New Books In African Studies

Thanks to Scott Straus, Leanne Fujii and others, we know quite a bit about how men behaved during the genocide in Rwanda. But we know surprisingly little about women’s actions during that crisis. Sara Brown begins to remedy this in her excellent new study Gender and Genocide in Rwanda: Women as Rescuers and Perpetrators (Routledge, 2017). Sara spent months interviewing Rwandan women. The result is a thoughtful analysis of the role gender played in facilitating or discouraging rescue and violence. As Brown says in the interview, she starts by asking the most basic question: how many, where, how? From there she moves on to examine the way women’s choices were rooted in a historical context in which a few women possessed power but many ordinary women found their choices and actions constrained. Brown highlights the way in which women were empowered by the context of genocide. Some used this opportunity to (attempt to) save lives. Others used it to loot, to demand violence, or even to kill or to rape. Brown end

Today we spoke to Gregory Mann about his book From Empires to NGOs in the West African Sahel: The Road to Non-Governmentality (Cambridge University Press, 2014). Gregory Mann investigates how the effectiveness of government institutions declined in the years following the independence of nation-states of the West African Sahel and gave way to a state of non-governmentality. Rather than presenting a linear explanation of this decline, Mann describes instances in which one can see its multiple roots and intricate evolution. These stories describe the activities of anticolonial leaders and intellectuals during the waning years of the colonial empire and its immediate aftermath, debates over the status of migrants and immigration within the Sahel and to France, the arrival of NGOs in light of governments inability to address the drought and famine that afflicted the Sahel between 1973 and 1974 and, finally, the role human rights organizations in the handling of Saharan prisons. By telling these stories Mann illus

Somalis have lived in Kenya for generations, in many cases since long before the founding of the country. Yet, Kenyan officials and citizens often perceive them as a dangerous and alien presence, with attendant civil and human rights abuses. In examining the historical precedents, Keren Weitzberg‘s We Do Not Have Borders: Greater Somalia and the Predicaments of Belonging in Kenya (Ohio University Press, 2017) challenges many of the most analytical categories that have traditionally shaped African historiography, thus forging unique inroads into debates over globalization, African sovereignty, the resurgence of religion, and the multiple meanings of being African. Utilizing an exhaustive range of documentary and oral sources, Weitzberg breaks through the narrative of belonging, to include the gray areas of identity as they evolve and change over generations of Somalis living in Kenya. Erin Freas-Smith, Ph.D can be reached at efreassmith@gmail.com.   Learn more about your ad choices. Visit megaphone.fm/adch

Regine Jean-Charles’ Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary (Ohio State University Press, 2014) foregrounds black women as speaking subjects in narrating and protesting sexual violence. Jean-Charles emphasizes a transnational black feminist framework that makes a critical intervention in rape cultural criticism. She contends in this work that taking rape as a starting point to theorize colonial and postcolonial violence provides a more effective way to understand the gendered contours of violence. Drawing on a range of primary sources including novels, photographs and films from Haiti, the Democratic Republic of Congo and Rwanda, Jean-Charles highlights the global implications of sexual violence and the importance of paying attention to its representation in order to rethink the very fundamental notions of human rights. Regine Michelle Jean-Charles is an Associate Professor of Romance Languages and Literatures and African and African Diaspora Studies at Boston Colle

Contemporary conversations and debates over Confederate monuments underline how memory-making and the legacies of U.S. slavery and the Civil War remains raw and highly contested in public discourse. In her new book, The Weeping Time: Memory and the Largest Slave Auction in American History (Cambridge University Press, 2017), Anne C. Bailey, an associate professor of history and Africana studies at Binghamton University SUNY, tells the story of the largest slave auction in U.S. history. In March 1859, the Butler Plantation estates in Georgia sold approximately 400 enslaved persons in a two-day period. Bailey uncovers the lives of enslaved people before and after their sale at the auction, offering a gripping narrative of the event and the people involved through the use of oral histories, journalistic accounts of the auction, and the papers of the Butlers. Bailey’s book pushes readers to think about how the traditional historical narrative treats slavery, specifically by considering slavery’s ongoing impact on

By drawing on a vast, never-utilized trove of archival materials along with oral histories, choreographic analysis, and embodied research, Katherine Dunham: Dance and the African Diaspora (Oxford University Press, 2017) offers new insight about how this remarkable woman built political solidarity through the arts. One of the most important dance artists of the twentieth century, dancer and choreographer Katherine Dunham (1909-2006) created works that thrilled audiences the world over. As an African American woman, she broke barriers of race and gender, most notably as the founder of an important dance company that toured the United States, Latin America, Europe, Asia, and Australia for several decades. The author makes the argument that Dunham was more than a dancer she was an intellectual and activist committed to using dance to fight for racial justice. Dunham saw dance as a tool of liberation, as a way for people of African descent to reclaim their history and forge a new future. She put her theories into

Michael Allan‘s In the Shadow of World Literature: Sites of Reading in Colonial Egypt (Princeton University Press, 2016) challenges traditional perceptions of world literature: he argues that the disciplinary framework of world literature levels the differences between different types of literature. He uses colonial Egypt as a geographic focus of inquiry and demonstrates how literary traditions changed the act of reading: his examples include the Rosetta Stone and translations of the Qur’an. He thus demonstrates that literary reading (to be distinguished from how reading was conceptualized in Egypt before the colonial period) requires different ethical capacities and sensibilities and how they were gradually institutionalized by different genres of texts. NA Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcas

This podcast marks the beginning of a new occasional series of podcasts about the genocide in Rwanda. In the next few months we’ll hear from Timothy Longman, Sara Brown, Erin Jessee and others. We start with Michael Barnett. Barnett has recently published a new edition of his seminal text Eyewitness to a Genocide: The United Nations and Rwanda (Cornell University Press, 2016). Barnett was a member of the US mission to the UN (on leave from his academic career for a year) and thus a first hand observer of the UN during the genocide. His book is a careful survey of the forces that led to UN inaction in the spring and early summer of 1994. It is simultaneously a history, an analysis of institutional culture, and a disquisition on moral responsibility. Its position in the literature on Rwanda was well-earned from the moment it was first published. In this new edition, Barnett adds an afterward exploring how what we’ve learned since 2002 has reshaped what we know about and how we evaluate the actions and decisi

In 2004, during the Orange Revolution in Ukraine, Adriana Helbig saw African musicians rapping in Ukrainian and wearing embroidered Ukrainian ethnic costumes. Her curiosity about how these musicians came to be performing during the protests led to her study of immigration, integration and identity in Hip Hop Ukraine: Music, Race, and African Migration (Indiana University Press, 2014). Through interviews with hip hop musicians and African immigrants in Ukraine, Helbig explores multi-valent racial imaginaries connected with U.S. hip hop and black identity construction through music. She also traces how Africans and Ukrainians both construct these identities by conducting research in Uganda, the home country of a number of African Ukrainian musicians. Multimedia resources for Hip Hop Ukraine are available through Indiana University Press Ethnomusicology Multimedia. Adriana Helbig is Associate Professor of Music at the University of Pittsburgh. She directs the Carpathian Music Ensemble and is affiliated faculty

In his 1903 hit “Congo Love Song,” James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song’s title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium’s brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, “Congo Love Song” emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa. Congo Love Song: African American Culture and the Crisis of the Colonial State (University of North Carolina Press, 2017) examines black Americans’ long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, the author brings to light a long-standing r

In 218 BCE, the Carthaginian general Hannibal Barca launched an invasion of Italy designed to bring the Roman Republic to its knees. Yet for all of his success in defeating Rome’s legions on the battlefield, Hannibal ultimately failed in his lifelong goal. In Hannibal (Simon and Schuster, 2017), Patrick N. Hunt recounts the triumphs and frustrations of the legendary commanders dramatic military career. The son of a Carthaginian leader who fought Rome in the First Punic War, Hannibal was raised to reverse Carthage’s loss in that initial conflict. This he did by taking the fight to Rome, where his outnumbered armies triumphed over the Romans in three successive battles. Yet, as Hunt explains, Rome soon learned from Hannibal’s example, and the Carthaginians’ inability to translate battlefield victories into a Roman surrender left him mired in a war of attrition he could not win. By the time he faced a Roman army at Zama in 202 BCE, the situation was now reversed, as Scipio Africanus used many of Hannibal’s own t

Sarah Ladipo Manyika’s second novel, Like a Mule Bringing Ice Cream to the Sun (Cassava Republic Press, 2016), is an excellent addition to the larger, and ever-expanding, genre of Nigerian literature. The novella begins slowly, teasing out details of the main character’s life as she interacts with the people of her San Francisco neighborhood. Morayao Da Silva, the main protagonist, is an elderly Nigerian woman, who is positive, youthful and independent. A fall interrupts her independence and forces her to become dependent on others, which exposes to the reader a hidden loneliness to her cheer and allows Morayo to reflect back on her life of world travel and eventual limitations brought about by age. Each character in this book, from the young mother named Sunshine, to the older African American man visiting his dementia-afflicted wife at the rehabilitation center, allows the reader to get deeper insight into the world of Morayo, while also exploring other character’s insights on the protagonist from an outsid

Few images attached to Islam and to the Islamic legal tradition (the Sharia) in particular are more often and more disturbingly sensationalized than that of the stoning punishment. In her riveting new book Shari’ah on Trial: Northern Nigeria’s Islamic Revolution (University of California Press, 2017), Sarah Eltantawi, Assistant Professor of Comparative Religion at Evergreen State College, offers a dazzlingly nuanced and lucid account of the past and present of the stoning punishment in Northern Nigeria. Effortlessly moving between pre-modern and contemporary archives and contexts, Eltantawi traces the shifting meanings and political projects that have been invested into the stoning punishment over time. Historically grounded, theoretically exciting, and lucidly composed, this book is sure to spark important conversations and debates in multiple fields. It will also make a wonderful text for undergraduate and graduate seminars for courses on Islam, Islamic Law, Gender and Sexuality, and on Islam in Africa.

Anita Hannig‘s first book, Beyond Surgery: Injury, Healing, and Religion at an Ethiopian Hospital (University of Chicago Press, 2017) is an in-depth, ethnography of two fistula repair and rehabilitation centers in northern Ethiopia. Focusing on the juxtaposition of culture, religion and medicine, Hannig turns the heroic narrative of surgery on its head to expose the realities of life for women treated in, and living at the centers. Utilizing first-person interviews, she show the human face to the surgery and its aftermath. Moving beyond the easy and cathartic narrative promulgated by the media and non-profit fundraisers, Hannig shows the complex reality of life post-surgery. Hannig’s book is a testament to the importance of good, long-term research in the arena of public health in the developing world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

In the capital of the African nation of Angola today stands a statue to Njinga, the 17th century queen of the Ndongo and Matamba kingdoms. Its presence is a testament to her skills as a diplomat, warrior, and leader of her people, all of which she demonstrated over the course of a reign described by Linda Heywood in Njinga of Angola: Africa’s Warrior Queen (Harvard University Press, 2017). The daughter of the Ndongo king Mbande a Ngola, Njinga grew up in a west central Africa that was facing growing encroachment by Portugal, who were major customers in the regions slave trade. Seeking to extend their control, the Portuguese challenged Njinga’s succession to the throne in 1624, prompting a war that lasted for three decades. To persevere, Njinga had to navigate the complex politics of the region, gaining control of the Matamba kingdom and pursuing ties with both the Vatican and the Dutch to provide a counterweight to the Portuguese. The treaty signed with Portugal in 1656 was a testament to her success, allowin

Apartheid in South Africa formally ended in 1994, but the issue of poverty and what to do about it remained as contentious as it had been a century earlier. In the new book, Poverty Knowledge in South Africa: A Social History of Human Science, 1855-2005 (Cambridge University Press, 2015), Grace Davie shows that the poverty question was up for grabs even into the twenty-first century because of ongoing disagreements about how to measure poverty and to manage the racists assumptions that underwrote it. The book uses the idiom of co-production to show how scientists, activists and other knowledge-makers made and remade poverty in dynamic interaction with the people they sought to know. The book documents the thwarted efforts of scientists to accomplish their political goals as their expert knowledge was variously invoked, reinterpreted, and dismissed not only by white-supremacist governments, but also by social activists, black communities, and labor unions, which all used experts poverty knowledge for their own

Rwanda’s homegrown gacaca law has been widely hailed as a successful indigenous solution to the unprecedented problem of the country’s 1994 genocide. In his book Inside Rwanda’s Gacaca Courts: Seeking Justice After Genocide (University of Wisconsin Press, 2016), Bert Ingelaere complicates this received wisdom by focusing on the way the post-genocide gacaca trials unfolded, rather than on their lofty goals, as framed by the public relations arm of the post-genocide Rwandan Patriotic Front (RPF) government and other interested parties, both internal and external to Rwanda. The Kinyarwandan word gacaca, derived from the word umucaca, originally referred to a plant that was so soft to sit on that people preferred to gather on it during precolonial times to adjudicate disputes and crimes, but most importantly, to restore social order and harmony. During the colonial period, the jurisdiction and prevalence of gacaca was greatly restricted. Its re-emergence as a viable means of transitional justice in Rwanda follow

Brandon Kendhammer takes a fresh approach to the juxtaposition of Islam and democracy in his latest book, Muslims Talking Politics: Framing Islam, Democracy and Law in Northern Nigeria (University of Chicago Press, 2016). Rather than employing a top-down approach to understanding Islam’s compatibility with democracy, Kendhammer chose to speak with blue-collar, working-class Muslims in cities across Northern Nigeria. Through this approach, Kendhammer exposes the pragmatic views of ordinary citizens more concerned with economic stability than jihadist rhetoric. As the political situation gets more violent and the idea of democracy more remote in Nigeria, Kenhammer offers a viewpoint of deep understanding for the complex situation. Based upon hundreds of conversations with ordinary citizens, he sketches a picture of how Islam and democracy can, and often is, reconciled in the neighborhoods and marketplaces of urban Nigeria’s centers, where Christians and Muslims live side-by-side. It is in the daily political a

In my time doing this podcast, I’ve covered a number of books about transitional justice. All have been insightful and interesting. But few of them focused carefully on the trials themselves. Anuradha Chakravarty seeks to remedy this. Her book Investing in Authoritarian Rule: Punishment and Patronage in Rwanda’s Gacaca Courts for Genocide Crimes (Cambridge University Press, 2016) looks carefully at the processes and people involved in Rwanda’s Gacaca courts. She looks at the recruitment and training of judges. She looks at the incentives offered for denouncing others as genocidaires. And she examines the ways in which the incentives and context led many defendants to confess. In doing so, Chakravarty significantly advances our understanding of the workings of transitional justice in Rwanda. But she also uses Rwanda as a lens to try and understand the challenges faced by authoritarian leaders. She argues that the RPF engaged in a kind of clientalistic bargaining with Hutus. By offering targeted grants of cle

Daniel Magaziner’s latest book, The Art of Life in South Africa (Ohio University Press, 2016, and UKZN Press, 2017), is a welcome addition to the intellectual history of South Africa. Rich in color images and documentary history, The Art of Life tells the story of African art in white apartheid South Africa, juxtaposing the beauty of an ordinary life well lived, against the random cruelty of the apartheid state. The book follows the story of the Ndaleni Art School in modern-day KwaZulu-Natal from 1952 until its closing in 1981. The school was set up to teach the art teachers of the Bantu education system, but in doing so, it opened up the student’s lives to more complex discussions of creativity, beauty and resilience. Magaziner sets up the tale by spinning the individual lives against the opposing pressures of both the apartheid state and the black consciousness movement. On the one side, rigid oppression, and on the other, the push to fight apartheid or be deemed a collaborator. The individual stories of