Cities And Memory

The inspiration for this piece was the current climate and attitudes from a section of the population towards immigration. It is unsettling to see the resurgence en masse of sentiments I thought were well behind us. I used a fragment of a field recording from the Bamam tribe of Cameroon, and used it as an intro for my piece, which I divided into three movements.a) Mar GermanicusIt uses an Arabic mode (maqam) called Kurd. It represents longing, mirroring the thoughts of the dinghy's occupants, shunted in the unknown (like the ancient Romans might have viewed the North Sea) with only their fears for company.b) DoverIt employs an Arabic maqam called Rast. It represents vigour, strength, courage, all qualities the dinghy's occupants need to summon in view of approaching the English coast.c) Dark DuendeIt appropriates a flamenco idiom, a form (Palo) called Tientos. A coda that stresses arrival, the end of the journey, a new uncertain beginning, and my homage to an ethnic group that saw and sees its fair share of