Caetano Veloso, Lulu Santos, Kiko Loureiro Angra,50 Cent, The Mission, and many others. Brendan owned Norcal Studios in São Paulo, Brazil for a decade and now has a mixing and mastering facility in called Brendan Duffey Audio in Davis, CA.About this interview:Brendan joins me to chat about growing up in Davis, California, the impact of Sylvia Massy, the Banff Center, running a studio in Brazil, working with his wife, corruption, bureaucracy, violence, kidnapping, success, troubles with shipping & friends in the FBI. Enjoy! -MattLinks and Show NotesWorking Class Audio Journal: https://amzn.to/2GN67TPBrendan’s site: brendanduffeyaudio.comCurrent sponsors & promos : https://bit.ly/2WmKbFwCredits:Host: Matt Boudreau Guest: Br
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WCA #230 with Chris Shaw
13/05/2019 Duración: 46minChris Shaw is a four time Grammy Award winning American producer, engineer, mixer, and musician. Beginning his career at Greene Street Recording, he quickly worked his way from his start as an NYU intern, to assistant engineer, to a position as a staff engineer working with influential hip-hop artists such as Public Enemy, A Tribe Called Quest, Run-DMC, and LL Cool J. In 1991 he played bass with LL Cool J on his famous performance on MTV Unplugged (along with De La Soul, MC Lyte, and A Tribe Called Quest). He went independent shortly after and has since made records with Weezer, Wilco, Bob Dylan, Ween, Jeff Buckley, Soul Asylum, Sheryl Crow, Super Furry Animals, Death Cab For Cutie, Lou Reed, Bad Brains, Ric Ocasek, Cheap Trick, Neon Neon, Elvis Perkins, Guillemots, Joss Stone, The Meat Puppets, Nada Surf, Dashboard Confessional, and The Derek Trucks Band. He has worked on six of Rolling Stone’s “500 greatest Records of All Time“.About this interview:Chris joins me to talk about keeping your m
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WCA #229 with Ed Brooks
07/05/2019 Duración: 40minEd Brooks has been making records since the dawn of time, well almost. Ed started his career producing amd engineering records in basement studios, working his way up into major studios during Seattle’s music explosion of the early 90s. He started full time as a mastering engineer 18 years ago. Artists Ed has mastered projects for include, REM, Pearl Jam, Fleet Foxes, Death Cab For Cutie, Courtney Marie Andrews, The Head and The Heart, Chris Robinson, and Noah Gundersen. He also plays pedal steel guitar in several bands based in the Seattle area.About this interview:Ed joins me to talk about working at Tapco, transitioning from tech to recording to mastering, staying cool in intense studio situations and 90’s Seattle. Enjoy! -MattLinks and Show Notes:WCA Journal: https://amzn.to/2GN67TPResonant Mastering: http://www.resonantmastering.com/Credits:Host: Matt Boudreau Guest: Ed BrooksWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Plea
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WCA #228 with Shani Gandhi
30/04/2019 Duración: 42minShani Gandhi is a producer, engineer and mixer residing in Nashville, TN. She has engineered for such artists as Dierks Bentley, Kelsea Ballerini, Alison Krauss, The Mountain Goats, Parker Millsap, and Sierra Hull. In 2017, she received a GRAMMY Award as an engineer for Sarah Jarosz’s folk album, Undercurrent, and was also nominated for Best Engineered Album, Non-Classical.About this interview:Shani joins me to talk about her journey from Australia to the US, earning trust, not over mixing, immigration, the dynamics of Nashville and making time for yourself. Enjoy! -MattLinks and Show Notes:Shani’s site: https://www.shanigandhi.com/David Miles Huber’s YouTube channel: https://bit.ly/2IOU7VnCredits:Host: Matt Boudreau Guest: Shani GandhiWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau & Matt BoudreauAdditional Music: The License Lab
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WCA #227 with Wesley Slover
23/04/2019 Duración: 45minWesley Slover founded Sono Sanctus in 2011 as a means to freelance in music and sound design. He creates sound design and music for films, ads, apps, games, installations, and hardware with an emphasis on the intersection of sound and music. Some of his client list includes: Dolby, Spotify, Casper, Google, Facebook, the Atlanta Falcons, and Airbnb.About this interview:Wesley joins me to talk about the art & craft of sound design, scheduling, family time, the cassette tape guy, making stuff and church sound. Enjoy! -MattLinks and Show Notes:Wesley’s company: http://www.sonosanctus.com/Designing with Sound bookCredits:Host: Matt Boudreau Guest: Wesley SloverWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau & Matt BoudreauAdditional Music: The License Lab
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WCA #226 with Rachel Field
15/04/2019 Duración: 44minRachel Field moved to Seattle from California in 2009 and quickly became heavily involved in the PNW recording scene. She has worked in several areas of audio production, and found her passion to be mastering. As Mastering Engineer she works on all genres, and with a wide variety of local and international artists such as Whitney Mongé, Fauna Shade, Old Coast, Jericho Hill, Ryme, The Fucking Eagles, The Baggios, Mouths of Babes, and Anomie Belle. Rachel also does freelance recording in several studios in the Seattle area.About this interview:Rachel joins me to talk about food service, customer service, reading people, riding motorcycles, getting sunshine and mastering. Enjoy! -MattLinks and Show Notes:Resonant Mastering: http://www.resonantmastering.com/The Rolling Stones Documentary: https://www.netflix.com/title/80148239John Coltrane Documentary: https://www.netflix.com/title/80147403Credits:Host: Matt Boudreau Guest: Rachel FieldWCA Theme Music: Cliff
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WCA #225 with Joe Finocchio
08/04/2019 Duración: 46minJoe Finocchio is a musician and recording engineer (The Soft White Sixties, American Killers, Double Duchess, davOmakesbeats, The Family Crest) based in the San Francisco Bay Area. He has spent the last 11 years making records in studios all over Northern California. Currently he resides at Santo Recording in Oakland and works out of his mix room in his Mission District apartment. Joe also works as a Production Manager for a Bay Area corporate AV provider called On Point Audio Visual. About this interview:Joe joins me to talk about his early struggles, the trust of mentors, skipping the intern process, working in corporate AV and not drinking with the band. Enjoy! -MattLinks and Show Notes:Atomic Habits by James Clear: https://amzn.to/2U3J8gVJoe's Site: www.gainandvolume.com Credits:Host: Matt Boudreau Guest: Joe FinocchioWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau & Matt BoudreauAdditional Music: The License Lab
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WCA #224 with Frank Marchand
01/04/2019 Duración: 40minWorking Class Audio #224 with Frank Marchand!!!Frank Marchand is a recording engineer, mixer, producer, live sound engineer, broadcast mixer and Maryland native since 1976. He learned to play bass in his high school band in the late 70’s and was bitten by the audio bug when his band went into the studio for the first time to record some original material. He then attended a four year liberal arts college that had only one course in acoustics and four track studio that the director would not let any one use. After graduation he found work in a D.C. based mom and pop Hi-fi chain that specialized in selling blank recording media such as cassettes and blank video tape. Working up from the sales floor to the advertising end of the business he then landed a Front of House or House sound job at the now vanished Bayou in D.C. where he cut his teeth as a live sound engineer. After the stint at the Bayou, he then landed a job at Washington Professional Systems where he was the assistant to sound guru Greg Lukens and ow
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WCA #223 with Doug McBride
25/03/2019 Duración: 37minWorking Class Audio #223 with Doug McBride!!!Doug McBride is a man with many titles including studio owner, engineer, mastering engineer, multi-instrumentalist, songwriter, dad and husband. Doug founded and has run Chicago based Gravity Studios for over 20 years. He has worked with Izzy Stradlin, Veruca Salt, Smashing Pumpkins, Fall Out Boy, and many more. Doug lived in a treehouse in the Panamanian jungle for 3 months in summer of 1985 and he owns a beagle named Banjo. About this interview:Doug joins me to talk about running Gravity Studios, assisting for Steve Albini, 911, word of mouth, dealing with landlords and unexpected guests. Enjoy! -MattLinks and Show Notes:Gravity Studios: http://www.gravitystudios.com/Current sponsors & promos Credits:Host: Matt Boudreau Guest: Doug McBrideWCA Theme Music: Cliff Truesdell Announcer: Chuck SmithEditing: Anne-Marie Pleau & Matt BoudreauAdditional Music: The License Lab
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WCA #222 with Justin Lieberman
18/03/2019 Duración: 36minWorking Class Audio #222 with Justin Lieberman!!!Justin Lieberman is a recording engineer and producer with over two decades of experience. Justin has worked with hundreds of artists on over 150 commercially released albums including Santana, George Winston, Roy Hargorve, Jonathan Richman, David Gray, Alanis Morissette, Les Claypool, Jennifer Nettles, Jackie King, Willie Nelson, Kronos Quartet, Ralph Stanley, Bill Frisell and many more. Justin has also worked on several films, countless radio and television commercials and has recently been focusing his work on score mixing for video games such as the recent blockbuster release Spider-Man.Justin began his professional career in San Francisco at Toast Recording and then moved on to Different Fur Recording where he worked as a staff assistant and staff engineer for 7 years. In 2004 Justin began working at SF Soundworks where he met a producer PC Muñoz who introduced him to the Talking House Productions crew. Just joined the Talking House
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WCA #221 with Hans DeKline
11/03/2019 Duración: 51minWorking Class Audio #221 with Hans DeKline!!!Hans DeKline is a Grammy-winning, Los Angeles based mastering engineer. Since 2005, he has mastered thousands of songs & albums by artists such as U2, Pixies, Snoop Dogg, Touche Amore, mewithoutYou, Morcheeba, Veruca Salt, Lisa Loeb, Diplo, Jack Irons, James Fearnley, Candiria, Ritchie Ramone, Twista, Jesca Hoop, DJ AM, Papa M, Skating Polly, Gary Jules, Ninja Sex Party, Tim Finn, Ben Lee, JMSN, The Growlers, The Paranoyds, The Von Bondies, Partyshank, Jon Lajoie, Matthew Ryan, The Romantics, Steve Aoki, Pace Won, 825 Records & YOU!Hans grew up in Tucson AZ where he started playing and singing in bands when he was 15. His early audio experiences started with using borrowed 4 track cassette machines to make mix tapes of hip hop and punk tunes recorded from vinyl. Hans would compress/eq and change level for each tune so that those tapes would play down like commercially released compilations. He didn't realize it then but he was already star
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WCA #220 with Butch Vig
04/03/2019 Duración: 01h18s“Artist” is the single word which best describes producer, mixer, composer, and multi-instrumentalist Butch Vig. Born in Viroqua, Wisconsin, his parents Doc and Betty exposed Butch to a variety of music and fine arts culture during his youth.While attending the University of Wisconsin Madison, where he received a degree in filmmaking, Vig focused on experimental music composition – an area that would serve him well into the future. While at the UW, Butch jumped into the local music scene and joined the band Spooner as its drummer. Unlike most drummers, content to bang out the rhythms, Vig pursued music composition with the band and stepped behind the studio glass to shape the recorded sound as a producer.After graduating from the UW, Butch co-founded Smart Studios and began producing and mixing albums. His perseverance as an independent producer in Madison carried far beyond Wisconsin’s borders, as artists from around the country began to hear the clear, edgy, hard rock sound shaped by