New Books In Dance

With his fake beard, putty nose, and thick Yiddish accent, the “stage Jew” was once a common character in vaudeville, part of a genre that mocked immigrants and minorities. Essentially a variant of blackface minstrelsy, the music that accompanied these “Jewface” performances was not only performed on stage, but also published as colorfully illustrated sheet music so fans could play them at home. Outrageous and offensive by today’s standards, these “Yiddish” dialect songs exploited a variety of unpleasant stereotypes about Jews. Based in part on the sheet music collection of The New York Times’ Sunday Magazine Critic-at-large Jody Rosen, YIVO presents its latest exhibition, Jewface: “Yiddish” Dialect Songs of Tin Pan Alley. Join Eddy Portnoy (Senior Researcher & Exhibition Curator, YIVO), the curator of Jewface, and Jody Rosen for a discussion with Tablet Magazine editor-in-chief Alana Newhouse about this form of early 20th-century entertainment, how it mocked Jews, engaged Jews, and developed Yiddish-accent