British Theatre Guide Podcast

David Wood OBE, described by the late great Times theatre critic Irving Wardle as “the national children’s dramatist”, has written more than 70 plays, including adaptations of books by Judith Kerr, Michelle Magorian, Philippa Pearce and Roald Dahl, as well as original plays of his own. From 1959 until 2005, David kept up regular correspondence with Frank Whitbourn, whom he credits as his mentor, which is currently being edited into a book called Frank Exchanges. BTG Editor David Chadderton spoke to David when he was still working on the manuscript with editor Chris Abbott about the book and how Frank’s observations helped his career, as well as about writing for children, producing children’s theatre with his company Whirligig Theatre, the status of children’s theatre in the industry, cultural clashes in theatre-in-education in the 1980s and much more. Frank Exchanges is due to be published by The Book Guild on 28 June 2023. [Image of David Wood and Frank Whitbourn at Whitbourn's home in Winchester, 2001, cre

Factory International announced the 2023 edition of the biannual Manchester International Festival at an event at New Century Hall in Manchester on 14 March. After the announcement, BTG Editor David Chadderton spoke to Manchester International Festival’s Artistic Director and Chief Executive John McGrath, Adam Szabo from Manchester Collective about their co-production with Slung Low of Benjamin Britten’s community opera Noah’s Flood, Scottee about acting as dramaturg for a musical adaptation of Larry Mitchell and Ned Asta’s cult 1977 book The Faggots and Their Friends Between Revolutions and MIF’s Creative Director, Low Kee Hong. Manchester International Festival 2023 runs from 29 June to 16 July at venues all around the city centre and beyond. (Images: John McGrath, credit Tarnish Vision; Low Kee Hong; Rakhi Singh and Adam Szabo, co-founders of Manchester Collective, photo by Robin Clewley.)

David Greig is a leading Scottish playwright and Artistic Director of Royal Lyceum Theatre in Edinburgh. In 2016, he adapted The Suppliant Women, the only fully extant play in a trilogy by Aeschylus, and is now adapting the other two plays in the trilogy, even though only fragments of the originals still exist, the first of which, The Egyptians, opens at Gulbenkian Arts Centre in Canterbury, Kent at the end of February 2023. BTG Editor David Chadderton spoke to David about the fascinating process or reconstructing these ancient works, staging them in a way that gives a modern audiences a similar experience to those who watched them 2,500 years ago rather than as museum pieces and his views on Scottish theatre. The Egyptians will have an initial run at Gulbenkian Arts Centre in Canterbury from 22 to 25 February 2023. Macbeth (an undoing) by Zinnie Harris, after Shakespeare, runs at Royal Lyceum Theatre in Edinburgh, also until 25 February.

Joe O’Byrne has been producing his own work for stage around the North West, often to great acclaim, for some years, but recently, he has been taking more work further afield than ever. This year, he will again tour his ghost story The Haunting of Blaine Manor and four of his Tales from Paradise Heights, a series of plays that share characters and a location with interlocking stories: The Bench, Diane’s Deli, Strawberry Jack and I’m Frank Morgan: Rewired. BTG Editor David Chadderton has been following Joe’s work for over a decade, and he spoke to him about his work and his newly increased energy and ambition for taking his work around the UK, and potentially onto TV. For more information on all of Joe’s work for stage, screen and canvas, see talesfromparadiseheights.com, and also check out his YouTube channel.

Jonathan Cake is an actor who has worked extensively on stage, film and television in the UK and the US, but his first love has always been theatre, and many of his friends in the business feel the same. In order to investigate what it is about theatre that keeps drawing them back, he has started a podcast, Stage Door Jonny, where he talks to some of those friends including Sam Mendes, Damian Lewis, David Harewood, Jez Butterworth, Ethan Hawke, and, in the very first episode, Sarah Jessica Parker and Matthew Broderick. BTG Editor David Chadderton spoke to Jonathan about the podcast and the often quite personal revelations of his celebrity guests, as well as about his own career and why he keeps coming back to theatre. You can find Stage Door Jonny on all the usual podcast platforms.

During the pandemic, Peter Duncan kept the panto magic alive with his online pantomimes Jack and the Beanstalk and Cinderella. This year, he has created his third streamed pantomime: Pantoland.  BTG’s Panto Editor Simon Sladen spoke to Peter about his foray into film-making and turning a very live genre into one that can work equally well on screen. Simon and Peter also discuss Peter's first experience of pantomime, growing up in a theatrical household and writing, directing and starring in pantomimes across the country—and Blue Peter gets a mention, of course. For more information, see Panto Online. (photo credit Gordon Render)

London’s VAULT Festival was founded in 2012 by Andy George and Mat Burtcher in the tunnels under Waterloo Station. The lockdown due to the COVID pandemic came during the 2020 festival and resulted in the cancellation of the 2021 and 2022 festivals, but the programme has now been announced for a big return in January 2023. BTG Editor David Chadderton spoke to VAULT’s Director and co-founder Andy George about the principles and criteria for the festival programme, it’s humble beginnings ten years ago, survival over three years of COVID and highlights of the 2023 event, plus he comes up with an interesting metaphor for creating theatre taken from Wallace and Gromit. VAULT Festival 2023 takes place in various venues around Waterloo from 24 January to 19 March featuring more than 500 theatre, comedy, cabaret and late-night shows.

Since 2005, Manchester-based property company Bruntwood has worked with the Royal Exchange Theatre to present the Bruntwood Prize for Playwriting. The 2022 ceremony was held at the Royal Exchange on 14 November. BTG Editor David Chadderton spoke to the three of the winners—International Award winner Rochelle Fong, North West Original New Voice winner Patrick Hughes and Bruntwood Prize for Playwriting winner Nathan Queeley-Dennis—immediately after the ceremony about their work and how they felt about their awards.

The new Shakespeare North Playhouse in Prescot, Merseyside is an Elizabethan-style theatre which opened in July 2022. However, its first production of a play by Shakespeare came later with A Midsummer Night’s Dream produced by Warrington-based associate company Not Too Tame. The production will transfer to Newcastle for a run in the Epic Space at Northern Stage. David Chadderton spoke to Not Too Tame’s Artistic Director Jimmy Fairhurst, who co-directed the production with Matthew Dunster, and a company co-director, Andrew Butler, who appears in the production, about their take on the play, how it fits with the company’s philosophy of accessible theatre for the working classes (“a good night out”) and how this new theatre sits within the community in Prescot, as well as about their introduction to and love for Shakespeare. Not Too Tame’s A Midsummer Night’s Dream runs at Shakespeare North Playhouse from 22 September to 22 October and at Northern Stage from 29 October to 12 November 2022.

On 29 September 2022, Manchester International Festival officially announced its plans for the opening of its new permanent performance venue, to be called Factory International, in the St John’s area of Manchester city centre. BTG Editor David Chadderton spoke to John E McGrath, Artistic Director and Chief Executive of both Manchester International Festival and Factory International, about what the new building would provide for Manchester and the international arts scene, as well as about the opening production, Free Your Mind, a stage adaptation of the film The Matrix directed by Danny Boyle with a script by Sabrina Mahfouz, music by Mikey J Asante, choreography by Kenrick Sandy and design by Es Devlin. Following this, you can follow us on a tour of the building led by lead architect Ellen van Loon of OMA and Creative Director Low Kee Hong. Free Your Mind will run from 18 October to 5 November 2023, and tickets are now on sale. (Photo of John E McGrath at the Factory International Launch, credit: James Spe

Derby Theatre and Queen’s Theatre Hornchurch are to stage a co-production of a new adaptation of Robert Louis Stevenson’s Jekyll and Hyde. Neil Bartlett has brought the story up to date and introduced some female characters. BTG Midlands Editor Steve Orme spoke to two of the actors, Nicholas Shaw and Polly Lister, about the show while Derby Theatre’s Sarah Brigham who’s directing and Mathew Russell from Queen’s Theatre Hornchurch talk about the benefits of their collaboration. Jekyll and Hyde will run at Derby Theatre from 30 September until 22 October and at Queen’s Theatre Hornchurch from 26 October until 12 November 2022.

Nottingham Playhouse is presenting a new play, The Clothes They Stood Up In, which is described as a “bittersweet exploration of marriage, dreams and lives unlived”. Adrian Scarborough appears in the production and adapted the script from a story by Alan Bennett. Scarborough spoke to BTG Midlands editor Steve Orme about writing the script, getting the go-ahead from Bennett himself and how his career has developed over two-and-a-half decades. The Clothes They Stood Up In runs at Nottingham Playhouse from 9 September until 1 October 2022.

Oldham Coliseum Theatre is opening its 2022 autumn season with a revival of Jim Cartwright’s acclaimed portrait of life in a Lancashire town in Thatcher’s Britain of the 1980s, Road, which premièred at the Royal Court Theatre in London in 1986. Returning to the Coliseum after directing the theatre’s first post-COVID production, Love n Stuff, in September 2021 is director Gitika Buttoo, who spoke to BTG Editor David Chadderton about the relevance of the play to today’s world, the stories it tells, her casting decisions and a career that has taken her from Leeds Playhouse to Bolton Octagon to the National Theatre and now to Oldham Coliseum, amongst others, in just five years. Road by Jim Cartwright will run at Oldham Coliseum from 16 September to 1 October 2022.

Peter Straker’s first big break was in the West End première of the musical Hair in 1968, following which he has had a long and impressive career in both musical and non-musical theatre and as a recording artist, notably collaborating with his close friend Freddie Mercury. His show based on the songs of Jacques Brel was a hit a few years ago at the Edinburgh Fringe, but this year, he is trying something new with Adventures of Straker, featuring songs from various musicals accompanied by musician Gabriele Baldocci. BTG Editor David Chadderton spoke to Peter about his Edinburgh show, as well as a bit about his journey from Jamaica to the West End stage, performing in the taboo-breaking musical Hair just as the censorship of the Lord Chamberlain was ending on the British stage and a few other highlights of his career, plus some of his packed future plans. The Adventures of Straker will be at theSpace @ Niddry Street in Edinburgh from 15 to 20 August 2022 each day at 6:55PM. For more information, see www.adventur

Mischief Theatre, which rose to fame ten years ago with its smash hit comedy The Play That Goes Wrong, is returning to Edinburgh in 2022 with three shows: Charlie Russell Aims to Please, Mischief Movie Night and Mind Mangler: Member of the Tragic Circle. Charlie Russell, who writes and performs the show that names her in the title, has been a co-creator and cast member in most of the company’s shows so far. BTG Editor David Chadderton spoke to Charlie about their three Fringe shows as well as about the company’s creative process and phenomenal success. Charlie Russell Aims to Please runs at Pleasance Below, Pleasance Courtyard at 3:15PM from 3 to 27 August. Mischief Movie Night is at Pentland Theatre, Pleasance at EICC at 6:30PM from 3 to 28 August. Mind Mangler: Member of the Tragic Circle is at Pleasance Beyond, Pleasance Courtyard from 3 to 28 August. The new piece by Henry Shields, Good Luck, Studio, will be at Mercury Theatre in Colchester, Salisbury Playhouse and Yvonne Arnaud Theatre in Guildford betwe

John Lloyd, the TV and radio producer behind many classic comedy programmes from The Hitch-Hiker’s Guide to the Galaxy, Not the Nine O’Clock News and Spitting Image to Have I Got News For You, The News Quiz and QI, will be asking audiences to put his accumulated knowledge on all subjects to the test at this year’s Edinburgh Fringe in his show Do You Know Who I Am?. BTG Editor David Chadderton asked him about the show, about his career and about the things that continue to fascinate him enough to make producing programmes like QI more like an addiction than a job. John Lloyd: Do You Know Who I Am? will be at The Stand’s New Town Theatre on George Street, Edinburgh from 5 to 15 August 2022 at 3:40PM every day. For more details and tickets, go to edfringe.com or www.thestand.co.uk.

London’s Greenwich + Docklands International Festival began as a free, outdoor festival in 1996, managed to continue throughout the COVID pandemic and has now announced its 27th programme of events which will run from 26 August to 11 September 2022. GDIF Artistic Director Bradley Hemmings MBE, who also co-directed the opening ceremony for the 2012 London Paralympic Games, spoke to BTG Editor David Chadderton about this year’s festival and about its past developments.

One of the biggest hits of the 2009 Edinburgh Festival Fringe was a one-man show about comedian Eric Morecambe written by Tim Whitnall and performed by Bob Golding. When comedy impressionist Jon Culshaw (Dead Ringers, Spitting Image) had the idea to pay tribute to comedian Les Dawson, he teamed up with Tim and Bob to create Les Dawson: Flying High, which will make its debut at this year’s Edinburgh Fringe before being extended for a national tour. BTG Editor David Chadderton spoke to the three of them together during the rehearsal period about their approach to telling the story, some of the elements they had to include and the affection that they and many others still have for a few comedians of Les Dawson’s generation. Les Dawson: Flying High, written by Tim Whitnall, directed by Bob Golding and starring Jon Culshaw, will run at the Gordon Aikman Theatre, Assembly George Square in Edinburgh from 3 to 28 August 2022 followed by a tour of the UK. (Photo of Jon Culshaw as Les Dawson by Steve Ullathorne)

David Sefton joined Gulbenkian Arts Centre in Canterbury as Artistic Director in 2021, in the middle of the coronavirus pandemic, after running the Adelaide Festival in Australia. BTG Editor David Chadderton spoke to David about the 2022-23 season featuring companies such as Pussy Riot, 1927 and Improbable, and also about a career that took him from Liverpool to London’s South Bank, where he created the Meltdown Festival working with guest curators including Scott Walker, John Peel, Elvis Costello and Laurie Anderson, to UCLA Performing Arts in Los Angeles and then to Adelaide before returning to Kent—including a few stops on the way that he says aren’t even on his CV any more. For more information about Gulbenkian Arts Centre and its programme or to buy tickets, see www.thegulbenkian.co.uk or find it on Twitter or Instagram at @thegulbenkian.

The Still Room is a new play at Park Theatre in London set in the ‘still room’ of a hotel, where the waiters wait, in the North West of England in 1981. It was written by Sally Rogers, best known on TV as DC Jo Masters in The Bill and with theatre credits at the National Theatre, Royal Court and Out of Joint, based on her own experiences of working in a hotel near Stockport when she was just 16. BTG Editor David Chadderton spoke to Sally during previews about the play and its setting, about teaching a young cast about life in the ‘80s and about various aspects of Sally’s career, including being directed by John Malkovich (and making him cry) and being a member of Max Stafford Clark’s Out of Joint theatre company in the 1990s, which, she says, made her a much better actor. Of course The Bill is mentioned, and her colleague from that long-running TV series Chris Simmons (DC Mickey Webb) who is performing in her play, plus there is an element of two people reminiscing about growing up near Manchester in the 1980