New Books In Literary Studies

Hoda El Shakry’s book The Literary Qurʾan: Narrative Ethics in the Maghreb (Fordham University Press, 2019) was awarded the ACLA’s 2018 Helen Tartar Book Subvention Award and the MLA’s 2020 Aldo and Jeanne Scaglione Prize for Comparative Literary Studies. It examines the influence of Qurʾanic textual, hermeneutical, and philosophical traditions on twentieth-century novels from the Maghreb (Tunisia, Algeria, and Morocco). Placing canonical Francophone writers into conversation with lesser-known Arabophone ones, The Literary Qurʾan stages a series of pairings that invite paratactic readings across texts, languages, and literary canons. Challenging the canonization of secular modes of reading that occlude religious epistemes, practices, and intertexts, the study extracts a model of ethical narratology from the Qurʾan. Hoda El Shakry is a scholar of twentieth- and twenty-first century cultural production from North Africa and the Middle East, with an emphasis on the relationship between aesthetics and ethics. Spe

How does revolution literature help to engage Mongolia’s nomadic population with the utopia of a “new society” promised by the Mongolian People’s Revolution Party? In Politics and Literature in Mongolia 1921-1948 (Amsterdam University Press, 2020), Simon Wickhamsmith explores the relationship between literature and politics in the period between the 1921 socialist revolution and the first Writers’ Congress in 1948. He argues that the literature of this time “helped to frame the ideology of socialism and the practice of the revolution for those Mongolians who had little understanding of what it could offer them.” Through discussing the works of Mongolian writers such as D. Natsagdorg, S. Buyannemeh, Ts. Damdinsüren, and D. Namdag, who wrote on education, health care, religion, and labor, the book reveals how these writers represented the new Mongolia and the difficulties that accompanied with it. Wickhamsmith reminds us that although the period between 1921-1948 saw a sustained literary development in Mongolia

Listen to this interview of Robert Samuels, author of Teaching Writing, Rhetoric, and Reason at the Globalizing University (Routledge, 2021). We talk about grammar, which is what everything really fits inside of. Mostly. Interviewer : "Clearly, the liberal globalist position will cause some pushback. What would you say to our listeners, what would you say to your readers to help them make that pushback into counterargument?" Robert Samuels : "Well, it's difficult, because on one hand, if I'm saying we should focus on logic and reason, it seems like I'm saying that we should ignore emotion, but what I'm also saying is that we should really think about how emotion is manipulated through language and the role that language plays in communication. And so the problem is you want to have a more complex argument, where it's not just either-or. But in our current debate culture it seems that everything often comes into this very polarized either-or discourse. And so it's difficult to figure out how to get people who

Nineteenth-century Japanese literary discourse and narrative developed a striking preoccupation with ninjō—literally “human emotion,” but often used in reference to amorous feeling and erotic desire. For many writers and critics, fiction’s capacity to foster both licentiousness and didactic values stood out as a crucial source of ambivalence. Simultaneously capable of inspiring exemplary behavior and a dangerous force transgressing social norms, ninjō became a focal point for debates about the role of the novel and a key motor propelling narrative plots. In Licentious Fictions: Ninjō and the Nineteenth-Century Japanese Novel (Columbia UP, 2019), Daniel Poch investigates the significance of ninjō in defining the literary modernity of nineteenth-century Japan. He explores how cultural anxieties about the power of literature in mediating emotions and desire shaped Japanese narrative from the late Edo through the Meiji period. Poch argues that the Meiji novel, instead of superseding earlier discourses and narrati

Medicine is most often understood through the metaphor of war. We encounter phrases such as “the war against the coronavirus,” “the front lines of the Ebola crisis,” “a new weapon against antibiotic resistance,” or “the immune system fights cancer” without considering their assumptions, implications, and history. But there is nothing natural about this language. It does not have to be, nor has it always been, the way to understand the relationship between humans and disease. Medicine Is War: The Martial Metaphor in Victorian Literature and Culture (SUNY Press, 2021) shows how this “martial metaphor” was popularized throughout the nineteenth century. Drawing on the works of Mary Shelley, Charles Kingsley, Bram Stoker, Arthur Conan Doyle, and Joseph Conrad, Lorenzo Servitje examines how literary form reflected, reinforced, and critiqued the convergence of militarism and medicine in Victorian culture. He considers how, in migrating from military medicine to the civilian sphere, this metaphor responded to the de

Hawraa Al Hassan’s Women, Writing and the Iraqi Ba’thist State: Contending Discourses of Resistance and Collaboration, 1968-2003 (University of Edinburgh Press, 2020) is unique because it both explores discourse concerning women and how women themselves used literature to create a site of resistance to the state. Al-Hassan’s work is also inclusive, as it joins a wider call to make literary studies a space in which works which were previously considered propagandistic can also be seriously considered. My hope for the book is that it will shift perspectives in literary studies to different foci, painting a more complete vision of the literary history of the Arabic language. Dr Hawraa Al-Hassan is an associate fellow of the Higher Education Academy, having taught Arabic and modern history of the Middle East at the University of Cambridge. Hawraa completed her PhD in Middle Eastern Studies at the University of Cambridge and gained an MA in Comparative Literature at University College London. She is interested in

Compiled around 1235, the Ogura Hyakunin Isshu, or Ogura's 100 Poems by 100 Poets, is one of the most important collections of poetry in Japan. Though the poets include emperors and empresses, courtiers and high priests, ladies-in-waiting and soldier-calligraphers, the collection is far more than a fascinating historical document. As the translators, James Hadley and Nell Regan, note in A Gap in the Clouds: A New Translation of Ogura Hyakunin Isshu (Dedalus Press, 2020), "these beautiful poems have endured because their themes are universal and readily understood by contemporary readers". Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The texts that are examined in this study move in and out of different languages or are multilingual in their origins. Texts and authors do not move randomly; rather, they follow routes shaped by the history of contact between different nations of the transpacific. As these texts move into and out of the Chinese language or become multilingual, they necessarily do not always remain Sinophone. The works of the authors discussed are refracted out of Chinese literature into American, Malaysian, and Japanese literatures and, in some cases, back into Chinese again. Following their paths through multiple languages makes visible the ways that these trajectories are informed by, are arrested by, and bend around historical and geopolitical barriers across the Pacific. To this end, examining the path that these texts from a transpacific perspective allows for the possibility of not only multilingual but multidirectional movement. The transpacific trajectories discussed in this book give rise to a number of different ve

Bryce Traister has edited a collection of 13 original essays exploring the shifting landscape in the historiography of American Puritanism in American Literature and the New Puritan Studies (Cambridge UP, 2017). These essays explore how studies in American literature(s) can benefit from the shifting trends in 21st-century scholarship under the broad themes of post-secular, post-national, and post-colonial literary readings. In this interview, Traister introduces the themes that led to the assembly of this new collection and describes the emerging trends in the long history of Puritan literature studies. Perhaps the postmortem calls for the end of Puritan literary studies in the academy were premature. New theoretical frameworks have opened entirely new vistas for re-engaging the Puritan archives with a new set of questions and interpretive opportunities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/liter

The Russian cultural presence in Japan after the Meiji Revolution was immense. Indeed, Japanese cultural negotiations with Russian intellectuals and Russian literature, art, theology and political thought, formed an important basis for modern Japanese transnational intellectual, cultural, literary, and artistic production. And yet, despite the depth and range of “Japan’s Russia,” this historical phenomenon has been markedly neglected in our studies of modern Japanese intellectual life. This absence may be attributed to the fact that “Japan’s Russia” as idea and cultural expression developed outside the logic of Western modernity. There has been an interconnected logic behind this ignorance, a systematic lacuna in our historiography that tied method to historical actors, concept to theory. Olga V. Solovieva and Sho Konishi's Japan's Russia: Challenging the East-West Paradigm (Cambria, 2021) seeks to depart from this logic in order to identify thoughts and practices that helped produce a dynamic transnational c

In this episode, I interview Gert-Jan van der Heiden, Professor of Metaphysics and Philosophical Anthropology at Radboud University in Amsterdam, about his book, The Voice of Misery: A Continental Philosophy of Testimony, recently published by SUNY Press. In the book, van der Heiden takes up the question of testimony, which is popular in philosophical discourses today—from analytic epistemological approaches to those that emerge from critical race and feminist theory. While important advances are made in these disciplines, van der Heiden argues that contemporary continental philosophy offers a rich source for another approach to testimony that combines the ontological, epistemological, ethical, and logical elements of testimony in order to more fully understand what occurs in the event of bearing witness. Beginning with six literary experiments, The Voice of Misery approaches the event of testimony and its connection to language at the limits of what can be expressed: in the silent, the unspeakable, the mute.

Scientists have scientific reason and use the scientific method. Humanists have... Emotion? Close reading? Not so, argues Eric Hayot in Humanist Reason: A History. An Argument. A Plan (Columbia UP, 2021). Contrary to popular belief, the humanities involve both reasoning and methods. Humanist reason, Hayot shows, is philosophically and historically grounded and applicable to almost every discipline. Part history of philosophy, part methods handbook, and part manifesto, Humanist Reason will change the way we advocate for the humanities in the twenty-first century. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked Joe Essid and Brian McTague about their book Writing Centers at the Center of Change (Routledge 2020). We discuss about critical thinking through writing and we talk about what it is that's critical to writing. Interviewer: What's the next big change you see coming? Brian McTague: I don't know exactly what that's going to be, but I think it's going to have something to do with adapting what the previous 'normal' model was for writing centers into this new normal that definitely takes into account technology on a broader scale and how we communicate. You know, we can communicate face-to-face via technology, so does it have to be in person? One example from my own writing center: Over the last year we have done a lot of online-Zoom group workshops. And group workshops are something that we've always offered in person, and sometimes we'd get ten people, sometimes we'd get nobody. Now, we have a Zoom workshop, and we get up to eighty students, or actually, eighty participants, because there are als

Reflecting the Past: Place, Language, and Principle in Japan's Medieval Mirror Genre (Harvard UP, 2020) is the first English-language study to address the role of historiography in medieval Japan, an age at the time widely believed to be one of irreversible decline. Drawing on a decade of research, including work with medieval manuscripts, it analyzes a set of texts—eight Mirrors—that recount the past in an effort to order the world around them. They confront rebellions, civil war, “China,” attempted invasions, and even the fracturing of the court into two lines. To interrogate the significance for medieval writers of narrating such pasts as a Mirror, Erin Brightwell traces a series of innovations across these and related texts that emerge in the face of disorder. In so doing, she uncovers how a dynamic web of evolving concepts of time, place, language use, and cosmological forces was deployed to order the past in an age of unprecedented social movement and upheaval. Despite the Mirrors’ common concerns and c

In this episode, I interview R.A. Judy, professor of Critical and Cultural Studies at the University of Pittsburgh, about his book Sentient Flesh: Thinking in Disorder, Poiēsis in Black, which was published by Duke University Press in 2020. In Sentient Flesh R. A. Judy takes up freedman Tom Windham’s 1937 remark “we should have our liberty 'cause . . . us is human flesh" as a point of departure for an extended meditation on questions of the human, epistemology, and the historical ways in which the black being is understood. Drawing on numerous fields, from literary theory and musicology, to political theory and phenomenology, as well as Greek and Arabic philosophy, Judy engages literary texts and performative practices such as music and dance that express knowledge and conceptions of humanity appositional to those grounding modern racialized capitalism. Operating as critiques of Western humanism, these practices and modes of being-in-the-world—which he theorizes as “thinking in disorder,” or “poiēsis in black

Evening Plays (Theatre Communications Group, 2020) collects three plays by experimental playwright Richard Maxwell. The plays are inspired by Dante's Divine Comedy, and all three concern death and dying. The Evening focuses on characters whose lives revolve around cage-fighting and drinking, and also includes searing meditations on the process of dying. Samara reads a bit like a western, though one filtered through a mystic sensibility reminiscent of Jorge Luis Borges. Paradiso is, like its Dantean precursor, a fractured, future-oriented work that exists on the border of the human. Videos of many of Maxwell's plays, including the three discussed in this interview, can be found on Vimeo at https://vimeo.com/nycplayers. Several of his paintings are currently on view between Dunkin’ Donuts and Frames Bowling Alley on the second floor of the south building at Port Authority Bus Terminal. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard

Journey to the West, and especially the character of Sun Wukong, the Monkey King, is beloved by readers across China, East Asia, and beyond. The story and its characters have been written and rewritten in books, comics, graphic novels, movies, television shows, and video games. In many ways, Journey to the West and Son Wukong have become archetypes: stories and characters that people refer to and recognise, without ever looking at the original source material. But for those interested in reading the original novel, we now have a new translation of Journey to the West (Penguin Classics: 2021) from Professor Julia Lovell. This new translation takes the original 1592 novel by Wu Cheng’en and presents its adventures, humor, satire and spiritual insights for a modern audience. In this interview, Julia and I talk about Journey to the West: its story, its characters, and its history, before and after the publication of the 1592 novel. We talk about what motivated this new translation. Finally, we end by discussing h

This ambitious work explores the literary and cultural production about Russian peasants and African Americans in the post-emancipation period. Brickell Bellows draws on visual images from advertisements to oil paintings as well as novellas, novels, pamphlets, and reports in English and Russian.  The abolition of Russian serfdom in 1861 and American slavery in 1865 transformed both nations as Russian peasants and African Americans gained new rights as subjects and citizens. During the second half of the long nineteenth century, Americans and Russians responded to these societal transformations through a fascinating array of new cultural productions. Analyzing portrayals of African Americans and Russian serfs in oil paintings, advertisements, fiction, poetry, and ephemera housed in American and Russian archives, Amanda Brickell Bellows argues that these widely circulated depictions shaped collective memory of slavery and serfdom, affected the development of national consciousness, and influenced public opinion

Young adult literature featuring LGBTQ+ characters is booming. In the 1980s and 1990s, only a handful of such titles were published every year. Recently, these numbers have soared to over one hundred annual releases. Queer characters are also appearing more frequently in film, on television, and in video games. This explosion of queer representation, however, has prompted new forms of longstanding cultural anxieties about adolescent sexuality. What makes for a good “coming out” story? Will increased queer representation in young people’s media teach adolescents the right lessons and help queer teens live better, happier lives? What if these stories harm young people instead of helping them? In Queer Anxieties of Young Adult Literature and Culture (UP of Mississippi, 2020), Derritt Mason considers these questions through a range of popular media, including an assortment of young adult books; Caper in the Castro, the first-ever queer video game; online fan communities; and popular television series Glee and Big

How do we think about situations and things do not exist but might, engage in pretense and fiction, and create new works of art? These are central cases in which we’re using our imaginations, but what is imagination, and how should it be explained? In Explaining Imagination (Oxford University Press, 2020), Peter Langland-Hassan distinguishes using mental imagery to think about things and thinking about imaginary things, and proceeds to give a reductive account of both. On his view, imagining isn’t a sui generis mental state, as the received view holds. Instead, it can be reduced to more basic states, in particular belief, desire, and intention. Langland-Hassan, who is associate professor of philosophy at the University of Cincinnati, uses his account to explain the central cases of imagination, defends his view against objections, and considers how recent advances in Deep Learning might help explain the creative process. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becomi