Private Passions

As the 50th anniversary of the moon landings approaches, James Burke talks to Michael Berkeley about the music that brings back memories of the heady days when, new to science broadcasting, he was chosen by the BBC to lead the coverage of the Apollo Missions and the moment the first human stepped onto the Moon. James Burke has the rare gift of making complex ideas comprehensible to a wide audience – and providing a great deal of entertainment along the way. He began his BBC career on Tomorrow’s World, and his series Connections, which offered a new perspective on the history of science and technology, was a television landmark. James is the author of more than a dozen books, and his series about his long-running project The Knowledge Web was broadcast recently on Radio 4. The surprising thing about James Burke is that he studied Middle English at university and got into science broadcasting quite by accident while working in Italy. He tells Michael how it happened and plays a Neapolitan song which reminds him

Sarah Langford is a barrister; in her words, her job is “to represent the mad and the bad, the broken and the hopeful” – telling their stories in court. After thirteen years of practice, she decided to tell their stories in a book, too. In Your Defence was published last year and has had a huge impact. In it she tells the stories of eleven people she represented in both the criminal and family courts: harrowing stories of mothers whose babies are taken away at birth, teenagers caught up in addiction, a wife who’s abused, a boy whose parents fight over him for years. In Private Passions, she talks to Michael Berkeley about why she felt it was important to get these people’s stories into the public domain, at a time when the criminal justice system in Britain is facing overwhelming pressure. One of the challenges of the job is to decompress, after the emotions of a day fighting a case in court, and this is where listening to music is crucial. “When I was coming home on the train from court, I would often find m

In the early 1990s Harry Enfield went from being a part-time milkman to one of our biggest comedy stars, and many of the characters he created have become embedded in our national psyche - Loadsamoney, Kevin the Teenager, Tim Nice-But-Dim, Wayne and Waynetta Slob, Stavros and Smashie and Nicey, to name just a few. He started out on Spitting Image and Saturday Night Live, and his television shows in the 1990s reinvigorated British sketch comedy, gaining him more than 13 million viewers a week. Films, documentaries, and more comedy series have followed, as well as a hugely successful theatre show with his comedy partner of nearly 30 years, Paul Whitehouse.Harry tells Michael Berkeley about how his journey from punk to opera - his great musical passion - developed when he was living in a council flat in his twenties and borrowing a record a week from the library. We hear parts of two Verdi operas that inspired the theme tunes for his first two television series. He reveals why he’s chosen the aria Largo al Facto

June Spencer can walk down the street unrecognised, but as soon as she starts to speak, she’s known instantly by millions. That’s because, since the very first episode in 1950, she’s played Peggy in The Archers – that’s more than 68 years. The only remaining member of the original cast, she’s been honoured with both an OBE and a CBE. As part of the celebrations for her 100th birthday she talks to Michael Berkeley about her life-long love of music. A keen pianist, she had to leave school at 14 to look after her sick mother, but persisted with music and acting classes and forged a successful career on stage and in radio. June tells Michael why she thinks The Archers has such enduring appeal and why it’s so important for the series to have topical and challenging story lines. For many years her character Peggy struggled with her husband Jack Woolley’s Alzheimer’s - a disease which sadly claimed the life of June’s own husband. June chooses music by Vivaldi which reminds her of her late son David, a talented balle

Lucasta Miller is a writer fascinated by the Romantic, and the dark excesses of the Gothic. Her latest subject is a poet, Letitia Landon, whose life was scandalous and whose sudden death is like a scene from a detective novel. In her day, Landon was an icon, hailed as a “female Byron” – and a favourite of the Brontë sisters, who were the subject of Lucasta Miller’s previous book. Both biographies were years in the making, partly because they involved such meticulous research, partly because Lucasta Miller was at the same time writing journalism, editing books, teaching English to refugees, bringing up children and generally holding together a household, the other half of which is the singer Ian Bostridge. In Private Passions, Lucasta Miller talks to Michael Berkeley about her lasting obsession with the gothic, and about the dark secrets concealed in Letitia Landon’s life. The theme of dark secrets takes her to the first German Romantic opera, Weber’s Der Freischütz, and the terrifying Wolf’s Glen. She discu

At thirty-two, Robert Icke is already one of this country’s leading theatre directors. He’s best-known for his modern adaptations of classic texts; his version of the Greek tragedy the Oresteia won him an Olivier in 2016 for Best Director, and both the Critics Circle and the Evening Standard Theatre Awards. He wrote a seventy-minute prequel to the Aeschylus play himself, so there’s no shortage of ambition; and playfulness too – in Mary Stuart, which starred Juliet Stevenson and Lia Williams, a coin was tossed each night to decide which of them would play Elizabeth I and which Mary Stuart. He’s about to leave the Almeida after six years. His first production as a freelance director in Europe is with Ivo van Hove, in his International Theatre Amsterdam.Robert Icke has a lot to say about the state of theatre in this country, which he thinks is in big trouble. He’s particularly concerned about young people trying to enter the profession, when wages are so low and it’s so expensive to live in London, where most wo

The actress and comedian Jess Robinson tells Michael Berkeley how her training as a classical singer informs her impressions of a vast range of singers, including Kate Bush, Bjork, Lady Gaga, Billie Holiday and Julie Andrews.A regular on Radio 4’s The Now Show, Dead Ringers, and 15 Minute Musicals, Jess made her name starring on stage in Little Voice and playing Joan Collins’ daughter in Full Circle. Her musical impressions propelled her to the semi finals of Britain’s Got Talent in 2017 and she’s currently on tour with her show No Filter.Jess chooses songs by Samuel Barber and Debussy that were favourites from her classical singing lessons, and pieces that remind her of the rich musical heritage of her family, including a 20th-century organ prelude that she plays in her local church as a double act with her mother – her mother plays the keyboards but Jess plays the pedals, as her mother’s legs are too short to reach them! And we hear Jess’s grandmother singing a traditional Yiddish song, recorded after she

Barbara Hosking was born above her father’s dairy in Penzance, back in the 1920s, and ended up in the corridors of power serving two British prime ministers. Two years ago, at the age of 90, she decided to come out as gay, which, she says, is the best thing she’s ever done.Barbara Hosking talks to Michael Berkeley about moving from Cornwall to a new world in London after the War, meeting Eastern European emigres and discovering lesbian clubs where women could dance together openly. All sorts of women were there, from the posh to the very poor, from “respectable” women to prostitutes. Despite her early Labour party affiliation, she found herself working for Edward Heath, whom she admired greatly, and who she persuaded not to wear a terrible old cardigan when he was conducting with the London Symphony Orchestra. She talks too about finding happiness late in life with her partner Margaret.Music choices include Edward Heath conducting Elgar, Strauss’s opera Ariadne Auf Naxos, Schubert’s Winterreise, and Britten’s

David Wilson has spent his life working with violent men – particularly those who have committed murder and serial murder. Currently Emeritus Professor of Criminology at Birmingham City University and a campaigner for penal reform, he spent much of his career working in a series of prisons and young offender institutions, dealing with some of our most notorious murderers - including Dennis Nilsen.He has made memorable television programmes including the award-winning 'Interview with a Murderer'. And he’s written sixteen books, the latest being My Life With Murderers: Behind Bars with the World’s Most Violent Men.David tells Michael Berkeley about the huge challenges of becoming Britain’s youngest prison governor at the age of 29, his many encounters with the serial killer Dennis Nilsen, and his pioneering approach to rehabilitating violent offenders. He chooses a song from the jazz trumpeter and singer Chet Baker – sadly no stranger to prison himself – and music by Bernstein and Copland that reminds him of h

The surgeon Roger Kneebone tells Michael Berkeley how his work with tailors, lacemakers, Formula One teams, and musicians has transformed his understanding of medicine. Roger Kneebone began his career as a trauma surgeon in Soweto, operating on victims of stabbings and shootings, before working in a war zone in Namibia in the 1980s. Then he was a GP in Wiltshire for fifteen years before joining Imperial College London, where he is Professor of Surgical Education and Engagement Science. So with that impressive medical background it comes as something of a surprise to discover that he spends a lot of his professional life these days hanging out with craftspeople, engineers and musicians. He says: ‘When I started to think about surgery not only as an application of scientific knowledge but as a form of performance and craftsmanship, it made a lot of sense to find out what other performers and other craftsmen were doing and see what the connections were between their worlds and mine, rather than looking at the di

The comedian Jo Brand tells Michael Berkeley about the important role classical music plays in her life. Jo Brand has enjoyed a pretty unusual career path - from psychiatric nurse to The Great British Bake Off. On the way she’s taken in radical stand-up comedy – under the moniker The Sea Monster – invented a new genre of Bafta-winning sitcom drawing on the black humour of nurses and social workers, and has made numerous appearances on panel shows from QI and Have I Got New For You to Question Time. Jo talks movingly about the music in her childhood – learning the piano and violin, bell ringing in her local church and listening to music with her father, who suffered from depression. She chooses Mendelssohn’s Violin Concerto in his memory. Music runs through Jo’s family, and her teenage daughters are keen singers. We hear Carmina Burana, which one of them has performed, as well as part of Beethoven’s Pastoral Symphony, which reminds her of her rural childhood with her two brothers. And she tells Michael that co

For forty years, Uta Frith has dedicated her life to understanding the enigma of autism; she was one of the first neuroscientists to recognise autism as a condition of the brain, rather than the result of cold parenting. She works at the Institute of Cognitive Neuroscience at University College London, alongside her husband, Chris Frith, who’s a specialist in mapping the brain through neuro-imaging. Elected to the Royal Society in 2005, she’s passionate about encouraging more women into careers in science. When Professor Frith first published her influential research into autism in the 1980s, she says it evoked “strong emotional reactions”, and autism remains controversial today, as it is increasingly viewed not as a disability, but as simply a different way of seeing the world. In conversation with Michael Berkeley, Uta Frith talks about the little boy she met very early on in her research who inspired her, and about why autism is so fascinating – because of what it reveals about the mystery of human communi

Over the last 40 years, Mark Morris has established a reputation as the most musical of choreographers. Inspired by both baroque and twentieth-century music, he’s most famously choreographed Purcell’s “Dido and Aeneas” – he danced both Dido and the sorceress himself - and his witty version of The Nutcracker, “The Hard Nut”, has been so popular that it’s been staged every year for almost 30 years. Mark Morris has worked in opera too, directing and choreographing productions for the Metropolitan Opera, the English National Opera and The Royal Opera, among others. He tours extensively but home is the Mark Morris Dance Center in Brooklyn, which runs outreach programmes into the local New York community. He’s received numerous awards, including the Leonard Bernstein Award for the Elevation of Music in Society.In a humorous and revealing interview, Mark Morris looks back on his childhood in Seattle and his childhood passion for music and dance. It wasn’t very socially acceptable for a boy to become a dancer: “If y

From Hollywood to European art house cinema, from Shakespeare to contemporary drama, Greta Scacchi is one of our most versatile actors. She talks to Michael Berkeley about the film that made her name in 1983 – Heat and Dust – and chooses music from the soundtrack featuring Zakir Hussain. She reveals how her musical training as a child – learning ballet, piano and singing - has been invaluable when she’s been called on to play and sing on film. She particularly loved the character she played in Jefferson in Paris, the eighteenth-century Anglo-Italian artist and musician Maria Cosway, and explains how difficult it was to pretend the play the harp on screen. We hear some of Maria Cosway’s music from that film. Greta chooses music by Satie which reminds her of her mother’s ballet school when she was a child. Her mother is still dancing at 87! And we hear one of Canteloube’s Chants d’Auvergne, and a Handel aria which illustrate Greta’s passion for the theatre; she chooses pieces which remind her of the places she

The comedian Rachel Parris talks to Michael Berkeley about her musical passions and how her life as a classical musician led to her career in comedy. Her hugely versatile career includes improvised comedy shows, stand-up, musical comedy and appearances on Radio 4’s The Now Show. She’s caused quite a stir with her hilarious turns as a faux-naïve reporter on BBC2’s satirical news show The Mash Report. During her teens Rachel thought she would have a career as a classical musician –– she has a Music degree from Oxford, she’s an accomplished singer, and an excellent pianist; indeed, until recently she was a piano teacher. Rachel talks to Michael about how she moved from music to comedy via drama school and how music still has a central place in her life. Her choices of pieces reflect the breadth of her musical passions, from a recording of Tallis in which she sings, to Bernstein and the American Songbook. She loves music that tells a story, particularly Rimsky-Korsakov’s Scheherazade, and music that makes her la

Michael Berkeley talks to the philosopher Julian Baggini about the pleasures of serendipity, transience, philosophy and music. The Pig That Wants to Be Eaten, Do They Think You’re Stupid? and What’s It All About? are just three of the eye-catchingly titled books by Julian Baggini. He’s written 19 books in all, is the founding editor of The Philosophers’ Magazine, writes for newspapers, magazines and think tanks, and appears on radio and television. His latest book is How the World Thinks: A Global History of Philosophy.Julian has been described as a philosopher’s philosopher, but he also has a mission to liberate philosophy from its ivory tower and bring it to the general reader. The Pig That Wants to Be Eaten – his collection of 100 brief thought experiments – has been described as ‘mental fun-sized treats’ and ‘the Sudoku of moral philosophy’.Julian tells Michael about the joy he’s felt discovering pieces of music by Brahms, Ravel and Dvorak through chance encounters, and how he’s come to love music written

Michael Berkeley talks to the writer Preti Taneja about her wide-ranging love of music, from Indian gazals and ragas to Vivaldi and Shostakovich.Preti Taneja’s debut novel We That Are Young won last year’s Desmond Elliott prize and huge critical acclaim, after being rejected as ‘commercially unviable’ by multiple publishers in both London and Delhi.It’s a reworking of King Lear, set in contemporary India, and tells the story of a battle for power within a rich and turbulent Delhi family.Before she found success as a novelist Preti worked as a journalist, as a human rights campaigner, and as a teacher of writing in places as diverse as universities, prisons, youth charities and refugee camps - and she chooses a song by Ilham al Madfai that reminds her of working in Jordan with minority communities who had fled the war in Iraq. Preti talks about the music that reminds her of childhood holidays in Delhi, how she uses music in her writing, and why King Lear resonates so clearly in the India of today.A Loftus prod

When he started out on an acting career, Oliver Ford Davies was given some extremely discouraging advice by his first director, who said: “You’ll be OK when you’re forty, and even better when you’re fifty!” Davies was only twenty-seven at the time so that was a bit off-putting, to say the least; but in fact that advice was clairvoyant. His big breakthrough did indeed come at the age of fifty, in 1990, when he was given the lead in David Hare’s Racing Demon at the National Theatre, for which he won an Olivier Award. Since then he’s played Lear at the Almeida, and Star Wars fans will know him as Sio Bibble (the governer of Naboo); he also appears as Cressen in the very popular Game of Thrones. Among numerous Shakespeare roles over the last 40 years at the RSC, he’s just finished playing Pandarus in Troilus and Cressida, a production which was shown in cinemas across the country. Looking back over a very varied and successful career, Oliver Ford Davies reflects on the ups and downs of a career which has been ris

Memory, desire, madness: these are the themes that fascinate Lisa Appignanesi and that she’s explored over the last forty years in novels, in memoirs, and in prize-winning books such as “Mad, Bad and Sad”, a history of women and mind doctors. Lisa Appignanesi is the Chair of the Royal Society of Literature and a former President of English PEN, an organisation which campaigns for free speech. She’s written about cabaret, about Proust and fin-de-siecle Paris, about Simone de Beauvoir, about Freud, and about her own troubled search for identity. In Private Passions she tells Michael Berkeley about her childhood in Poland, where she was born Elżbieta Borensztejn, and about the way identities in her family were always shifting, “always there for the making”. She reflects on the power of the dead to haunt us, expressed by Monteverdi in his opera Orfeo, and admires the strength of singers Bessie Smith and Lotte Lenya, alongside music choices such as Mozart's ’The Marriage of Figaro’, Laurie Anderson, and Prokofiev’

Tim Firth is the man behind the show that captured the nation’s heart: Calendar Girls, the true story about a Women’s Institute who produced a naked calendar. It’s been a film, a play, and is now a musical.He’s also responsible for the hugely successful film Kinky Boots, as well as multi-award winning TV shows, films and more musicals including Neville’s Island, The Flint Street Nativity, Preston Front, and most recently The Band, a collaboration with his long-time friend Gary Barlow and Take That.But surprisingly there are no songs from musical theatre in Tim’s choices for Private Passions. Instead he shares with Michael Berkeley his love of Baroque, with music from Bach and from Albinoni (first heard on his honeymoon), and he chooses music by Delius and by Copland that resonates with the folk music he loved as a child. Tim talks movingly about the emotional impact of music in his life, whether it’s writing the perfect song for a show or being spellbound by hearing Gorecki for the first time in a forest in t