Bad At Sports

In Part 2 of the Hilde Lynn Helphenstein (Jerry Gogosian) conversation, the discussion turns raw, vulnerable, and deeply structural. Hilde speaks candidly about burnout, public vilification, online pile-ons, and the emotional cost of living as a persona inside an unforgiving attention economy. She describes losing followers overnight, being labeled with extreme political accusations, and watching the art world take visible pleasure in her public failures while remaining silent during her successes. She recounts the personal toll of constant media exposure, professional pressure, and economic precarity: marriage collapse, total exhaustion, and a year-long withdrawal from work following multiple suicide attempts. Jerry, she explains, has evolved from a meme engine into a living, walking performance — where even the most banal moments of daily life become content whether she wants them to or not. The episode confronts what it means to live as a meme in a broken matrix of attention, validation, and misrecogniti

At NADA Miami 2025, Bad at Sports' Duncan MacKenzie and Ryan Peter Miller sit down with Hilde Lynn Helphenstein, better known to most of the art world as meme-lord and art-world agent provocateur Jerry Gogosian. In a conversation that swings between dead serious and totally unhinged, Hilde traces the unlikely origin story of Jerry: a near-fatal tick bite in Hudson, NY; weeks in the ICU where she went blind, deaf, and lost the use of her hands and feet; and the eight-month bedridden period that led her to start making art-world memes "six or seven a day" just to stay sane.  She explains how Jerry Gagosian—a name cheekily mashed up from Jerry Saltz and Larry Gagosian—became an anonymous voice for the insiders, registrars, assistants, and "world's oldest interns" of the art world. Positioned "at the cutting edge of stating the obvious," Jerry's memes mined the absurdities of art fairs, galleries, power, and self-seriousness, often circulating so widely that even Arne Glimcher at Pace blasted one to the entire st

Recorded at the Stony Island Arts Bank / Chicago Architecture Biennial tailgate In this wild, funny, and unexpectedly heartfelt tailgate episode, the Bad at Sports crew — Duncan MacKenzie, Brian Andrews, Ryan Peter Miller, and Jesse Malmed — sit down with sculptor and arts worker Andi Crist in front of the Stony Island Arts Bank during the Chicago Architecture Biennial. The conversation moves fluidly between jokes about heated bamboo floors, fake Uber snacks, soggy bottoms, and bees swarming the microphones — but at its core, the episode is an unusually generous portrait of an artist who's spent years inside the hidden labor structures of museums, galleries, and fabrication shops. Crist discusses her debut solo museum exhibition at the Cleve Carney Museum of Art, Live Laugh, Labor: Thoughts on Usefulness and Other Myths. She traces her evolution from preparator and art worker to exhibiting artist, unpacking how years of installing, patching walls, and fabricating for others shaped her own deeply self-aware s

Recorded live at the Museum of Contemporary Art Chicago / CAB Tailgate In this live MCA tailgate episode, the Bad at Sports crew — Duncan MacKenzie, Ryan Peter Miller, Brian Andrews, and Jesse Malmed — sit down with Chicago Tribune and Hyperallergic critic Lori Waxman to dig into the past, present, and uncertain future of art criticism.   Lori Waxman speaks candidly about being one of the last remaining "paper critics" in the Midwest, the strange privilege and responsibility of writing for a general audience, and the realities of practicing criticism in a media ecosystem that has largely abandoned it. The conversation moves between the lightly chaotic and the deeply reflective: the team discusses accountability, gatekeeping, democratization, descriptive vs. evaluative criticism, and the uneasy role of critics in shaping a city's cultural memory. A major portion of the episode is devoted to Waxman's long-running performance project "The 60 WRD/Min Art Critic," which she describes as part-service, part-perform

Recorded live at the CAB6 × MCA Tailgate This episode was recorded as part of the Chicago Architecture Biennial (CAB6) activation on the plaza of the Museum of Contemporary Art Chicago, where Bad at Sports staged a series of open-air interviews, community dialogues, and tailgate-style broadcasts. Artists, architects, students, and the public intersected in a shared social space designed for porous conversation. Episode 920 features Tony Lewis, whose practice has shaped Chicago's contemporary drawing discourse for more than a decade. In this conversation, Tony Lewis joins Bad at Sports for an unscripted outdoor interview on the MCA plaza during the Architecture Biennial. The discussion moves fluidly between Lewis's formative years in Chicago, the evolution of his drawing practice, his relationship to language systems (notably shorthand), and the material intelligence behind works that incorporate rubber bands, graphite, or constraint mechanisms. Lewis reflects on mentorship, studio discipline, the impo

This week, Bad at Sports hits the road and heads north to Sheboygan and Kohler, Wisconsin — where art, industry, and community collide. We drop into the John Michael Kohler Arts Center (JMKAC) and the Kohler Arts/Industry Residency program to see how a small Midwestern town sustains one of the most ambitious intersections of art and manufacturing in the country. Michelle Grabner and Jodi Throckmorton. From toilets to terracotta, brass casting to bathroom design, Kohler has been quietly incubating radical artistic practice for decades, embedding artists in its factories while JMKAC builds a civic platform for art environments, vernacular traditions, and contemporary experimentation. We talk with artists, administrators, and community members about what makes this ecosystem work — and why Sheboygan might just be the weirdest, most wonderful art town in America. John Michael Kohler Arts Center @jmkacKohler Arts/Industry Residency Kohler Co. @kohler   Name-Drop Jodi Throckmorton  - https://curatorsintl.org/abou

This week we sit down with Amanda Ross-Ho, whose large-scale sculptures, staged environments, and uncanny translations of domestic and studio life have made her a vital presence in contemporary art. Recorded in Chicago around her latest exhibition, the conversation spans everything from monumental t-shirts to the politics of labor, and from the intimacy of the studio to the spectacle of the art fair. Ross-Ho reflects on how she mines personal and collective archives, the humor and seriousness in her work, and the ways she uses scale to destabilize the familiar. We also talk about teaching, generational shifts in art-making, and what it means to sustain a practice over the long haul.   Listen & Follow   Amanda Ross-Ho - https://hammer.ucla.edu/made-la-2025/amanda-ross-ho @amandarossho   Name-Drop  Amanda Ross-Ho — https://www.miandn.com/artists/amanda-ross-ho | @amandarossho Mitchell-Innes & Nash (Gallery) — https://www.miandn.com | @miandn_gallery Cherry and Martin (Gallery) — https://www.artfor

  This week, we print big or go home. Bad at Sports cast their eyes to New York from the safe confines of the Chicago Architectural Biennial booth at EXPO 2025 to talk with the legendary Two Palms studio in the guise of Alex Slattery. If you’ve ever stood slack-jawed in front of a monoprint the size of a small car or a woodblock cut so large it needed its own logistics plan, chances are Two Palms was behind it. Since the 1990s, David Lasry and company have been redefining what printmaking can be—working with artists like Carroll Dunham, Elizabeth Peyton, Mel Bochner, Cecily Brown, Terry Winters, Chris Ofili, Dana Schutz, Richard Prince, Chuck Close, Jeff Koons, and yes, even channeling the ghost of Andy Warhol. From delicate gestures to total madness with ink and paper, the studio’s collaborations are as unpredictable as they are radical. We talk risk, scale, failure, and discovery—the alchemy of artist–printer collaborations that make Two Palms a force in contemporary art. Along the way we wander through sto

Duncan MacKenzie and Ryan Peter Miller drive up to the Dunn Museum in Libertyville, IL to talk with legendary comics painter Alex Ross. Known for Marvels, Kingdom Come, and decades of redefining superhero realism, Ross reflects on his career trajectory, his education at the American Academy of Art, his influences (from Neal Adams to Dave McKean), his early breaks with Now Comics and Leo Burnett storyboarding, and his transition into large-scale mural projects for Marvel and DC. The conversation ranges from comics history, realism in superhero depictions, variant cover economics, the physicality of superheroes, to America’s appetite for dystopian narratives versus a return to the “pure Superman.” Ross is candid, funny, and deeply reflective about the comics medium, painting, and storytelling.     Name-Drop List Artists & Writers Alex Ross — https://www.alexrossart.com/ | @alexrossart Neal Adams – https://nealadams.com/ George Pérez – https://www.tcj.com/george-perez-1954-2022/ Jack Kirby – ht

In Part Two of our late-night conversation, Bad at Sports digs deeper into the remarkable trajectory of Kenny Schachter. From law school dropout to autodidact philosopher, from Sotheby’s bidder to artist and teacher, Schachter traces the unlikely path that brought him into the heart of the art world — a place he insists remains strangely conservative despite all its pretenses of progress. The discussion moves between personal history and systemic critique. Schachter recounts the role of art in surviving trauma, loss, and addiction, and why surrounding himself with works by others has been both solace and education. He reflects on the stubborn conservatism of the market, celebrity crossovers from Johnny Depp to Julian Schnabel, and the tension between wanting freedom and the systems that resist it. For Schachter, art is both a lifeline and a way to comment on the world’s chaos — a practice rooted in generosity, curiosity, and contradiction. This episode captures him at his most reflective and most biting, mo

This week on Bad at Sports, Duncan MacKenzie and Ryan Peter Miller find themselves in Chicago with curator Bianca Bova and the indefatigable Kenny Schachter — artist, writer, teacher, collector, and provocateur. What begins as a conversation about Schachter’s exhibition at Old Friends Gallery — featuring chicken-assisted artworks and bronze casts forged in Slovenia — quickly expands into a meditation on the art world itself. Schachter reflects on his collaborations, his obsession with foundries, and his refusal to keep resources secret. The group debates the zero-sum mentality of the art market, why artists sabotage themselves, and how absurd projects (sometimes with actual chickens) can be the most serious acts of art-making. Equal parts candid and comedic, the conversation cuts across auctions, art fairs, and the everyday realities of teaching. Expect reflections on generosity vs. gatekeeping, the fragility of the art system, and what it means to make art that is more conceptual than commercial. Highlight

This week, Bad at Sports reconnects with one of Chicago’s most beloved curators and cultural instigators Ox-Bow School of Art’s Executive Director, Shannon Stratton. From founding Threewalls to serving as Chief Curator at the Museum of Arts and Design (MAD) in New York, Stratton’s career is a masterclass in weaving together artists, audiences, and institutions. We talk about building spaces for experimental practices, sustaining feminist and craft-centered discourse, and what it means to return to Chicago after reshaping the curatorial conversation nationally. Stratton dives into the ethics of hospitality, the politics of craft, and why sometimes the most radical thing you can do is set the table. Recorded live at EXPO 2025 in the loving space provided by the Chicago Architectural Biennial 2025 Photo by Dominique Muñoz @domo23   Name-Drop Shannon R. Stratton - https://www.shannonraestratton.com/about Threewalls — https://three-walls.org/ Museum of Arts and Design (MAD) —https://madmuseum.org/ Haystac

This week Bad at Sports goes full meta, talking about talking about art. We sit down with Ben Davis, National Art Critic for Artnet News and author of 9.5 Theses on Art and Class, to unpack the state of art criticism in 2025. Davis has been one of the sharpest voices charting the relationship between culture, economics, and media—at once insider, outsider, and always keeping his mom in mind. From the collapse of traditional publishing to the weird vacuum left by social media, Davis doesn’t just describe the cracks in the system—he names them, theorizes them, and points to where something new might emerge. We talk ZIRP (zero-interest-rate phenomena), the rise of click-driven media, what AI means for art, and why communities matter more than markets. Listen & Follow Ben Davis on Artnet News - https://news.artnet.com/search/Ben+Davis  @benstoppable https://www.benadavis.com/ Name-Drop Artnet News — news.artnet.com https://news.artnet.com/search/ Brooklyn Rail — brooklynrail.org AI

Recorded live from the Chicago Architectural Biennial’s booth at EXPO Chicago, Bad at Sports tailgates with artist Edra Soto and designer Dan Sullivan—Chicago’s unofficial art-world power couple. Soto unpacks her first solo art fair booth at Engage Projects, where monoblock plastic chairs, airbrushed T-shirts, and Puerto Rican vernacular architecture collide with memory, loss, and celebration. Sullivan, founder of Navillus Woodworks, riffs on craft, Ikea hacks, and the business of making high-end furniture while moonlighting as Soto’s collaborator and fabricator. "Dan helps." What starts as a playful conversation about paparazzi, beer coolers, and chairs spirals into a meditation on grief, Puerto Rican cultural identity, and the design politics of everyday objects. Along the way, we hit Bad Bunny, the Bear restaurant, euphemisms around death, Catholic ritual, and the French (yes, the French). We close out with music talk—Sullivan on his bands Nadnavillus and Arriver—and a standing invitation for Bad at Sp

In this lively and insightful episode, Bad at Sports hosts a roundtable conversation with Dirk Denison (Founding Board Member of the Chicago Architecture Biennial (CAB)), David Salkin (Designer, Curator, and Board Husband), and Jennifer Armetta (Executive Director of the CAB). Together, they reflect on the impact and legacy of the Chicago Architecture Biennial and its shifting forms of experimentation, urbanism, and civic engagement. The episode explores the curatorial frameworks of CAB, the roles of education and public space, and how architecture becomes a lens through which cities reimagine themselves. Names Dropped: - Dirk Denison - David Salkin - Jennifer Armetta - Chicago Architecture Biennial (CAB) - Venice Architecture Biennial  - CAB 5: This is a Rehearsal - CAB 6: Shift - Chicago Architecture Center - Graham Foundation - Studio Gang - MASS Design Group - Jeanne Gang - Open House Chicago – Burnham – Frank Llyod Wright – the ID at IIT – Mies – Louis Sullivian  - Professor Landis - Rahm Emmanuel

We meet Paul Pfeiffer inside his retrospective at the Museum of Contemporary Art Chicago to talk about ghosts, spectacle, and the metaphysics of sports. Known for erasing athletes from footage and turning stadiums into stages of worship, Pfeiffer opens up about boxing as performance, the haunted loop of fandom, and building media rituals in the Philippines. Also: parrots, Deion Sanders, lip sync monks, and the death of the moment.   Names dropped: Deion Sanders - https://www.instagram.com/deionsanders/?hl=en  Manny Pacquiao - mannypacquiao.ph The Bible (yes, the text) - https://thesatanictemple.com/pages/hail-satan?srsltid=AfmBOoqTwkeDSDwxOmlvVLQX8QQduw8ehfzt3sYzUMFMvJO-_ym35hOg Tom Gunning - https://cms.uchicago.edu/people/tom-gunning Joshua Oppenheimer - https://cream.ac.uk/people/josh-oppenheimer/  DJ Spooky (Paul Miller) - djspooky.com Gina Osterloh - ginaosterloh.com Museum of Contemporary Art Chicago - mcachicago.org Biennale of Sydney - biennaleofsydney.art Contemporary Art Gallery Vancouver -

We sit down with curator Rachel Adams to talk about institutional evolution, artists as infrastructure, and how curatorial practice shifts between museums and biennials. Rachel reflects on working with artists like Cauleen Smith, Liz Magic Laser, and Beatriz Santiago Muñoz, the power of slow curation, and why she’s drawn to hybrid spaces that defy the market. Along the way: phantom titles, artist contracts, Minneapolis moments, and a manifesto in a box of ice cream bars. Cauleen Smith cauleensmith.com   Liz Magic Laser lizmagiclaser.com   Beatriz Santiago Muñoz lima.art   Candice Hopkins indigenousnewyork.org   Nato Thompson https://www.natothompson.com/about   Christina Vassallo columbusmuseum.org   Sarah Schultz mplsart.com   Alison Hearst themodern.org   Andrea Andersson riversinstitute.org   Franklin Sirmans pamm.org   Mary Jane Jacob https://never-the-same.org/interviews/mary-jane-jacob/   Independent Curators International (ICI)

We sit down with a delegation of Irish curators—Michele Horrigan (Askeaton Contemporary Arts), Michael Hill (Temple Bar Gallery + Studios), and Mark O’Gorman (The Complex)—to unpack what it means to build artist-centered institutions on an island without a commercial art market. From weather-worn banana warehouses to smoke-machine-filled nightclubs, these curators share space-making tactics, post-colonial entanglements, and the challenges of caring for artists without selling to collectors. They’re in Chicago for EXPO and bringing the heat—with nothing but friendship, found neon, and deeply site-responsive shows. Also: fluorescent hands, oak horns, grant hustle, and Duchampian office doors Names Dropped: Liliane Puthod – https://www.lilianeputhod.net/ Áine Mac Giolla Bhríde (A.Mac) – https://www.motherstankstation.com/artist/aine-mac-giolla-bhride/ Devin Mays – https://regardsgallery.com/artists/devin-mays/ Haynes Riley / Good Weather – https://www.goodweather.llc Becky Nahom (ICA) – https://curatorsint

Live from Andrew Rafacz Gallery, Chicago In this intimate, laughter-filled episode recorded live at Andrew Rafacz Gallery, Duncan and Ryan sit down with artists Jaqueline Cedar and Josh Dihle on the occasion of their concurrent solo exhibitions. The conversation traverses everything from Duchampian bathroom jokes to model train nostalgia, parenthood, masculinity, and why drawing still matters. We dig deep into Cedar's intimate, narrative-rich figure paintings and Dihle’s large, toy-like sculptural paintings, both brimming with color, play, and strange tenderness. Along the way, we explore the value of humor, discomfort, labor, scale, and why both artists moonlight as gallerists—Cedar with the roving Good Naked Gallery and Dihle with events at Color Club and The Sugar Hole ice cream shop. It’s a heartfelt meditation on art, joy, burnout, and why we keep making. Name Drop List & Related Links Jaqueline Cedar Website | Instagram Good Naked Gallery – Instagram Josh Dihle Website | Instagram Col

Live from the tailgate lounge at Chicago Architectural Biennial 6's booth at Expo Chicago, Duncan and Ryan welcome Joey Orr, the newly appointed Deputy Director and Chief Curator of the MCA Chicago. In this densely brilliant and surprisingly hilarious conversation, Orr discusses what it means to steer a contemporary art institution in an era of deep social complexity, political polarization, and shifting museum ethics. We cover everything from the social life of objects to the lore of performance documentation, and even pitch a game show based on the varied memories of Chris Burden’s early MCA performance. Orr reflects on social practice, audience authorship, and why curators are public servants—not VIPs. We get deep into what it means to be a meat sack in space, how to radicalize museum engagement, and why reenactments may just be the key to future institutional magic. This is art talk that grinds, gropes, and glows in the dark. No hot dogs, just conceptual fireworks.   Joey Orr – Deputy Director