Private Passions

Val McDermid is one of the biggest names in crime writing. Her novels - 30 so far - have sold over 10 million copies worldwide and have been translated into 30 languages. But in Private Passions she reveals that what she really wanted to be early on was a singer. As a teenager she played the guitar and sang in folk clubs, though hampered by the fact that she never managed to learn to read music, though she tried both as a child and an adult. But she still sings, with the poet Jackie Kay and with other friends.In Private Passions, Val McDermid talks about the creative inspiration she finds in music, and how listening to music can cure writer's block. She chooses music connected with the sea - Vaughan Williams's Sea Symphony. Having been brought up by the sea on the East Coast of Scotland, she has never been able to be happy away from the sea. She includes the piece of Villa Lobos which opened up classical music to her, and a Robert Burns song which her father used to sing. Other choices include Bruch, Kurt Wei

In her forty-year career writing and broadcasting about wine, Jancis Robinson has probably done more than anyone else to make wine an accessible and joyous part of our lives, and to strip away a great deal of the pretensions that used to surround it. But she's also one of our leading scholars of wine, and the fourth edition of the book she describes as her 'fourth child', a mammoth updating of her nearly 1000-page-long Oxford Companion to Wine, is about to be published next month. She talks to Michael Berkeley about her love of opera, the excitement of tasting for the Queen, and the great pleasures of wine and music. Her choices include music by Mozart, Tchaikovsky, Handel and a sweet English folk song. Producer: Jane Greenwood A Loftus Production for BBC Radio 3Produced by Elizabeth Burke A Loftus Production for BBC Radio 3First broadcast in August 2015.

Agony aunt, novelist and stand-up Virginia Ironside talks to Michael Berkeley about her favourite music, the Swinging Sixties, ukuleles, and growing old disgracefully.Virginia has worked for pretty much every British national newspaper, and currently answers readers' dilemmas in the Independent as well as writing a monthly column for the Oldie and a series of books - full of warmth and humour - about the perils and joys of getting older. And she's playing the Edinburgh Festival with her one woman show Growing Old Disgracefully.Her favourite music includes Schubert, Strauss, Paul McCartney, and the Ukulele Orchestra of Great Britain, of which her son is a member. Producer: Jane Greenwood A Loftus Production for BBC Radio 3.

Faramerz Dabhoiwala, who is Professor of History at Exeter College, Oxford, has proved that what people got up to in the past is a serious and neglected subject of historical enquiry. His book The Origins of Sex explores what he describes as 'the First Sexual Revolution' - a transformation of attitudes to sex which happened in Britain in the 18th century and which gives us the template for how we think about sex today. He argues that during the 18th century older, punitive attitudes to sex began to give way to new ideas of pleasure. In Private Passions he talks to Michael Berkeley about his upbringing in permissive Amsterdam, and about why discovering his Indian grandparents' love-letters inspired him as a historian. His music choices reflect his love for the 18th century, with Purcell's Dido and Aeneas, and two pieces by Bach: his Double Violin Concerto and the Cantata Wachet Auf. The programme also includes Schubert's Piano Sonata in A Major played by Alfred Brendel, Philip Glass's music for Cocteau's film

John Lahr talks to Michael Berkeley about his passion for the American Songbook, his award-winning biographies of Tennessee Williams and Joe Orton, and his father, the actor Bert Lahr, who was the Cowardly Lion in The Wizard of Oz. Described by the playwright Edward Albee as 'the greatest drama critic of my generation', John was for 22 years chief critic and profile writer for the New Yorker. Then, in 2002, John Lahr the drama critic became John Lahr the dramatist - and the first drama critic ever to win a Tony Award when he wrote actress Elaine Stritch's one-woman show, Elaine Stritch at Liberty. He chooses music from that show, a song sung by his father, a Theolonious Monk track which reminds him of his wife Connie Booth, and he ends with the joy of Mozart's Jupiter Symphony.Producer: Jane Greenwood A Loftus Production for BBC Radio 3.

Muslim theologian Mona Siddiqui talks to Michael Berkeley about her passion for piano music, how she came to love classical music through the cinema, and the sometimes controversial role of music in Islam. Mona Siddiqui was born in Karachi, but she moved to Britain with her family at the age of four and was brought up in Huddersfield. She's now Professor of Islamic and Interreligious Studies at Edinburgh University. She's a distinguished scholar, but above all she's a communicator, with a regular slot on Thought for the Day. Her latest book, My Way: A Muslim Woman's Journey, is a moving account of how her faith has shaped her life. She's a leading voice for moderate Islam, unafraid to address the complex and controversial issues facing the Muslim community. Her choices include piano music by Liszt and Tchaikovsky, an aria from Madame Butterfly, music from Schindler's List, and a ghazal song from Pakistan sung by Mehdi Hassan. Producer: Jane Greenwood A Loftus production for BBC Radio 3.

Henry Marsh is one of the country's leading neurosurgeons: as a senior consultant at St George's University Hospital in South London, he has pioneered brain surgery for more than 30 years. These are delicate, microscopic operations to deal with tumours and aneurisms where the least slip can be catastrophic: comparable, he says, to bomb disposal work. Henry Marsh's account of his career, 'Do No Harm: Stories of Life, Death and Brain Surgery', has become a best-seller. In Private Passions, he talks about how his work has given him a heightened awareness of the unpredictability of life, and about the role of music in dealing with stress. He discusses the use of music during operations themselves; he used to listen to music, but after one operation went badly wrong, now feels it is inappropriate. And he gives a neuroscientist's perspective on falling in love. Music choices include Bach's St Matthew Passion, Mozart's Magic Flute, Scarlatti, Bartok, Prokofiev, Beethoven, and African music which reminds him of time

Rachel Nicholson has an extraordinary artistic background: her mother was Barbara Hepworth, her father Ben Nicholson. Yet despite, perhaps because of, the burden of that parentage, she herself did not begin to paint until she was in her forties. Now in her early eighties, she's established a reputation as a painter of rhythmically beautiful landscapes and still lifes; her work influenced perhaps by her father's sense of space and colour, but very much her own. She paints every day in an attic studio in North London; for Private Passions she invited Michael Berkeley to her studio and gave a rare interview, revealing the central role music has played for her, right from earliest childhood. Rachel Nicholson has synaesthesia, which means that when she listens to music, she sees colours; so music provides inspiration when she's stuck, or searching for a new colour palette. She remembers sitting on the stairs listening to the music drifting from her mother's studio, but it was no ordinary childhood: Rachel was a tr

As part of the BBC's Classical Voice season, Michael Berkeley's guest is singer Alison Goldfrapp.Alison Goldfrapp burst onto the music scene fifteen years ago, as lead singer in the duo Goldfrapp with the debut album Felt Mountain. Rock critics reached for adjectives such as 'lush', 'symphonic', 'epic'. Since Felt Mountain there have been five more hit albums, moving across pop, dance, electronic music - but each featuring the same extraordinary voice. Alongside the six gold albums, Goldfrapp also composed the soundtrack for the John Lennon film, Nowhere Boy, and the music for the recent Medea, starring Helen McCrory, at the National Theatre. In Private Passions, Alison Goldfrapp talks to Michael Berkeley about finding her voice, and about the childhood that inspired her. Her father ('a closet hippy') used to take all six children out into the Hampshire woods, and make them sit still and listen, for hours; when there was a full moon he would drive them to the sea, for a night swim. The first time Goldfrapp he

It's impossible to imagine what it must have been like to live in a society where Western Classical music was forbidden on pain of severe punishment, or where playing a musical instrument was something that could only be done in utter secrecy. But that was the situation in China during the Cultural Revolution, when Jung Chang was a teenager. She is now an internationally acclaimed writer; but she began her working life as a peasant, a 'barefoot doctor', a steelworker and an electrician, before becoming a university lecturer. She left China for Britain in 1978 and obtained a PhD in Linguistics from the University of York - the first person from the People's Republic of China to receive a doctorate from a British university. She shot to fame with her book Wild Swans, which tells the story of her own life and the lives of her mother and grandmother, set against the turmoil of 20th-century China. It has sold more than ten million copies but is still banned in China. And she followed it with biographies of Mao, co

The President of the Royal Academy of Arts, Christopher Le Brun, gives Michael Berkeley a tour of this year's Summer Exhibition and shares his musical and artistic passions. The RA Summer Exhibition is the largest open submission exhibition in the world, and Christopher shares the excitement in the days running up to the opening as 1000 pictures - selected from 10,000 - are hung in the brightly-painted galleries. An acclaimed painter, sculptor and print-maker Christopher Le Brun has work in public and private collections around the world. He is passionate about the music of the late 19th and 20th centuries, and his work has frequently been inspired by music. He takes Michael to the RA library to show him a series of etchings inspired by Wagner, and we hear music by William Walton that has also stimulated his work.Christopher's other choices include music by Schoenberg, Poulenc and Django Reinhardt, and he shares the nasty surprise he once gave his mother when she sat down at the piano to play a Grieg nocturne

Sir Alan Moses is a distinguished lawyer who sat as a judge for almost 20 years, latterly in the Court of Appeal. He resigned last autumn to become the first Chairman of the new Press Standards Organisation, IPSO, the successor to the Press Complaints Commission. It's a challenging, and indeed highly controversial role. Alongside this he has spent 6 years as Chairman of Spitalfields Music, and is a dedicated concert goer, and a member of the Parliament Choir. In Private Passions, Sir Alan curates a playlist of great choral works: Bach, Monteverdi, Schubert, Donizetti, and a Handel oratorio, Saul. He introduces a little-known work by Birtwistle which was written for his wife, Dinah, and he chooses a French chanson by Brassens in tribute to his mother, a French teacher.Produced by Elizabeth Burke. A Loftus Production for BBC Radio 3.

Michael Berkeley's guest is the opera and theatre director Iqbal Khan.He has brought to the stage everything from Madame Butterfly and Sondheim's Into the Woods to an RSC production of Much Ado About Nothing set in modern India. In Private Passions, Khan explores his favourite operas, with extracts from Verdi, Mozart, and Wagner, and chooses other music which inspires him, from Mahler's 2nd Symphony and Britten's War Requiem, to an extraordinary percussive piece by Nitin Sawhney. He plays, too, a historic recording of Paul Scofield as King Lear. And he talks movingly about his childhood and difficult teenage years, growing up in Birmingham, after his father died and the family was left penniless. Khan was inspired by his older brother, who encouraged him to aim for the highest academic honours, and read to him at night by candlelight - to make the books more exciting. Dracula was a particular favourite.Produced by Elizabeth Burke A Loftus production for BBC Radio 3.

Tim Rice has written the lyrics for some of the most successful musicals of our generation: Joseph and the Amazing Technicolor Dreamcoat ... Jesus Christ Superstar ... Evita ... For 45 years he has been creating hit songs, collaborating first and famously with Andrew Lloyd Webber, then with Abba, Elton John, Freddy Mercury and Madonna. He has a star on the Hollywood Walk of Fame, thanks to the success of his songs in Disney movies The Lion King, Aladdin and Beauty and the Beast. A three-time Oscar winner, he has been knighted for services to music. In Private Passions, he talks to Michael Berkeley about the process of lyric-writing, about why it's an extraordinary experience to work with Elton John, and about what it is that makes a successful song lyric. He also reveals that his early ambition was to be a pop star, and that he started out as a singer - in fact, he recorded a single. Music choices include a satirical operetta by Offenbach, Mendelssohn's A Midsummer Night's Dream, Vaughan Williams's London Sym

"As a composer I've always been intrigued by the way people who are not professional musicians talk about music and how they tend to reveal things about themselves when they do. And so twenty years ago, when Radio 3 was looking for a new programme in which a huge variety of people talked about their passion for music, I felt very excited about the possibilities. Over twenty years we've had a wonderful selection of guests. One unforgettable guest was the philosopher Isaiah Berlin, and I was astonished by his childhood memory: of actually watching the Russian Revolution at the age of 8 on a balcony in St Petersburg. He revealed that for him Bach was like 'daily bread', and chose the 5th Brandenburg Concerto."Music connects us with what really matters, beyond the daily busyness of our lives; through music we plunge beneath the surface, and often find ourselves at earliest childhood memories. So, for instance, the poet laureate Carol Ann Duffy remembers the unexpected arrival at home of a piano, and how she learn

Jane Hawking's personal life is very much in the public eye at the moment, thanks to the success of the film 'The Theory of Everything'. It tells the story of her love affair and then marriage to the physicist Stephen Hawking, and movingly reveals the way she cared for him, and their children, as his illness increased, until the sad disintegration of their marriage. Both Stephen and Jane Hawking have given the film their approval - indeed, in Jane's case, it's very much based on her autobiography, 'Travelling to Infinity'. In Private Passions Jane Hawking talks to Michael Berkeley about the crucial role of music in her life, and about how listening to music and singing sustained her during twenty-five years caring for Stephen. She reveals that it was through music that she met her second husband, Jonathan Hellyer Jones.Other music choices include Mozart's Clarinet Concerto, Schubert's 'The Trout', the Scherzo from Beethoven's 7th Symphony, music from Swan Lake by Tchaikovsky, Brahms' German Requiem, and Chopi

Michael Berkeley talks to the Reverend Lucy Winkett, the Rector of St James’s Church, Piccadilly, and formerly Canon Precentor of St Paul’s Cathedral, about her lifelong passion for music. A classically trained soprano, she won a choral scholarship to Cambridge and subsequently studied at the Royal College of Music but gave up a career as a singer for the priesthood. The first woman to sing the Eucharist at St Paul’s Cathedral, she tells Michael about the opposition she faced from traditionalist members of the church, how she faced up to it, and the joy of being in charge of music at the Cathedral. Lucy chooses music she’s sung, music that inspires her, and some - rather surprising - music that helps her prepare for Easter Day. Her choices include Gibbons, Messiaen, Rachmaninov, Bach, and a wonderful piece of early jazz from ‘Sister’ Winona Carr. Producer: Jane GreenwoodA Loftus Production for BBC Radio 3

A husband and wife go for a walk in the woods; full of energy, the wife starts to walk on the tips of her toes - suddenly she takes off, across the forest. Startled, the husband calls out to her - but too late. She has transformed herself into a fox. If that unsettling story sounds familiar, it's because it won the BBC National Short story award in 2013; you might have heard Mrs Fox read on Radio 4. Its author, Sarah Hall, was already an accomplished novelist. She was born in Cumbria in 1974, and her first novel, Haweswater, won the Commonwealth Writers' Prize for Best First Novel, among other prizes. The awards have come thick and fast for every book since. She's been shortlisted and longlisted for the Booker Prize, with The Electric Michelangelo and How to Paint a Dead Man, and her 2007 novel, The Carhullan Army, was listed as one of The Times' 100 Best Books of the Decade. Sarah's latest novel, The Wolf Border, about a plan to reintroduce wolves to the north of England, is published this month.Sarah's musi

Robert Cohan is the founding father of contemporary dance in Britain. Born in Brooklyn in 1925, he was first struck by the power of dance whilst on leave from serving in France during the Second World War, when he was taken to see a ballet at Sadler's Wells. Back in New York in 1946, a single modern dance class at the Martha Graham studio convinced him of his vocation. He worked with Graham for almost two decades before moving to London in the late sixties, to found what became the London Contemporary Dance Theatre. Cohan defined the style of British contemporary dance with his breadth of vision, challenging physical style and inspirational teaching. And virtually all the major figures in 20th-century choreography have been influenced by Cohan - Siobhan Davies and Richard Alston to name just two. Ahead of his 90th birthday celebrations at The Place, Robert Cohan talks to Michael Berkeley about the music that's inspired him during his extraordinary career. He movingly recalls his time on active duty in France,

Andy McNab is very lucky to be alive today; in fact from the beginning his life has been characterised by exceptional risk and danger. As a baby, he was found abandoned in a Harrods carrier bag on the steps of Guy's Hospital. By the time he was a teenager, he was in trouble with the police. Joining the army at 16, he served in the SAS, and in 1991, during the First Iraq war, he led a secret mission to infiltrate behind enemy lines. It was a disaster: he was captured, and tortured savagely. Three of his fellow soldiers didn't survive. Andy McNab's account of his captivity and eventual escape, Bravo Two Zero, became a world-wide best-seller and launched him on a career as a writer. Since then there have been more than 30 thrillers, with sales totalling 32 million. So the baby who was left in a carrier bag is not just a survivor, he's hugely successful.In Private Passions Andy McNab reveals the central place of music in his life, and particularly his passion for opera. Opera, he says, is the only thing that make