Homebrewed Christianity Podcast

What is the sin in Sinners? — and then four of the most brilliant theologians working today spent an hour doing what great theologians do: they cracked the whole thing open. Set in 1932 Mississippi and layered with blues, hoodoo, vampires, and Black survival, Ryan Coogler's film turns out to be a theological event, and this conversation treats it like one. Adam Clark names white supremacy as the film's central sin — parasitic, predatory, embodied in white vampires who can only survive by consuming Black vitality. Kelly Brown Douglas traces the deep dialectic between the blues and the Black church, and how the juke joint functions as a kind of invisible institution keeping Black faith alive from the underside. Juan Floyd-Thomas goes deep on conjure, Papa Legba, and why Sammy at the crossroads isn't just a blues musician but a gateway between the living and the dead. And Stacey Floyd-Thomas brings the womanist lens that names what the film itself only partially names: the women are the most spiritually powerful