Street Shots Photography Podcast

"I believe photographers should shoot what they want, not shoot what they get."     - Roberto Valenzuela "Skill in photography is acquired by practice and not by purchase."     - Percy W. Harris   In this episode, Antonio dives into a bit of a rant about AI in photo editing, expressing his mixed feelings. He appreciates the convenience these tools offer but worries they’re stripping away the authenticity and skill that go into creating great photos. Antonio also talks about his recent street photography class and the joy of teaching others, even mentioning a beautiful day out shooting with his Fujifilm Instax camera. Ward jumps in next, talking about his new Fujifilm XS20 camera. He talks about how well it performed at a rodeo event, praising the advanced autofocus and how easy it was to handle despite its compact size. Ward’s enthusiasm is contagious as he describes the buzz of getting those dynamic action shots, and how this new gear opened up new possibilities for his photography. He goes into detail abou

"Photographers, like all artists, choose their medium because it allows them the most fully truthful expression of their vision. Other ways are relatively imprecise and incomplete. . . . " - Robert Adams   In this episode, Antonio and Ward sit down with their guest (and follower of the show), Jeffrey Saldinger. Jeffrey, who started as a painter, shares his artistic journey and how he eventually fell in love with photography. Inspired by Giorgio Morandi’s exhibition at the Guggenheim, Jeffrey decided to focus on his creative life, swapping brushes for cameras. He talks about his transition from painting to photography and how he mastered digital tools like Lightroom and Photoshop. They discuss Jeffrey's recent photo book, “Unassuming Places in New York City’s Manhattan and Astoria.” Jeffrey explains his process of selecting and arranging images, emphasizing formal qualities and personal connections over traditional storytelling. The conversation also covers the challenges of photographing familiar places. Ant

"When I use the camera, I often feel like I know something of the people or places I come in contact with." - Christophe Agou "No place is boring, if you've had a good night's sleep and have a pocket full of unexposed film." - Robert Adams     In this episode, Antonio and Ward discuss Gerald Undone’s recent YouTube video, which critiques how camera reviewers should approach their work. They talk about the importance of transparency, thoroughness, and the impact these reviews have on the photography community. They share their perspectives on how more detailed and honest reviews can benefit both photographers and manufacturers. In the second part of the episode, Antonio and Ward explore the concept of psychogeography. They talk about how geographical environments influence emotions and behaviors in street photography. They share personal experiences and insights on how wandering through urban landscapes can ignite creativity, leading to unique and unexpected photographic opportunities. Their conversation enco

"The grain in film is something I crave. It adds a layer of truth and rawness."  - Wim Wenders   “It's like a fingerprint on every image."  - Anton Corbijn   In this episode, Antonio and Ward dive into some new photography gear and fascinating image-making techniques. Antonio kicks things off by sharing info about the new Fotodiox GFX stitching adapter for 4x5 cameras. He discusses the possibilities of pairing it with his Fujifilm GFX camera for panoramic shots and how he could use this setup for his tree photography at Green-Wood Cemetery. Ward also shares his recent experience photographing the aurora. They go over the technical aspects and challenges of aurora photography, with Ward's images showcasing the spectacular natural light show. The conversation shifts to grain and noise in photography. Antonio and Ward reminisce about their experiences with film grain, comparing it to the digital noise of today's cameras. They discuss how their preferences and techniques have evolved over the years, especially w

"The wonderful thing about photography is that it's a solo act. It's just me and the camera."  - Jessica Lange "The common denominator is that we all want to make something beautiful, something relatable, something we can look at and say, 'Shit! Yeah, man. That turned out better than I thought."  - Jeff Bridges    In this episode, Antonio and Ward discuss a quirky event Ward attended where a record number of people dressed in inflatable dinosaur costumes. This lighthearted gathering is contrasted with Antonio's experience at the AIPAD photography show, where he explored an extensive exhibition featuring a rich array of photographs from both historic and modern photographers. He was particularly moved by the historical depth and artistic expression evident in the displayed photographs. The conversation shifts to celebrity photographers, highlighting the surprising photographic talents of well-known figures such as Jeff Bridges and Dennis Hopper. Antonio and Ward discuss how these celebrities utilize their uni

"What is a photograph? For me, a fragment of quick-silver, a lucid dream, a scribbled note from the subconscious to be deciphered, perhaps, over years. It is a monologue trying to become a conversation, an offering, an alibi, a salute." -- Eva Rubinstein   In this episode, Antonio vividly shares his recent experience of photographing the recent eclipse. He details the use of a new filter and the excitement of capturing the celestial event, discussing both the technical aspects and the personal thrill of the experience. Ward introduces a German photographer he recently discovered, Holger Nitschke. He describes Nitschke's unique approach to fashion photography, emphasizing his use of film and the distinct aesthetic of his black and white works. Ward appreciates the modern yet timeless quality of Nitschke’s photos, which he feels blend traditional and contemporary elements seamlessly. Antonio then shifts the conversation to discuss Eva Rubinstein, a photographer he only recently came across. He is particularly

"If you look carefully at life, you see blur. Shake your hand. Blur is part of life." -- William Klein "Do not mistake sharpness for truth." -- Peter Henry Emerson   In this episode, Antonio and Ward embark on an enlightening discussion about starting a photography collective. Drawing from their experience in building their own photography group, they provide invaluable tips and advice on the importance of having a common gathering place, patience, and evolving organically. Antonio pays tribute to recently departed friend and fellow photographer, Mel DiGiacomo, whose approach to capturing the essence of life has deeply impacted his own work. Through personal reflections, Antonio shares how Mel’s distinct and authentic style, characterized by its raw and candid nature, challenged and reshaped his perspective on photography. This tribute to Mel is both intimate and enlightening, offering listeners a glimpse into the lasting legacy of a photographer who truly understood the power of the medium to tell compellin

"The instance of photographing, instead of creating a distance, is a moment of clarity and emotional connection for me." -- Nan Goldin "I've never made any picture, good or bad, without paying for it in emotional turmoil." -- W. Eugene Smith   In this episode, Antonio and Ward kick things off with some easygoing chat about history and pop culture, setting a laid-back vibe. Things quickly get more personal as Antonio opens up about dealing with his sick cat, which smoothly segues into the episode's deeper themes of coping with loss and navigating grief. They also chat about how the pandemic's been a real game-changer for content creators, especially YouTubers, sparking a lot of soul-searching about work-life balance and finding genuine fulfillment in their creations. But the real meat of the conversation is all about empathy in photography. Antonio and Ward dive into how photos can capture and share the raw emotions and stories of life, using their own experiences and nodding to legends like W. Eugene Smith t

"Reality is the intuition and the imagination and the quiet voice inside my head that says: isn’t that extraordinary?" -- Duane Michals "In my years of photography I have learned that many things can be sensed, seen, shaped or resolved in a realm of quiet…" -- Paul Caponigro   In this episode, Antonio and Ward delve into the transformative role of silence in photography, illustrating how it bolsters intuition and enables the creation of emotionally powerful images, as seen in iconic works like "Afghan Girl" and "Migrant Mother." They discuss "silent portraits" by photographers such as Bruce Gilden and Richard Avedon, highlighting the deep emotional connections forged in silence. The conversation also addresses the challenges posed by the digital era and social media, contrasting the reflective nature of traditional photography with the rapid consumption of images today. Concluding with personal reflections, they emphasize the importance of incorporating silence into daily life and creative processes, advocat

"Do this work not for yourself... Do it for the greater purpose of others, our collective humanity." -- John Stanmeyer "Reaching a 'creative' state of mind thru positive action is considered preferable to waiting for 'inspiration'." -- Minor White   In this episode, Antonio and Ward dive deep into the heart of photography communities, sharing tales from "Beers and Cameras" and "Coffees and Cameras." They explore how these gatherings morph from grand events to intimate meetups, fostering not just skills but genuine connections. It's a laid-back chat about the shift from competitive isolation to a culture of openness and collaboration, where sharing knowledge becomes as crucial as capturing moments. They muse on the magic of combining photography with other art forms, imagining the endless possibilities when creatives cross paths. This episode isn't just about photography; it's about building a space where artists inspire, learn, and grow together, one snapshot at a time.   Subscribe to our Substack Newsletter

"We photographers are nothing but a pack of crooks, thieves and voyeurs. We are to be found everywhere we are not wanted; we betray secrets that were never entrusted to us; we spy shamelessly on things that are not our business; And end up the hoarders of a vast quantity of stolen goods." -- Brassai   In this milestone 200th episode of the Street Shots Photography Podcast, Antonio and Ward are joined by fellow Unusual Collective buddies, Dave Szweduik and Mark Reierson. It's a relaxed, friendly chat among these brothers-in-light, reflecting on this podcast's journey and how photography has woven into the fabric of their lives. They share personal anecdotes and insights, diving into the significant moments that have shaped the podcast. It's all about the community they've fostered, their individual growth, and where their creative paths might lead next. It’s like sitting in on a conversation with old friends, reminiscing about the good times and dreaming about the future. The discussion shifts to the philosop

  "Photography is a discovery of life which makes you look at things you’ve never looked at before." "You walk around at times thinking the whole world is a painting. Light is my work." -- Trent Parke   In this first episode of 2024, Antonio and Ward explore the profound and enigmatic world of Trent Parke, a master of black and white photography. The discussion transcends a mere overview of Parke's work, delving into the essence of his artistic vision, where each photograph is not just an image but a powerful narrative in itself. The rarity and intrinsic value of Parke’s photo books, elevate them from simple collections to extraordinary art forms.   The episode weaves through the emotional landscapes captured by Parke, reflecting on how his unique Australian heritage and personal experiences bleed into his imagery, creating a visceral connection with the viewer. Antonio and Ward contemplate Parke’s approach, drawing parallels with other iconic photographers, yet highlighting Parke's distinctive ability to

"I use photography to help me explain my experiences to myself." -- Duane Michals "A picture should be looked at - not talked about." -- Elliott Erwitt   In this final episode of 2023, Antonio and Ward warmly reminisce about the year. Antonio talks about his new interest in fountain pens, linking it to his love for photography and the therapeutic act of journaling, reflecting on how these activities encourage a more thoughtful approach to life and art. Ward gives his perspective on recent technological shifts, particularly the implications of smartphones and AI in photography, and both of them express excitement and concern for the future of the craft. Ward also shares his aspiration to venture into outdoor fashion photography, inspired by the iconic style of Peter Lindbergh, demonstrating his desire to explore and expand his creative horizons.   Looking forward, Antonio is enthusiastic about his teaching endeavors, preparing to introduce students to the world of Lightroom Classic and the art of making zine

"I am forever chasing light. Light turns the ordinary into the magical." "I use photography as a way to help me understand why I am here. The camera helps me to see." Trent Parke   In this solo episode, Antonio shares his recent foray into the world of fountain pens and notebooks, a hobby sparked by previous discussions on photo journaling and “Photomancy.” This new interest, while initially a divergence from his photography passion, actually complements it by enhancing his photo journaling practice. He delves into how the tactile experience of writing with quality pens on smooth paper has deepened his engagement with his photographic works, tying it all back to the importance of documenting and preserving memories. Next, Antonio is excited about a photo publication titled "Closed" by Martin Amis, a book that starkly captures the changing landscapes of UK neighborhoods with its focus on shut-down shops. He draws interesting connections to James and Karla Murray's work, reflecting on the powerful role of

"In wisdom gathered over time I have found that every experience is a form of exploration." -- Ansel Adams   "My photography is a reflection, which comes to life in action and leads to meditation." -- Abbas Attar   The episode kicks off with a discussion about renowned photographer Larry Fink, whose recent passing left Antonio and Ward with a sense of regret for not exploring his extensive body of work earlier. They delve into Fink's distinctive photography style characterized by dramatic flashes and striking compositions, sparking their curiosity to explore his book "The Vanities" and his contributions to the field. Transitioning to the tech side of photography, the Antonio examines Sony's new camera, the a9 III, capable of capturing a remarkable 120 frames per second. Antonio raises practical concerns about its utility for most photographers, including storage and editing challenges, while Ward sees potential in specific scenarios like sports photography. Their discussion highlights the ongoing push for te

"I take photographs in my neighborhood. I think that mysterious things happen in familiar places. We don’t always need to run to the other end of the world." -- Saul Leiter “Photos are a return ticket to a moment otherwise gone.”  -- Katie Thurmes   In this episode, Antonio and Ward delve into the nuances of capturing their local neighborhoods, with Ward sharing his outing in downtown Calgary and Antonio discussing his artist talk at the Blue Star Parlor Cafe in Flatbush, Brooklyn. Antonio emphasizes the significance of observing and photographing everyday surroundings, advocating for mindfulness in photography and the creation of a historical record through images. Their conversation also touches on the influence of famous photographers like Bernice Abbott and Eugene Smith, and their impact on Antonio's work. They explore themes such as the transience of urban landscapes, the role of street art and murals, and the emotional response to neighborhood changes. Both offer advice on capturing the essence of one'

"By the precision of their instrument, by the very mechanical limitations of shutter, lens, and film, they are invested with credibility; simple honesty will render to their pictures the dignity of fact." - Roy Stryker In this episode, Antonio kicks off with a vivid recount of a rain-soaked photo walk and shares an exciting update on an upcoming event. Ward opens up about a personal project turned poignant with the passing of one of its subjects, leading to a profound discussion on the dignity of depicting aging and illness, and the power of photography in preserving individuality. Antonio and Ward then transition into an analysis of street photography’s quality in the YouTube era, highlighting the challenges budding photographers face amidst image saturation and feeding the social media machine, yet also acknowledge the educational value of the behind-the-scenes stuff. The discussion extends into the realms of content creation, where Antonio shares his personal experiences and the duo delve into the evolvin

On this episode, Antonio reminisced about his recent photo showcase, set against a brick backdrop that brought his images to life. Mark Reierson's touch made the difference in the arrangement. The chat soon hinted at future engagements, notably an artist talk and an exciting zine collaboration.  Ward and Antonio's joint Street Shots zine, "Line of Sight," celebrates a collaboration of street photography. Crafted meticulously using the Miro app, the upcoming zine doesn't just chronicle their passion but will also support their podcast. Both are excited about upcoming projects: Antonio's nostalgic "11218+" venture and Ward's "Communities" project capturing Calgary's essence. They both revel in the idea of converting their digital captures into tactile memories. Finally, a recent outing saw Antonio lead a Scott Kelby's worldwide photo walk, favoring his iPhone 15 and dabbling with a new LIDAR-equipped Polaroid. Later, Antonio and Ward exchanged notes on the iPhone 15 Pro Max. Impressed by its features, especial

In this episode, Antonio revisits his 2016-2017 street photography and discusses the evolution of his perspective, while Ward stresses the importance of understanding an artist's context. As Antonio prepares for an exhibit at the Blue Star Parlor in Brooklyn, recounting his innovative plans to use foam spacers and adhesive strips to display prints on brick walls. The duo also deliberates over exhibition details, with insights from colleague Mark Reierson enhancing the narrative flow of Antonio's showcase. Ward reflects on a poignant Diane Arbus exhibit he attended, particularly moved by the "Untitled" series that resonated with his experiences with developmentally challenged children. Antonio and Ward explore the contemporary relevance of Arbus' evocative imagery, pondering its resonance with today's youth amidst the deluge of intense visuals they face daily. The conversation touches on the emotional toll art can exert on its creators, referencing Arbus' tragic demise and the lingering impact on other artist

Antonio and Ward dive into the vibrant pages of James and Karla Murray's new book "Store Front NYC: Photographs of the City's Independent Shops, Past and Present" on this episode of Street Shots. The Murrays recount their serendipitous journey, starting from documenting the graffiti art scene in the late '90s to capturing the rapid transformations of NYC's iconic mom-and-pop stores. The book, a testament to the city's cultural evolution, captures the spirit of neighborhoods spread across the five boroughs. The duo discusses the challenges of capturing these ever-evolving spaces and the poignant stories of the store owners. The conversation takes a deeper turn as James and Karla reflect on the emotional ties New Yorkers have with these corner stores, especially the immigrants who found both livelihood and community in them. With many of these shops now only memories, the Murrays hope their work sparks a renewed appreciation for these unique, irreplaceable facets of New York's identity. Their photographs stand