Keep The Channel Open

David Emitt Adams recently won the 2016 Clarence John Laughlin award for his photography, and if you've ever seen it before, you know why. In his work, David uses the wet-plate collodion process to create images on objects from his students' used film canisters to discarded cans found in the desert to oil drum lids, and the interplay between the photographs and the objects on which they're exposed adds a whole new dimension. (No pun intended.) David and I had a great talk about his work, and then in the second segment we moved on to discuss the ideas of permanence and impermanence. Subscribe: iTunes | Google Play | Stitcher | SoundCloud | RSS Support: Support our Patreon | Leave a review Share: Tweet this episode | Share to Facebook Connect: Email | Facebook | Twitter | Tumblr Show Notes: David Emitt Adams 2016 Clarence John Laughlin Award David Emitt Adams - 36 Exposures David Emitt Adams - Conversations With History Etherton Gallery photo-eye Roswell Museum and Art Center