New Books In Literature

Abbigail Nguyen Rosewood has created a swiftly mutating story about a woman who is either a loving mother, a famous artist, or a teacher. Constellations of Eve (Texas Tech University Press 2022) portrays deviations from an initial story that revolves around Eve, Pari, Liam, and a child named Blue. Eve meets Liam, a tall, gentle man who is either philandering husband, a kind partner, or a scheming benefactor. Eve’s best friend is Pari, who is either her best friend and college roommate, a stunning model, or mentally fragile and suicidal. Eve loves, obsesses over Pari, or encourages her to hang herself. Liam is good or not, loving or not, solid, or not. We don’t know if Eve is kind-hearted or crazy, loving or obsessive. We watch these three people weaving around each other, and the child, Blue, has something to say in each iteration of Eve’s life. Eve needs to figure out which part of herself is going to dominate, and who or what is going to control her destiny – will it be love, motherhood, or art? Abbigail Ng

Augusta is a meek museum curator trapped in a dead-end job and relationship, when an employment offer to become the collections manager at Harlowe House changes her life. With new friends and new responsibilities, as well as a new handsome coworker, Augusta is drawn to investigate the life of Margaret Harlowe. Margaret’s portrait at Harlowe House radiates vivaciousness and warmth, but the historic records barely mention her. Soon, Augusta is obsessed by the secret life story of the mysterious young woman she feels connected to. Was Margaret just a woman unjustly ostracized by Victorian society for her wild nature and her love of herbs, or is she a more dangerous presence? For although Margaret died more than a hundred years ago, her spirit is still very present, and her voice active. A ghost story with a strong romantic element, A Lullaby for Witches (Graydon House Books, 2022) features a tender love story as well as some thrills and chills. Bio: Hester Fox is a full-time writer and mother, with a background

The first poem in Sean Singers’ new collection of poetry, Today in the Taxi, published by Tupelo Press, begins with, “Today in the taxi, I brought a man from midtown to someplace in Astoria near the airport.” From that ordinary beginning, the poems explore the many features of New York City--its people, its streets, its highways, and its neighborhoods--all delivered through the impressions of an Uber driver. Like Walt Whitman, whose poem “Crossing Brooklyn Ferry” turned a short boat ride into a meditation on life, death and eternity, Sean’s poetry starts in everyday experiences and grasps large realms of significance. Sean, now a former Uber driver, holds an MFA from Washington University in Saint Louis and a Ph.D. in American Studies from Rutgers University-Newark. He is the author of two other books of poetry: Discography, which won the Yale Series of Younger Poets Prize and the Norma Faber First Book Award from the Poetry Society of America, and Honey and Smoke---which the Pulitzer Prize-winning poet Yusef

Jean-Luc Guéry is a man down on his luck. Middling journalist, gambling addict, alcoholic. Yet when news of his brother’s murder in Saigon reach him in France, Guéry drops everything and travels to French Vietnam to investigate. Guéry is not the kind of main character you’d think would star in a detective novel like Bede Scott’s Too Far From Antibes (Penguin Random House, 2022)—something that many other characters in Bede’s novel remark on several occasions. Yet Scott drives Guéry through a murky plot of corruption and colonialism in a tense Saigon near the end of French colonialism. Bede Scott is Associate Professor of World Literature in the School of Humanities at Nanyang Technological University, Singapore. He has been teaching in Singapore since 2006, when he completed his PhD at the University of Cambridge. Scott is the author of On Lightness in World Literature (Palgrave Macmillan, 2013), and Affective Disorders: Emotion in Colonial and Postcolonial Literature (Liverpool University Press, 2019). Today,

An interview with Fernanda Melchor, finalist for the International Booker Prize, and author most recently of Paradais (New Directions, 2022). And Sophie Hughes, the English translator of Fernanda’s two novels, and winner of the Pen Translates Award. In a wide-ranging discussion, we touch upon the ways in which translation is akin to friendship, and how a translation can be the greatest interpretation of your work. Fernanda discusses her understanding of violence as inseparable from the story of humanity, and how she sees her style as that which persists after she has let go of the text, while Sophie addresses the question of the translator’s invisibility and the lexicons required for each new writer's work that she takes on. This episode features a bilingual reading from Paradais by Fernanda Melchor. It is not to be missed. Books Recommended in this episode: Juan Rulfo, Pedro Paramo José Agustín, De Perfil Nona Fernandez, The Twilight Zone Marianna Enriquez, The Dangers of Smoking in Bed Alia Trabucc

On this episode of New Books in Performing Arts, we talk with Andy Bragen about two plays of his published in a new volume by Northwestern University Press: This is My Office and Notes on My Mother's Decline. Both plays center on grief: Bragen's process of grieving his father in This is My Office and the slow, painful process of his mother's death in Notes on My Mother's Decline. Both plays are bravely emotionally bare yet unsentimental. They situate death and dying in a long continuum that both predates and antedates the individual person. In this way, both plays are as much about family, history, and family history as much as they are about the moment of death.  Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

“In Africa, when an elder dies, a library burns.” We’ve all heard this phrase, or some version of it, but not all of us know who uttered it. It was the singular Amadou Hampâté Bâ. By the end of his long life, Bâ, the ethnographer, author, interpreter, religious teacher, poet, philosopher and ambassador had himself become one of Africa’s most famous “elders”, and, to borrow his phrase, one of the continent’s most expansive “libraries”. Amkoullel, the Fula Boy (Duke University Press, 2021) is the first volume of Hampâté Bâ’s memoirs, covering the earliest years of his life. Amkoullel, the Fula Boy was awarded the Grand Prix Littéraire d’Afrique Noire in 1991. It has just been translated into English by Jeanne Garane with a new foreword by Ralph Austen. Elisa Prosperetti is an Assistant Professor in International History at the National Institute of Education in Singapore. Her research focuses on the connected histories of education and development in postcolonial West Africa. Contact her at www.elisaprosperetti

In Live Caught (Black Lawrence Press 2022) by R. Cathey Daniels, we meet Lenny after he’s stolen money and a skiff in an attempt to escape his abusive older brothers and ride the rivers until reaching the Atlantic Ocean. Lenny is fourteen, and his family farm in western North Carolina has become a nightmare – he’s already lost an arm and isn’t sure which of his brothers’ experiments is going to kill him. But he doesn’t get very far when his boat and all the money he’s stolen sink in a huge storm. If not for a crazy old priest who pulls him out from under a log, he’d be dead. Now the priest provides Lenny with a home and work. Lenny makes friends, especially with a stoner who seems to be drugging his own baby daughter. It soon becomes clear that the priest is running an illegal drug operation to provide for the poor people in his struggling parish. And a crooked local cop wants to collect a tax on the illegal drugs. Just like at home, Lenny’s not sure he’s going to survive. R. Cathey Daniels grew up in the mou

It is the late twenty-first century, and Momo is the most celebrated dermal care technician in all of T City. Humanity has migrated to domes at the bottom of the sea to escape devastating climate change. The world is dominated by powerful media conglomerates and runs on exploited cyborg labor. Momo prefers to keep to herself, and anyway she’s too busy for other relationships: her clients include some of the city’s best-known media personalities. But after meeting her estranged mother, she begins to explore her true identity, a journey that leads to questioning the bounds of gender, memory, self, and reality. First published in Taiwan in 1995, The Membranes is a classic of queer speculative fiction in Chinese. Chi Ta-wei weaves dystopian tropes—heirloom animals, radiation-proof combat drones, sinister surveillance technologies—into a sensitive portrait of one young woman’s quest for self-understanding. Predicting everything from fitness tracking to social media saturation, this visionary and sublime novel stan

“Finally, the first of Norton’s long-awaited treatments of Ernest Hemingway, the American who, more than anyone, changed the look and sound of modern American prose. Academic rigor and impeccable attention to detail are the hallmarks of the Norton Critical Edition, and this volume on The Sun Also Rises is no exception. In addition to the usual suspects of contemporary reviews and early criticism, this volume draws on an exceptional pool of resources and ancillary material to tell this novel’s story: biographical excerpts from the likes of Sylvia Beach and Harold Loeb, original expurgated text, epistolary exchanges with Max Perkins and F. Scott Fitzgerald, and hefty segments on expatriation, the bullfights, and Hemingway’s own literary influences. Add to this a generous sampling of new, exceptional criticism that speaks to a modern audience about issues of gender and sexuality and about race, and a wonderful, spirited introduction, and this critical edition edited by Michael Thurston becomes the definitive edi

Romeo Oriogun speaks to managing editor Emily Everett about his poem “The Sea Dreams of Us,” which appears in The Common’s fall issue. In this conversation, Romeo talks about his life as a poet in exile from Nigeria, and how that experience of exile appears in his poetry. He also discusses his writing process, the themes he often returns to in his work, and how growing up in Nigeria affects his use of language in poetry. Romeo Oriogun is the author of the 2020 poetry collection Sacrament of Bodies. A finalist for the Lambda Literary Award for Gay Poetry, he has received fellowships and support from the Ebedi International Writers Residency, Harvard University, the Hutchins Center for African and African American Research, the Oregon Institute for Creative Research, and the IIE Artist Protection Fund. An alum of the Iowa Writers’ Workshop, he currently lives in Ames, where he is a postdoctoral research associate at Iowa State University. Read Romeo’s poetry in The Common at thecommononline.org/tag/romeo-oriogu

Sista, Stanap Strong!: A Vanuatu Women's Anthology (Te Herenaa Waka UP, 2021) is an anthology of new writing from Vanuatu by three generations of women—and the first of its kind. With poetry, fiction, essay, memoir, and song, its narrative arc stretches from the days of blackbirding to Independence in 1980 to Vanuatu's coming of age in 2020. Most of these writers are ni-Vanuatu living in Vanuatu. Some have set down roots in New Zealand, Fiji, the Solomon Islands, and Canada. Some were born overseas and have made Vanuatu their home. One is just twenty; another is an octogenarian. The writers in this anthology have chosen to harness the coloniser’s language, English, for their own purposes. They are writing against racism, colonialism, misogyny, and sexism. Writing across bloodlines and linguistic boundaries. Professing their love for ancestors, offspring, and language— Bislama, vernacular, and English. What these writers also have in common is a sharp eye for detail, a love of words, a deep connection to Vanua

In this rebroadcast, John and Brandeis neuroscientist Gina Turrigiano (an occasional host and perennial friend of Recall this Book) speak with Madeline Miller, author of the critically acclaimed bestseller Circe. Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Farzana Doctor is a Toronto-based author, activist and a psychotherapist. She has written four critically acclaimed novels. Her latest, Seven, which Ms. Magazine described as “fully feminist and ambitiously bold”, was chosen for multiple 2020 Best Book lists and shortlisted for the Trillium and Evergreen Awards. Her poetry collection, You Still Look The Same (Freehand Books), will be released in May 2022 with an audiobook following soon after. Farzana is also the Maasi behind Dear Maasi, a new sex and relationships column for FGM/C survivors. In this interview, Doctor discusses her process and craft in the context of her personal journey and her work as a psychotherapist. She shares some poetry from her new collection and discusses the power of storytelling when it comes to reckoning with the past, healing, and moving forward. Her work is both deeply personal and incredibly resonant for all of us living in these challenging times. Find our more about Ms. Doctor at https://farzanadoctor.com/. Jori Krulder is a

This episode is part of a series of recordings I do with artists and scholars from Israel and Palestine. To allow people from the conflict to make their voices heard. Today I interview Sigal Naor Perelman, who is a literary scholar, editor, founder, and co-director of the Derech Ruach organization to promote the humanities in Israel. Sigal has published two research books on Natan Zach and Noah Stern. Her first volume of poetry, Machluta, was published in 2020. Sigal's poetry book, Machluta (Mixture in Arabic), deals with daily life in Haifa, a city that contains Jews and Arabs together. The dilemmas of a mother whose child has to enlist in military service, about love and sexuality, and more. Sigal's poetry does not allow us to ignore the nuances of life and allows us, readers and listeners, to meet them face to face. Dr. Yakir Englander is the National Director of Leadership programs at the Israeli-American Council. He also teaches at the AJR. He can be reached at: Yakir1212englander@gmail.com. Learn more a

The Lamps of Albarracin tells the story of Sarita, who looks back on her life before and after the Inquisition arrived in her town. It’s 15th century Spain, and Sarita is the daughter and assistant of the town’s Jewish doctor. She recalls living in a warm, loving household with her sisters and brother and Torah lessons taught by Solomon the Aged. She was raised with several languages and always looking forward to the next holiday. In the kingdom of Aragon, Albarracin was a town in which Christians, Muslims, and Jews still lived mostly in harmony, although the winds of change have started blowing across the Iberian Peninsula. We watch Sarita grow up – she’s skilled with healing, which helps her survive the punishment she receives from the Spanish Inquisition. She hadn’t known that she’d been baptized at birth. Rooted in Judaism, Sarita finds ways to live as her true self even when confined to a convent or masquerading as Muslim to escape the Inquisition. Edith Scott Saavedra was born in California to an Americ

Secretly his unconscious body, still flickering with life, is spirited away by to an island monastery in the Venetian lagoon where he recovers his health and joie de vivre. From there he begins a series of adventures that include Auguste Rodin, a romance with an English aristocrat, a new lover, a session with Sigmund Freud, and an heroic death. I spoke with novelist Ardythe Ashley about her meticulously researched historical novel that breathes new life into a writer who continues to charm and fascinate readers and audiences to this day. Ardythe Ashley is the author of The Return of the Century: The Death and Further Adventures of Oscar Wilde. While doing research for the novel, she found herself in the Library of the British Museum reading the letters Oscar Wilde wrote in his dank cell in Reading Gaol to Lord Alfred Douglas (Bosie), later published as De Profundis. “I’m sorry, Madam,” came the firm-but-not-unkind voice of a white-gloved librarian, “but it is not permitted to weep upon the manuscripts.” In ad

An interview with Natasha Brown, winner of the London Writers Award, and author of Assembly (Little Brown, 2021), the story of a young black British woman, marked by success in education and work, who asks a fundamental question: does my country care whether or I live or die? At a mere one hundred and two pages, Assembly manages to evoke more feeling, more sensorial reality than many novels twice its length. Natasha has gone to the novel’s primary function—its vision into the inner life of a character—and she has brought it to bear on the precariousness of black life. The result is a work of literary fiction that is profoundly beautiful, with passages of poetic form and lyrical description of a world that her narrator experiences as ultimately negating. Negating of her agency, her accumulated wealth and status, her education, her citizenship, and ultimately of her bare life. Suffused with its contemporary moment, with references to the police killing of Philando Castille and the white nationalist resurgence i

In A Vertical Art: On Poetry (Princeton UP, 2022), acclaimed poet Simon Armitage takes a refreshingly common-sense approach to an art form that can easily lend itself to grand statements and hollow gestures. Questioning both the facile and obscure ends of the poetry spectrum, he offers sparkling new insights about poetry and an array of favorite poets. Based on Armitage’s public lectures as Oxford Professor of Poetry, A Vertical Art illuminates poets as varied as Emily Dickinson, Walt Whitman, Marianne Moore, W. H. Auden, Ted Hughes, Thom Gunn, A. R. Ammons, and Claudia Rankine. The chapters are often delightfully sassy in their treatment, as in “Like, Elizabeth Bishop,” in which Armitage dissects—and tallies—the poet’s predilection for similes. He discusses Bob Dylan’s Nobel Prize, poetic lists, poetry and the underworld, and the dilemmas of translating Sir Gawain and the Green Knight. Armitage also pulls back the curtain on the unromantic realities of making a living as a contemporary poet, and ends the boo

Colm Tóibín, the new laureate for Irish fiction, talks to Joseph Rezek of Boston University, and guest host Tara K. Menon of Harvard. The conversation begins with Colm’s latest novel The Magician, about the life of Thomas Mann, and whether we can or should think of novelists as magicians and then moves swiftly from one big question to the next. What are the limitations of the novel as a genre? Would Colm ever be interested in a writing a novel about an openly gay novelist? Why and how does death figure in Colm’s fiction? Each of Colm’s revealing, often deeply personal answers illuminates how both novels and novelists work. As Thoman Mann wrote of the “grubby business” of writing novels, Colm reminds us of the “day to day dullness of novel writing.” Insight and inspiration only arrive, he warns, after long, hard days of work. Mentioned in this episode: Robinson Crusoe (1719), Daniel Defoe Pride and Prejudice (1813), Jane Austen The Portrait of a Lady (1881), Henry James The Wings of the Dove(1902), Henry James