Now Playing -- The Movie Review Podcast

Welcome to Now Playing's Friday the 13th retrospective, where we are reviewing every movie in the Friday the 13th series in anticipation of the new Friday the 13th movie being released on Friday, February 13th, 2009. Our look back continues with Friday the 13th Part III, released in 1982, and originally released in 3-D! Listen in to our discussion and hear what we think of this eye-pooping entry into the series.

Welcome to Now Playing's Friday the 13th retrospective, where we are reviewing every movie in the Friday the 13th series in anticipation of the new Friday the 13th movie being released on Friday, February 13th, 2009. We continue our series by discussing Friday the 13th Part II, released in 1981, where Jason makes his first appearance as the killer at Camp Crystal Lake.

Welcome to Now Playing's Friday the 13th retrospective, where we are reviewing every movie in the Friday the 13th series in anticipation of the new Friday the 13th movie being released on Friday, February 13th, 2009. We get things started with today's inaugural episode, as the Now Playing staff is discussing the original Friday the 13th, released in 1980.   {Friday the 13th Series}

Ordinary Life Is Pretty Complex Stuff In this candid, wide-ranging conversation, Jakob sits down with Harvey Pekar, the creator of American Splendor, to talk about realism in comics, the limits of the superhero genre, and why he chose to chronicle the life of a VA hospital file clerk instead of caped crusaders. Pekar reflects on his unlikely path from underground comics with Robert Crumb to mainstream recognition after the 2003 film adaptation, and he’s blunt about luck, ambition, and how hard it is to sell stories about an anti-hero whose biggest battles are depression, dissatisfaction, and everyday frustration. He discusses introducing realism into a medium that, in his view, never had a true realist movement, defends his methodical writing process, and explains why information itself can be entertainment. The interview also veers into politics, criticism, prose fiction, and Pekar’s deep love of jazz, revealing a writer who approached art the same way he approached history and music: systematically, obsess