New Books In Biography

After 20 years of fighting and failing to get sober using abstinence-based methods, journalist Katie Herzog found a simple, inexpensive, and effective way to take control over alcohol. Part memoir, part guidebook, Drink Your Way Sober: The Science-Based Method to Break Free from Alcohol (Simon and Schuster, 2025) shares Herzog’s recovery journey as well her keen observations of drinking and life. She dives into the science and history of addiction treatment to discover why we treat alcohol use disorder the way we do—and why abstinence-based programs like Alcohol Anonymous don’t always work. Through candid first-person reporting, Herzog outlines a simple guide for others to: use an evidence-based protocol to take control of their drinking and break free from cravings, explore alternatives to AA and other abstinence-based programs, gain support from family and friends, and reap the benefits of a low-alcohol or sober lifestyle, including improved health, relationships, and mental well-being. Blending humor, hear

The difficulty of Jacques Lacan's thought is notorious. The Cambridge Introduction to Jacques Lacan cuts through this difficulty to provide a clear, jargon-free approach to understanding it. The book describes Lacan's life, the context from which he emerged, and the reception of his theory. Readers will come away with an understanding of concepts such as jouissance, the objet a, and the big Other. The book frames Lacan's thought in the history of philosophy and explains it through jokes, films, and popular culture. In this light, Lacan becomes a thinker of philosophical importance in his own right, on a par with Jean-Paul Sartre and Simone de Beauvoir. Lacan's great contribution is the introduction of the unconscious into subjectivity, which results in a challenge to both the psychoanalytic establishment and to philosophers. The Cambridge Introduction to Jacques Lacan provides readers with a way of understanding the nature of Lacan's contribution. Todd McGowan teaches theory and film at the University of Ver

William Muldoon was an infamous athlete whose prowess, savvy, and chicanery across his six-decade career led him to wealth, cultural importance, and political power. Muldoon, the child of poor Irish immigrants, began wrestling in the 1870s and quickly became one of the most famous athletes of the post–Civil War era. He started acting and modeling as his popularity grew, making him one of the first sports stars to achieve crossover success. After a triumphant stint rehabilitating fallen boxing heavyweight champion John L. Sullivan in 1889, he retired from the ring and began a new career as a fitness impresario, founding an elite gymnasium and remaking himself as a health authority in the press. He became trainer to the rich, famous, and politically powerful, which led to his appointment as chair of the New York State Athletic Commission in the 1920s. From this position, Muldoon exerted his influence over the rules of boxing and wrestling and weaponized his power to maintain segregation in sport. The Last Glad

Lady Charlotte Schreiber, Extraordinary Art Collector (Lund Humphries, 2025) emphasises Lady Charlotte Schreiber (1812-1895) — also known as Lady Charlotte Guest, née Bertie — as one of the most significant women in the history of collecting. An extraordinary collector, historian and philanthropist, Charlotte subverted gendered norms and challenged Victorian conventions. This new study establishes Charlotte’s contribution to ceramic history and cultural education, and demonstrates her influential role in transnational artistic networks. Charting Charlotte’s eventful life, Dr. Caroline McCaffrey-Howarth focuses on her identity as a renowned connoisseur, whose donation of thousands of objects to the Victoria & Albert Museum and the British Museum marked a pioneering move for a female benefactor. Lady Charlotte Schreiber, Extraordinary Art Collector presents unique insight into the social and cultural world of Victorian England and the role of women within this. This interview was conducted by Dr. Miranda Melc

In Jón Leifs and the Musical Invention of Iceland (Indiana University Press, 2019), Árni Heimir Ingólfsson provides a striking account of the dramatic career of Iceland's iconic composer. Leifs (1899–1968) was the first Icelander to devote himself fully to composition at a time when a local music scene was only beginning to take form. He was a fervent nationalist in his art, fashioning an idiosyncratic and uncompromising 'Icelandic' sound from traditions of vernacular music with the aim to legitimize Iceland as an independent, culturally empowered nation. In addition to exploring Leifs's career, Ingólfsson provides detailed descriptions of Leifs's major works and their cultural contexts. Leifs's music was inspired by the Icelandic landscape and includes auditory depictions of volcanos, geysers, and waterfalls. The raw quality of his orchestral music is frequently enhanced by an expansive percussion section, including anvils, stones, sirens, bells, ships' chains, shotguns, and cannons. Largely neglected i

In a world increasingly dominated by visual and electronic noise, Robert Waxler and David Beckman's You Say, I Say: Staying Alive with Literature, Language, and Friendship (Rivertown Books, 2025) captures the enduring power of literature-not to resolve the great questions of human existence, but to help us explore those questions in ways that are eye-opening, life-changing, and profound. In September, 1962, two 18-year-old freshmen at Brown University named Bob Waxler and David Beckman first crossed paths. They quickly discovered they had a lot in common, especially an abiding fascination with language, literature, and the life of art. Four years later, as college seniors, they collaborated on a small book of poems, which brought them a flurry of attention, then faded into memory as the two friends began separate life journeys-Bob becoming a professor of literature at a Massachusetts college, David working as an advertising and promotion writer in New York with sidelines as a poet, playwright, and actor. In 2

Twice Blessed (Fordham University Press, 2025) is a memoir that explores the depths of love, resilience, and the true meaning of family. Stefanie Mercado Altman, Claire Altman, and Stan Altman share an inti­mate and inspiring story about the bonds that define us, from adoption to caregiving and beyond. When Stefanie was adopted by Claire and Stan, their family was built on love and trust rather than biology. As they navigated the joys and struggles of parenting, they faced challenges that tested their resilience, including Stefanie’s search for identity and connection with her birth mother, Rosa, a gifted artist whose struggles with AIDS cast a long shadow.From the highs of new beginnings to the heartbreak of loss, Twice Blessed captures the com­plexities of relationships and the sacrifices made in the name of love. The story unfolds with warmth, humor, and honesty, offering a powerful perspective on what it means to belong. Through Stefanie’s journey of self-discovery and the family’s steadfast devotion, the

Born in Amsterdam in 1946, Professor Shulamit Reinharz grew up amid the lingering shadows of wartime trauma, an experience that shaped her later academic path and her role in the creation of the Hadassah-Brandeis Institute. With Hiding in Holland: A Resistance Memoir (Amsterdam Publishers, 2024), she has crafted a unique form of Holocaust memoir, describing it as a “piano duet” between her father’s extensive writings and her own historical commentary. The result is a careful interplay between memory and historical verification. The interview also explored Reinhart’s research in Gunzenhausen, the Bavarian town where her father’s story began before he was forced into exile. Today, with no Jewish residents since 1939, Gunzenhausen has become a setting for remembrance projects that Reinhart has actively supported. She spoke of Emmy Hetzner, a retired teacher who initiated a project with her ninth-grade students to research the town’s Jewish history, resulting in a comprehensive online archive. Reinhart’s own inv

“My name has become a horror to all those who want slavery,” declared Jean‑Jacques Dessalines as he announced the independence of Haiti, the most radical nation‑state during the Age of Revolution and the first country ever to permanently outlaw slavery. Enslaved for the first thirty years of his life, Dessalines (c. 1758–1806) joined the revolution that abolished slavery within the French colony. Then he became a general in the colonial army of the new French Republic. When it was discovered that France once again supported slavery, Dessalines declared war on his former allies. Fighting under the slogan “Liberty or Death,” his army forced the French to evacuate in late 1803. At the start of the new year, Dessalines declared independence from France and became the leader of a free Haiti.A hero to Haitians for centuries, Dessalines is portrayed abroad as barbarous and violent. Yet this caricature derives not from facts—as Dr. Julia Gaffield demonstrates with extensive new research—but from the fears of contempo

Revolution: Prince, the Band, the Era (Backbeat Books, 2025) is a detailed exploration into the era of Prince's most prolific and groundbreaking music made with considerable inspiration and performed by a unique cadre of musicians he gathered and relentlessly drove to be the sonic, visual, and ideological reflection of his evolving vision. Although being the most self-contained, versatile, and prolific artist of his era, Prince reveled in the band, a multi-racial, intergender unit that acted as both family and loyal acolytes that embodied his ethos, expressed his pathos, and lifted him to rarified heights of pop dominance. This is the story of the genre-shifting, multi-media, trailblazing Prince & the Revolution from their humble inception to their precipitous rise in celebrated hit singles, albums, films, and tours to their controversial and shocking demise. James Campion is a columnist, essayist, and associate editor for the pop culture magazine The Aquarian Weekly, where he's reported on and interviewed r

Hadi Abdullah's Critical Conditions: My Diary of the Syrian Revolution (DoppelHouse Press, 2025), translated by Alessandro Columbu, is no ordinary diary. It’s a testimony written in the heat of events (demonstrations in Daraa and Homs, the bombardments of Aleppo, sieges, and funerals). Through Hadi’s words, we glimpse the Syrian revolution not through statistics, but through the eyes of someone who was there, who risked his life to record what others tried to silence. Alessandro’s translation conveys not only the urgency of testimony but also the rhythms of protest chants, the tenderness of Syrian idioms, and the weight of memory. In this episode, we sit down with translator Alessandro Columbu to discuss the challenges of translating a voice born of crisis, the role of grassroots media in preserving truth, and what it means to convey such words into English at a moment when Syria’s story is still unfolding. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation

In his literary biography, Philip Roth: Stung by Life (Yale UP, 2025), Steven J. Zipperstein captures the complex life and astonishing work of Philip Roth (1933–2018), one of America’s most celebrated writers. Born in Newark, New Jersey—where his short stories and books were often set—Roth wrote with ambition and awareness of what was required to produce great literature. No writer was more dedicated to his craft, even as he was rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances. And yet, as much as Roth wrote about sex and self, he viewed himself as socially withdrawn, living much like an “unchaste monk” (his words). Zipperstein explores the unprecedented range of Roth’s work—from “Goodbye, Columbus” and Portnoy’s Complaint to the Pulitzer Prize–winning American Pastoral and The Plot Against America. Drawing on extensive archival materials and over one hundred interviews, including conversations with Roth about his life and work, Zipperstein provides an intimate and

In 388 BCE, Plato, at the age of about forty and in the midst of writing The Republic, visited for the first time the then-Greek city state of Syracuse, on the eastern shores of Sicily. Syracuse was ruled by a tyrant, Dionysius, who on death was followed by his son, also a tyrant. Over the course of his three separate visits to Syracuse over the years, encountering both father and son, Plato arrived at the model for tyranny laid out in The Republic. That’s the argument of James Romm’s splendid book, Plato and the Tyrant: The Fall of Greece’s Greatest Dynasty and the Making of a Philosophic Masterpiece (W.W. Norton, 2025). In our conversation, Romm renders, not the familiar “marble Plato” of his God-like dialogues, but an altogether human figure grappling with his own personal vulnerabilities. We discuss, too, the parallels to today’s times, in which tyrants and would-be tyrants continue to plague the world. The tyrant, as Romm ably shows, is an archetype for all time. James Romm is the James H. Ottaway Jr. P

Cecil John Rhodes became one of the most influential people in the history of the British Empire. He made a fortune in South Africa by leading the world's most important diamond mining company, De Beers, as well as a gold-mining concern called Consolidated Gold Fields. While he was a busy entrepreneur, he was also a member of the Cape Colony's legislature and served as prime minister from 1890 to 1896, a key period for the development of racial discrimination. His British South Africa Company was given a charter to govern what is today Zambia and Zimbabwe. His most famous legacy is the Rhodes Trust, which funds the Rhodes Scholarships at Oxford University. A complex figure, admired and detested in his own time, Rhodes dreamt to unite Southern Africa's colonies and republics into one state, dominated by white settlers, with labor provided by Black people who were constrained and pressured by discriminatory laws. He built his wealth on the backs of African migrant laborers, for whom he had little regard. His B

A North American Tour Journal 1824-1825: The Making of a Prime Minister (Sutton Publishing, 2025) follows Edward Stanley's 1824-25 journey through North America, a formative tour that profoundly shaped his political ideals.In July 1824, Edward Geoffrey Smith Stanley arrived in New York City at the end of a month-long voyage from Liverpool. The young MP and future 14th earl of Derby had left England under a cloud. His political career was off to a rough start, and he was in love with a woman he was forbidden to marry. The lengthy tour of America that he was about to embark on--a 'banishment' as he called it--had been imposed upon him.From July 1824 into March 1825, Stanley travelled extensively throughout the eastern half of North America. He crossed mountains and lakes, journeyed up and down rivers, and trekked through pine barrens, swamps, and marshes. He travelled by stagecoach, steamboat, canoe, horseback, and sometimes on foot, studying every aspect of the towns and countryside he passed through. He was s

Claire McCardell forever changed fashion—and most importantly, the lives of women. She shattered cultural norms around women’s clothes, and today much of what we wear traces back to her ingenious, rebellious mind. McCardell invented ballet flats and mix-and-match separates, and she introduced wrap dresses, hoodies, leggings, denim, and more into womenswear. She tossed out corsets in favor of a comfortably elegant look and insisted on pockets, even as male designers didn’t see a need for them. She made zippers easy to reach because a woman “may live alone and like it,” McCardell once wrote, “but you may regret it if you wrench your arm trying to zip a back zipper into place.” After World War II, McCardell fought the severe, hyper-feminized silhouette championed by male designers, like Christian Dior. Dior claimed that he wanted to “save women from nature.” McCardell, by contrast, wanted to set women free. Claire McCardell became, as the young journalist Betty Friedan called her in 1955, “The Gal Who Defied Di

A magnificent cultural biography, Positive Obsession: The Life and Times of Octavia E. Butler (Amistad, 2025) charts the life of one of our greatest writers, situating her alongside the key historical and social moments that shaped her work. As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity—our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. Her fiction charts the rise and fall of the American project—the nation’s transformation from a provincial backwater to a capitalist juggernaut—made possible by chattel slavery—to a bloated imperialist superpower on the verge of implosion. In this outstanding work, Susana M. Morris places Butler’s story firmly within the cultural, social, and historical context that shaped her life: the Civil Ri

On Feb. 19, 1942, President Franklin D. Roosevelt announced Executive Order 9066, which authorized the confinement of tens of thousands of Japanese and Japanese-Americans living in the Western U.S., sending them to cramped, hastily-constructed camps like Manzanar and Amache.  One such Japanese-American was Karl Yoneda, a well-known labor activist–and the husband of Elaine Yoneda, a Jewish-American woman. Elaine soon followed her husband to the Manzanar camp, after authorities threatened to send her three-year-old mixed-race son, Thomas, to the camp alone.  The Yonedas time in the camp is the subject of Tracy Slater’s book, Together in Manzanar: The True Story of a Japanese Jewish Family in an American Concentration Camp (Chicago Review Press, 2025) Tracy is a Jewish American writer from Boston, based in her husband’s country of Japan. Her previous book was the mixed-marriage memoir The Good Shufu: Finding Love, Self, and Home on the Far Side of the World (G.P. Putnam's Sons, 2015). She has also publish

"If we were different people, to write down these words might be to leave them behind us. But words are our artifacts, and I am seeding a trail for the journey, home." What does the daughter of a Nakba survivor inherit? It is not property or tangible heirlooms, nor the streets and neighbourhoods of a father’s childhood and the deep roots of family who have lived in one place, Jerusalem, for generation upon generation. Fixing her gaze on moments, places and objects – from the streets of Bethlehem to the Palestinian neighbourhoods of the New Jerusalem – Micaela Sahhar assembles a story of Palestinian diaspora. Find Me at the Jaffa Gate: An Encyclopaedia of a Palestinian Family (Newsouth, 2025) is a book about the gaps and blank spaces that cannot be easily recounted, but which insists on the vibrant reality of chance, fragments and memory to reclaim a place called home. Roberto Mazza is currently a visiting scholar at the Buffett Institute for Global Affairs at Northwestern University. He is the host of the 

From the years before World War I until the late 1960s, the journalist and political theorist Walter Lippmann was one of the most influential writers in the United States of America. His words and ideas had a powerful impact on American liberalism and his writings on the media are still taught today. Lippmann is now the subject of Tom Arnold-Forster’s Walter Lippmann: An Intellectual Biography (Princeton UP, 2025). Arnold-Forster explores Lippmann in his evolving historical context, from the Progressive Era to the Cold War. He argues that Lippmann was a much more complicated thinker than is usually recognized who went from being a liberal socialist to a conservative liberal. Arnold-Forster is a historian at the Rothermere American Institute, Oxford University, where he works on the political and intellectual history of the modern United States and the history of political thought. His articles have appeared in scholarly journals and general interest publications. His article on Lippmann and public opinion,