The Art Of Monarchy

In this Diamond Jubilee year, BBC Arts Editor Will Gompertz has been selecting some of the most revealing objects from the Royal Collection to see what they tell us about the monarchs who acquired them. It is one of the most wide-ranging collections of art and artefacts in the world, and also one of the most surprising - offering up an intriguing insight into the minds of the monarchs who assembled it. During the course of this series, Will has encountered dozens of these unique objects - some priceless, others no more than souvenirs - each giving a glimpse into the essential characteristics of a successful sovereign. And in this, the final programme, he delves once more into the Collection to see what a subtly doctored portrait of Richard III, a bombastic mural that once hung in the Palace of Whitehall and the paintings on the Grand Staircase in Buckingham Palace tell us about how the Monarchy has dealt with a series of dynastic crises. And he joins the Royal Collection at work today and sees how Leonardo da

The Royal Collection is one of the most wide-ranging collections of art and artefacts in the world and provides an intriguing insight into the minds of the Monarchs who assembled it. In this series, BBC Arts Editor Will Gompertz encounters dozens of these unique objects - some priceless, others no more than souvenirs - each shedding light on our relationship with the monarchy and giving a glimpse into the essential ingredients of a successful sovereign. In this programme, Will looks beyond these island shores to see the Monarchy as a global force. The monarch was a symbol of imperial expansion, in the form of the British Empire, for 300 years. But Will begins with the current reign, which has seen a retreat from Empire and the development of the modern Commonwealth, exemplified in the Royal Collection by a small woven cloth made with yarn spun by Gandhi, which contains an anti-imperial message written in Hindi. Centuries ago, the Queen's predecessor and namesake, Elizabeth I, presided over the very beginning

The Royal Collection is one of the most wide-ranging collections of art and artefacts in the world and provides an intriguing insight into the minds of the monarchs who assembled it. During the series, Will Gompertz encounters dozens of these unique objects - some priceless, others no more than souvenirs - each shedding light on our relationship with the monarchy and giving a glimpse into the essential ingredients of a successful sovereign.In this programmes, Will explores the relationship the institution of the monarchy has had with that potentially corrosive agent - change. He finds that the most successful monarchs have understood and harnessed innovation - Henry VIII took an interest in wood so the Navy boats would be the best on the ocean, Charles II established the Royal Observatory so astronomers could find out more about the skies and better inform navigation. Queen Victoria asked Marconi to demonstrate a radio station at Osborne House and she took part in the first trans-Atlantic cable ever sent.With

The Royal Collection is one of the most wide-ranging collections of art and artefacts in the world and provides an intriguing insight into the minds of the monarchs who assembled it. During the series, Will Gompertz encounters dozens of these unique objects - some priceless, others no more than souvenirs - each shedding light on our relationship with the monarchy and giving a glimpse into the essential ingredients of a successful sovereign. In this programme, Will investigates the unspoken and unwritten contract that has existed between the rulers and the ruled in this country. Over the centuries, both parties have used compromise and conflict, threat and reward. Will uses six objects from the Collection to illuminate some of the pivotal moments in this relationship.From the Wriotheseley Garter Book, dating from the 1520s, one of the earliest depictions of Parliament in action, to a ring keeping the memory of the recently executed King Charles I alive, Will sees both extremes of the relationship between monar

The Royal Collection is one of the most wide-ranging collections of art and artefacts in the world and provides an intriguing insight into the minds of the monarchs who assembled it. In this series, BBC Arts Editor Will Gompertz encounters dozens of these unique objects - some priceless, others no more than souvenirs - each shedding light on our relationship with the monarchy and giving a glimpse into the essential ingredients of a successful sovereign. In this programme, Will uses five objects to investigate a pivotal aspect of the art of monarchy - the projection of magnificence. An idea as old as monarchy itself, magnificence is the expression of power through the display of wealth and status. Will's first object unites our current Queen with George III; the Gold State Coach, which has been used for coronations since 1821. Built for George III in 1762, it reflects Britain's new found glory in its richly gilded carvings and painted panels...but the glory was to be short lived.Will goes on to explore Henry V

The Royal Collection is one of the most wide-ranging collections of art and artefacts in the world and provides an intriguing insight into the minds of the monarchs who assembled it. In this series, BBC Arts Editor Will Gompertz encounters dozens of these unique objects - some priceless, others no more than souvenirs - each shedding light on our relationship with the monarchy and giving a glimpse into the essential ingredients of a successful sovereign. A thousand years of monarchical history tell us that one crucial relationship for a monarch is with the church. In today's programme, Will sees how hard successive rulers have worked to make sure religion stayed on their side. It has not always been easy. The relationship with the church has through the centuries been so fraught as to threaten the survival of a sovereign. Will begins with an object used - only for a brief but crucial moment - in the coronation of the present Queen, then encounters an object that dates from the time of William the Conqueror and

The Royal Collection is one of the most wide-ranging collections of art and artefacts in the world and provides an intriguing insight into the minds of the monarchs who assembled it. In this series, BBC Arts Editor Will Gompertz encounters dozens of these unique objects - some priceless, others no more than souvenirs - each shedding light on our relationship with the monarchy and giving a glimpse into the essential ingredients of a successful sovereign. In today's programme, Will puts the Royal Collection on a war footing as he examines six very different items covering 700 years that show how the monarchy has rallied their subjects for war and endeavoured to keep the peace.Will's explorations of monarchs at war begins with a photograph of the young Princess Elizabeth training to be an ATS Officer in 1945 shown to the nation to boost morale but then spools back to the Middle Ages with a clear symbol of martial authority - Edward III's six feet, eight inch long bearing sword. Henry VIII, Mary Queen of Scots an

BBC Arts Editor, Will Gompertz, begins an 8-part exploration of almost one thousand years of the British Monarchy as told through the objects of art they collected. In a weekly journey that takes him from the wilds of Balmoral in Scotland to the isolation of Osborne House on the Isle of Wight, from the State Rooms in Buckingham Palace to the Royal Library at Windsor Castle, he'll be selecting choice items from the Royal Collection to see what they betray about the art of statecraft and a successful reign. In each programme historians, academics and Royal Collection curators shed light on the mystery of kingship and the importance of faith, war, magnificence, progress and the people in the minds of monarchs.He begins his investigations by looking at some of the most personal royal images in the Collection to see what insights they give us into the lasting power of the monarchy. From the very earliest royal photographs to the revealing portrait of a seductive Victoria, and from the forgotten son of Henry VIII t